Paris Grange fire on Jan. 7, 1938 (Courtesy, Kentwood Historic Preservation Committee)
By Kentwood Historic Preservation Committee
The Paris Grange No. 19 is the nation’s oldest national agricultural organization. Formed in 1873, the Grange members sought to improve the economic and social position of the nation’s farm population.
The historic beginning
The original Paris Grange No. 19 was organized April 10, 1873, with 26 charter members. During that same year, two other granges organized in the area—the Floral and Burton Granges. During the winter of 1877-1878, the Floral and Paris Granges united under the Paris name. In the 1880s the Burton Grange joined as well.
The Paris Grange Hall was constructed in 1879 at the southwest corner of Breton and 28th Street, which was known as Laraway Road at the time. The building was a two-story white clapboard establishment with a curved entryway and dark shutters.
A tragic fire rallies the residents
New Paris Grange Hall dedicated on Sept. 2, 1938 (Courtesy, Kentwood Historic Preservation Committee)
On Jan. 7, 1938, a fire broke out in the roof area of the Grange Hall. Although volunteer firemen from several local communities rushed to the scene, they were not able to save the structure and it burned to the ground.
The residents of Paris Township rallied to rebuild the Grange, despite the unfavorable economic conditions. Less than a year later on Sept. 2, 1938, the new Paris Grange Hall was dedicated.
One of the most important accomplishments of the Grange nationwide in the period between 1880 and 1890 was the promotion of the Interstate Commerce Act of 1887. This Act contained two clauses of importance to farm families: ensuring that railroads would not charge farmers unreasonable rates and that no farmer could be charged higher rates than another.
In 1970, the Paris 19 Grange was turned into a real estate office. Grange members still met in private homes throughout the 1970s.
Bowen School built in 1905 (Courtesy, Kentwood Historic Preservation Commission)
By Kentwood Historic Preservation Commission
Bowen School, September 1950 (Courtesy, Kentwood Historic Preservation Commission)
Some of the City’s most important links to the past are from the history, lifestyle and contributions of the Bowens.
The Bowens were involved in the construction of four Bowen Schools built over several decades. Early settlers Bostwick and Hattie Bowen were particularly interested in the educational affairs of the community. Both served as director of the school board. They hired teachers and some even boarded at the Bowen’s home.
The first school was built on the Bowen property. A second one, known as Bowen 2, was built off property but nearby Brake’s Blacksmith Shop and an abandoned train depot.
Bowen 2 tragically burned down in 1904. After the school fire, the blacksmith donated part of the shop for classes for the rest of the year. When located in the blacksmith shop, the school was known as Bowen 3.
The Bowen School being torn down in 1962 (Courtesy, Kentwood Historic Preservation Commission)
The next year, the depot was destroyed, and materials were used to build a new school, Bowen 4, which was completed in 1905. The new two-room school was built of cement blocks with a large archway at the entrance.
The idea of two rooms – one where younger children could be taught and another for older students – was that of Bostwick. There was much opposition, but the idea won out. It was the first two-room schoolhouse in the area and also the first local school to be made out of brick.
The building was used until 1952 when the current Bowen Elementary School was built on the same lot but further back. The two-room building was then demolished in 1962.
To learn more about the Historic Preservation Commission, visit kentwood.us/HPC
Paul Vander Laan grew up on a flashlight farm—his dad had a day job and worked the farm at night.
Dave Kamps Showing his 11-year-old granddaughter Libby Kleyn how to drive his team of Percherons. (Janet Vormittag)
“Mom wouldn’t let him get a tractor with headlights. She didn’t want him working all night,” said Vander Laan who lives in Walker.
When Vander Laan was 8-years-old, he recalls the last horse leaving the farm. Nostalgia of those long-gone days has turned into a hobby for him. Vander Laan owns two Percherons, a breed of draft horse that originated in France, and he is a member of the West Michigan Draft Horse Club, which has about 40 members.
One of the club’s activities is plow days where members bring their teams to a local farm and put them to work. Plow days are open to the public and signs are placed by nearby streets pointing the way for anyone interested in seeing draft horses pulling plows.
On May 13, the club met at a Christmas tree farm in Ottawa County and worked a field that will be planted with seedlings. A light drizzle didn’t stop club members from attending. By 9 a.m. several pickup trucks hauling horse trailers were already parked side by side, teams were unloading, hitched up and bring starting to plow. Both walk-behind and riding plows were used.
Owning Draft horses is An Expensive Hobby
Vander Laan estimated he spends $2,500 per horse annually and that doesn’t include a truck and trailer for hauling the animals. To offset the pricy pastime, he built a horse-drawn funeral coach. Last year, he was hired 21 times to be part of funeral processions, transporting the casket from church to cemetery. He handled the team and the minister or one family member can ride by his side.
Business card with a photo of Paul Vander Laan and his Percherons pulling a funeral coach. (Janet Vormittag)
Club member Dave Kamps compared the expense of owning a draft horse to not smoking. “If you don’t buy cigarettes, you can afford the feed for one of these guys,” Kamps said, adding that a pack of smokes is about $7 and that’s what it costs to feed one horse for one day—but it’s cheaper in the summer when the horses are pastured.
Kamps spent part of the plow day teaching his young grandchildren how to handle his Percheron team, Jasper and Sweet Pea. His daughter, Betsy Kleyn, said her kids enjoy helping with the horses.
“He’s always doing horse stuff and they always want to help him,” she said.
Besides spring plow days, the club offers wagon rides at special events and compete in draft horse shows including one at Michigan State University.
This year the Michigan Great Lakes International Draft Horse Show and Pull (www.mgli.org) is Oct. 12-15 and will be held at the MSU Pavilion for Agriculture and Livestock Education. Included are competitions in halter, hitching, plowing, pulling and riding. The four-day event features 330 vendors, and 1,200 horses from 30 states and three Canadian provinces. More than 35,000 people attend the show.
Family Tradition
Martin Daling, one of the original members in the West Michigan Draft Horse Club, said he won the plowing competition last year at MSU. The year before he took second place. He explained that the dirt is judged, not the horses. Criteria include the depth and the straightness of the furrows.
Carrie Dalling plowing with her dad’s team of blond Belgians. (Janet Vormittag)
Daling owns a centennial farm in Tallmadge Township near Leonard Street and 8th Avenue and is the third generation to farm the land. Daling and his Belgian draft horse team work the fields and in the fall they harvest the hay, oats and corn that provide feed for the horses.
Daling’s daughter, Carrie Daling, said she’s been attending plow days with her dad for at least 30 years.
“Everyone is always here,” said Carrie Daling. “People I’ve known since I was a kid.”
When the plowing is complete, club members have a potluck.
Carrie Daling said she occasionally drives her dad’s team of blonde Belgians, Roy and Roger.
“Dad’s teams listens very well,” she said explaining that one horse always walks in the furrow. “You point him in the direction and he knows where to go.”
Janet Vormittag started Cats and Dogs, a Magazine Devoted to Companion Animalsin 2006 as a monthly publication. It’s geared towards West Michigan readers and features pet-related advertisers, animals available for adoption, and articles about animal rescues and pets. In 2018, Cats and Dogs transitioned to a quarterly publication. The print edition is free and can be found at local libraries and businesses.
Michigan’s first mass timber building at Michigan State University, the STEM Teaching and Learning Facility, stores nearly 2,000 metric tons of carbon in its timbers, the equivalent of not burning more than 2 million pounds of coal. (Capital News Service/Cameryn Cass)
LANSING – Michigan businesses interested in reducing their carbon footprint are looking to build with large wooden panels instead of steel or concrete.
Nationwide, demand for what is called mass timber tripled between 2018 and 2021.
There are different kinds of mass timber, but the term refers to multiple wood panels either nailed or glued together and that are strong enough to replace concrete and steel, which contribute 8% to greenhouse gas emissions, according to Canadian architect Michael Green.
Mass timber is more sustainable, Green said.
Nearly half of America’s greenhouse gas emissions come from the building industry.
Why mass timber is a good option
Since a little more than a cubic yard of wood can store 1 ton – about the weight of the Liberty Bell– of carbon dioxide, mass timber is a great way to reduce our footprint, said Sandra Lupien, the director of MassTimber@MSU, a research and education group promoting mass timber in the Great Lakes region.
Half of the weight of a tree is from stored carbon in its wood, and the rest is water, oxygen, hydrogen and a mix of other elements. In other words, wood is a carbon sink.
Building with it can prevent or delay carbon from being released into the atmosphere when a tree dies or burns, Lupien said.
Last year, Michigan State University opened one of the first mass timber buildings in the state, the STEM Teaching and Learning Facility. Already there are two more mass timber projects underway in the state, one at a K-12 school in Kalamazoo and another at the Great Lakes Boat Building School in Cedarville.
Another 27 projects in Michigan on the drawing board plan to incorporate mass timber. One of those was in Muskegon where Grand Rapids-based Leestma Management was scheduled to constructe a mass timber building at Adelaide Point this summer.
The biggest hurdle: Getting it
At minimum, the building in Cedarville will have a roof made of mass timber, though those involved with its construction are hoping to build the whole building out of it, said Nikki Storey, the president of the Great Lakes Boat Building School.
The only thing stopping them is funding.
“That’s part of the problem with mass timber: I don’t know that the economy of scales exists yet to be able to get good pricing on it,” Storey said.
Since mass timber comes in sheets that are easy to put together – Lupien equates it to building with Lincoln Logs – there’s a major time savings with using it. But since there are no mass timber manufacturers in Michigan – the closest is outside of Chicago – it’s not always easy to get it.
Typically, mass timber products are made from softwood trees – think coniferous, like evergreens – which make up 30% of Michigan’s forests. The remaining majority of the state’s trees are hardwood, meaning they’re deciduous and lose their leaves, Lupien said.
Using Michigan’s resources
Researchers at Michigan Tech University are experimenting with making mass timber out of hardwood instead, a niche that might provide economic opportunity.
Mass timber advocates hope that Michigan State’s STEM Teaching and Learning Facility will be a place where contractors can learn to build with the more sustainable alternative. (Capital News Service/Cameryn Cass)
It is an untapped opportunity.
“Michigan is a forestry state,” said Conan Smith, the president of the Michigan Environmental Council. “If we can advance the construction materials that are rooted in wood, it’s to our economic benefit.
“It’s not just a great environmental opportunity, it’s a great economic opportunity for the state of Michigan.”
Each year, the state removes 30% to 40% of the forest’s growth, said Brenda Haskill, a forest marketing and outreach specialist at theDepartment of Natural Resources. That still provides enough capacity to harvest for mass timber and manage forests sustainably.
“We’re at a really interesting place in terms of moving the forest industry forward,” Haskill said.
Meeting the demands
Talks of attracting a mass timber manufacturer to the state are underway. However, an aging workforce and the rising cost of diesel fuel mean a decline in logging firms, Haskill said.
Making sure we have loggers to harvest trees and get them to the mill is really the biggest concern, Haskill said.
“I’m hopeful, but there’s a lot of pieces that need to be addressed,” Haskill said.
Michigan is in the same boat as the other Midwestern states. There’s more mass timber manufacturing and interest out west, Haskill said.
Looking at the building codes
Another challenge is the states outdated building codes, said Brian Craig, the board chair at the Michigan Forest Biomaterials Institute.
Michigan State University revamped a power plant and added two mass timber wings to create a hybrid structure in the STEM Teaching and Learning Facility. (Capital News Service/Cameryn Cass)
The most recent version of the International Building Code is from 2021 and offers more flexibility and clarity for how high you can build and how much wood can be exposed with mass timber, Craig said.
Right now, Michigan follows 2015 codes, making it two cycles behind the current thinking on mass timber and fire safety, Craig said.
But mass timber doesn’t behave like a 2 x 4.
Instead, it behaves like a tree.
Think of an unsplit log in a fire pit, and how it chars on the outside: That’s what mass timber would do in a fire, Lupien said.
Craig said that timber can be even safer than steel when it burns.
“Think about what happens when steel gets hot. It sort of turns into spaghetti, whereas mass timber’s surface chars and then protects the rest of the timber,” Craig said.
Lupien said that even with the outdated building codes, builders in Michigan are still able to use mass timber, and they should.
Bringing the beauty indoors
People using the buildings – at least the one on MSU’s campus– express the aesthetic benefits of bringing nature indoors, Lupien said.
“There’s actually a word for that. It’s called biophilia,” Lupien said.
That’s a Greek word that translates to “love of life. ” It taps into our inborn desires of being close to nature. Biophilic design – like incorporating wood into buildings – has even been found to promote human wellness and productivity, according to the Natural Resources Defense Council.
Putting the more sustainable, attractive alternative into Michigan buildings is a question of price and supply.
“It’s been used in Europe for better than a decade now,” Smith said. “It’s a product that’s far better for the planet than concrete.
Heritage Hill Garden Tour will feature 10 private gardens and two organization gardens in this year’s event. (Supplied)
Ten private gardens and two organizational gardens will be part of the 2022 Heritage Hill Garden Tour, which is set for Saturday, June 18, from 9 a.m. to 3 p.m.
Each garden is a unique reflection of the creative, nature-loving gardeners who tend them. From showy displays in front gardens bursting with color to hidden gems waiting behind a home to warmly welcome guests, the possibilities of what a garden can be will inspire.
Some of the gardens included on this self-guided tour are:
President Gerald Ford’s boyhood back yard now filled with statuary and rare plantings.
Wonderland over 40 years in the making that surrounds an enchanting home.
A serene and elegant backyard setting that includes a complete outdoor kitchen.
A stately brick home perfectly surrounded by beautiful plantings.
A small but artfully designed garden that makes wise use of every space.
A front yard garden that catches the eye of everyone who passes by.
Free-flowing flower garden on Prospect Ave. that wears new colors for every season.
Formal fountains galore surrounding a home on College.
Peaceful natural water feature that accents a shade garden.
A sweet little garden on Paris Ave.
Vibrant annuals and perennials at the Voigt House tended by volunteers.
Formal gardens at the Meyer May House that are reminiscent of Frank Lloyd Wright’s organic architecture.
Individual ticketsare $12 in advance, $15 on the day of the tour. Group tickets may be purchased in advance for $8 each for 20 or more tickets, $5 each for 50 or more tickets. Group pricing is not available on the day of the tour.
Tickets are available for pre-sale through midnight on June 17 via our website, www.heritagehillweb.org or contact the office during operating hours at 616-459-8950.
Tickets can be purchased at the ticket booth at the Child Discovery Center, 409 Lafayette Ave. SE. on the day of tour. Pre-sold tickets may be picked up at will call on the day of the tour.
The tour occurs rain or shine. Refunds are not available. Masks are welcomed for the safety of garden hosts and visitors.
Parking will be available at:
Child Discovery Center at 409 Lafayette Ave. SE
Elders Helpers at500 Cherry St. S.E.
On-street parking is often available. Please adhere to posted parking restrictions.
The current state of the Hebe Fountain at the Michigan Veteran Homes at Grand Rapids. (Supplied)
Larry Arreguin Sr. was a proud World War 2 U.S. Navy veteran involved with many veterans organizations, and was loving family man suffering from Alzheimer’s disease in the last years of his life. (Courtesy of Arreguin family)
Larry Arreguin’s sons, Aaron and Caton, after playing in the Hebe Fountain at what is now called the Michigan Veteran Homes at Grand Rapids during a visit to the facility to visit their grandfather, Larry Arreguin, Sr.. (Courtesy of Arreguin family)
Larry Arreguin with his sons. (Courtesy of Arreguin family)
For many people, memories of visiting the Michigan Veteran Homes at Grand Rapids, previously known as the Grand Rapids Veterans Home, are bittersweet — caring people caring for a father or brother; strolling the grounds, the veterans cemetery in the distance; sitting quietly around the historic Hebe Fountain.
For Larry Arreguin, memories of his father, Larry Sr., a proud World War 2 U.S. Navy veteran and loving family man suffering from Alzheimer’s disease before he died in 2004, are forever linked to the facility and the fountain.
“The Hebe Fountain and Michigan Veterans Home in Grand Rapids played a significant role” in his father’s and his family’s history, Arreguin said to WKTV. “Both of these places own a somber and joyful piece of my heart.”
Arreguin — a Detroit resident who has worked in a staff position for the City of Detroit and the office of U.S. Rep. John Conyers, Jr., as well as serving on the board of the Michigan Alliance of Latinos Moving Toward Advancement — spoke to WKTV as the Michigan Veteran Homes GR is embarking on a long-awaited restoration campaign of the historic Hebe Fountain on its campus.
The campaign hopes to receive 100 percent of the $120,000 in funds needed by this Veterans Day, Nov 11, of this year.
“My family and I would visit my father at the Home and we would often sit with him near the fountain and enjoy the day while my children would play nearby,” Arreguin said. “Every time we were there, we tended to gravitate towards the Hebe Fountain. During the warm months, my toddlers would splash in the fountain and my father and I would sit there, laughing at how much fun they were having.”
Larry Sr., was diagnosed with Alzheimers in 2001 while he lived with Arreguin and his wife in in Detroit.
“A year before, we were fortunate to have twin boys (Aaron and Caton) join our family and was blessed to have a nanny staying with us. However, in 2002, my fathers condition worsened and another son (Cesar) arrived,” Arreguin said. “Trying to care for three babies and also an elder became too much for my wife and I.
“As we searched throughout Michigan for assistance, one place kept coming up and that was the Michigan Veterans Home at Grand Rapids. We knew there was a special wing at the facility that was designed to care for Alzheimer’s patients and after many days praying we decided to take my father there to visit. Once there, the nurses and other staff were so welcoming and pleasant that I felt confident in the quality of care that was being provided. I knew admitting him there would provide a much better quality of life than what I could back in Detroit.”
On Feb. 16, 2004, Larry Sr. passed away from complications from Alzheimers.
“He lived his life to the fullest and was always cognizant of the sacrifices made by others that served in the Armed Forces,” Arreguin said. “He did this through his work as Commander of American Legions Post 183, Chef de Gare of Voiture 946 of the Forty and Eight and his work with the Veterans of Foreign Wars Posts 701 and 6132.”
In his travels, Arreguin said, he often stops by the home to “reflect on the wonderful experiences” and to express his gratitude to the staff for all they did.
“Although last year when I visited, I was saddened to see the condition of Hebe Fountain, and made it a point to agitate and advocate for repair,” he said. “I’m hopeful, my boys and I can return when the fountain is restored to its previous glory and once again feel that tremendous happiness that was felt when visiting my father.”
Lee Walton, veteran resident of the Michigan Veteran Homes at Grand Rapids, tours the Hebe Fountain at the facility with Tiffany Carr, community engagement coordinator at Michigan Veteran Homes (MVH). (Supplied)
The current state of the Hebe Fountain at the Michigan Veteran Homes at Grand Rapids. (Supplied)
The current state of the Hebe Fountain at the Michigan Veteran Homes at Grand Rapids. (Supplied)
The current state of the Hebe Fountain at the Michigan Veteran Homes at Grand Rapids. (Supplied)
History, deterioration over the years
The fountain, designated as a local landmark by the Grand Rapids Historic Preservation Commission in November 1990, has been adored by veteran members and visitors to the campus since it was established by J.L. Mott Iron Works in 1893.
But over the last three decades, weather and deferred maintenance has caused the fountain to erode, and it has remained inoperable since being shut off in 2019.
The first noticeable step in the hoped-for restoration process will be the dismantling of the fountain to send it to restoration experts for a much-needed refresh, set to begin this week.
The complete restoration of the Hebe Fountain will include a new water filtration system, structural repairs to the base and water reservoir and a restoration of the adjacent drinking water fountain. Any remaining funds will be dedicated to annual maintenance and landscape beautification.
“The Hebe Fountain has been part of our legacy in caring for our nation’s heroes both past and present since 1893,” Tiffany Carr, community engagement coordinator at Michigan Veteran Homes, said in supplied material. “We owe it to our members to restore this landmark to its former glory and continue to offer veterans a place to call Home that remembers and honors its history.”
The Hebe Fountain Restoration Campaign follows the opening of the Michigan Veteran Homes at Grand Rapids, a new state-of-the-art facility that consists of four unique neighborhood buildings and a community center on the campus in Grand Rapids. Veteran members began moving into the new “Home” in July of this year.
Persons who wish to donate to the Hebe Fountain Restoration Project can send a check payable to Michigan Veteran Homes at Grand Rapids at 3000 Monroe Avenue N.E., Grand Rapids, MI 49505.
Persons can also visit michigan.gov/mvh, click on Support MVH, followed by Donate and then Donate Online and select Michigan Veteran Homes at Grand Rapids as your donation option.
For more information or questions about the restoration project, contact Tiffany Carr at carrt1@michigan.gov or 616-365-3834.
Michigan Veteran Homes (MVH) is the entity that provides day-to-day operational oversight of the state’s veteran homes on behalf of the Michigan Veterans Facility Authority (MVFA) and is a branch of the Michigan Department of Military and Veterans Affairs (DMVA). The MVH operates the Michigan Veteran Homes at Grand Rapids (MVHGR), the Michigan Veteran Homes D.J. Jacobetti (MVHDJJ) in Marquette and the new Michigan Veteran Homes at Chesterfield Township (MVHCT).
Jess Hart, the Frederik Meijer Gardens & Sculpture Park’s director of education, discusses planned and possible educational programing available in the new Peter M. Wege Library and the unique public area outside its doors. (WKTV)
There is a work of art on the grounds of Frederik Meijer Gardens & Sculpture Park, Bill Woodrow’s “Listening to History”, that speaks to many people about the importance of knowledge as much as it does the imagination of the artist. And the importance of knowledge is not lost on the visionaries at “The Gardens” as well.
As Frederik Meijer Gardens & Sculpture Park laid out its ambitious expansion plans in 2017 much of the talk was about the new education center and the rooftop garden, the upgraded outdoor amphitheater and the crown jewel of the new “Welcome Center” entrance. All rightly so.
Bill Woodrow’s “Listening to History”, on display at Frederik Meijer Gardens & Sculpture Park. (Supplied)
Tucked away in the design plans for the entrance, which opened early this year with a few pieces yet to be place — most notably the placement of Spanish artist Jaume Plensa’s Utopia — was the relocated and expanded Peter M. Wege Library.
But then again, education in general and art history resources in specific was important to Fred Meijer and continues to be important to the mission of the sculpture park named for him.
Located on the lower “Courtyard” level of the Welcome Center, along with “Mimi’s Garden”, a unique garden area seemingly located inside a glass terrarium, the library is intended to not only be a “go to” educational resource center but also a focal point for the Meijer Garden’s community and educational programming.
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
While the old library was nice — tucked into a corner just as you entered the old entrance building — both Jess Hart, director of education, and Shelly Kilroy, librarian and archivist, could barely contain their joy at the new space when WKTV visited recently.
“The thing I really enjoy most about it is that it is a space not only for information and learning but for curiosity,” Hart said to WKTV. “We have a really professional staff here at Meijer Gardens and wonderful volunteers, and guests are constantly asking those volunteers and staff questions about our collections and our gardens.
“But occasionally there is a question that a staff member or volunteer cannot answer. And in those instances we often encourage guests to come down to the library to find that information. It is wonderful to have that resource.”
And what a resource it is.
“We are used by the general public, researchers — particularly researchers of a particular artist — or someone who just wants to come in and browse,” Kilroy said to WKTV. “Also for our staff, for inspiration and research for their programs, especially the education staff and our sculpture staff. And, of course, volunteers as well, to learn more about all the Gardens has to offer.”
Library a key element in the expansion
Built using funds from the $115 million Welcoming the World: Honoring a Legacy of Love capital campaign, the 69,000 square-foot Welcome Center of which the library is only a small but important part, was designed by Tod Williams Billie Tsien Architects/Partners.
And the importance of the library and adjacent space to the overall mission of Meijer Gardens was not lost on the internationally known building designers — nor was it to David Hooker, president of Frederik Meijer Gardens & Sculpture Park.
“Fred Meijer grew to truly enjoy contemporary art through education and the understanding of the principles behind much of the artwork he gave to Frederik Meijer Gardens & Sculpture Park,” Hooker said to WKTV. “The Peter M. Wege Library is a fantastic resource for information about our artwork and gardens. Making use of the Wege Library promotes understanding and appreciation.”
And how extensive is that resource?
Shelly Kilroy, librarian and archivist at Frederik Meijer Gardens & Sculpture Park, in the Peter M. Wege Library. (WKTV/K.D. Norris)
The collection is approximately 4,500 books and magazines, Kilroy said. And they cover the spectrum of all of what makes Meijer Gardens famous in several ways.
“Some art history, primarily sculptures and sculptors, and then we also have a small poetry collection, actually. … But also plant and insect and bird identification books, and then plant care in general,” Kilroy said. “Also general (garden) design, if you want to design a Japanese garden or an English perennial garden, we have the books here.”
There are also books on using plants in cooking and crafts, she said, as well as a children’s collection — “so the kiddos can learn more.”
The focus, though, is the art and the artists, and the horticulture, represented at the gardens.
“Any of the artists, the sculptures we have here, there are resources in our collection about that artist and about the art we have here. If you want to learn more about sculpture, broadly, or about a specific sculpture we have here, you can come in and we are more than happy to help.”
An community area at Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
A scene from Frederik Meijer Gardens & Sculpture Park’s relocated and expanded Peter M. Wege Library. (WKTV/K.D. Norris)
Present and (hopefully) future educational plans
Hart, the director of education, leads a department which oversees Meijer Gardens’ archives as well as library space. And she considers the library’s learning space to be both inside the Wege library and the community area adjacent.
Jess Hart, director of education at Frederik Meijer Gardens & Sculpture Park, outside the Peter M. Wege Library. (WKTV/K.D. Norris)
“With that new space, we are able to support new programs as well,” she said. “We are really looking forward, in the future, to hosting our quarterly book groups here. Also some Sunday drop-in programs, and potentially our very popular Cozy Tales for Chilly Days for preschoolers and families. Which we can now hold in the library and in this beautiful seating area outside or the library as well.”
And while the current pandemic has led to some pauses in programming and restrictions on programming planned, Hard is hopeful.
“We are hoping to hold all our regular programing upcoming, but I think that remains to be seen with what happens with COVID this winter and any restrictions that may go into place,” she said. “A lot of our programs that are library centered are fairly small, so we do hope to be able to hold some of our story-time groups and some of our drop-in programming.”
The Gerald R. Ford International Airport broke ground June 30 on a new $7.7 million operations center that will “streamline and improve efficiencies for day-to-day management,” according to an announcement from the airport management. Construction is expected to be completed by the end of June 2022.
The new facility will consolidate teams such as operations and communications, including dispatch, as well as the new emergency operations center (EOC), which is activated during an emergency at the Ford Airport and can also support public safety agencies throughout Kent County.
A rendering of the runway side of the Gerald R. Ford International Airport’s planned operations center. (Supplied/Ford Airport)
The 11,600 square-foot facility, located on the east side of the airfield, will be accessible air-side and public-side, “making it ideal to provide daily operations support and reachable during an emergency,” according to the announcement. In a second phase, the Ford Airport plans to expand the center to include its fire department at the site.
“This project represents the culmination of years of efforts to realign and streamline our operations and public safety functions,” Dan Koorndyk, board chair of the Gerald R. Ford Airport Authority, said in supplied material. “By bringing our teams under one roof, we’ll be able to ensure we are providing the best possible service to our guests, tenants and the greater West Michigan community.”
The building will be staffed 24/7, and will be built to withstand extreme weather conditions, including winds up to 250 miles-per-hour. “It will have purposeful redundancies in technologies and communication channels to ensure services continue during an emergency,” according to the announcement.
“The teams who will occupy this space are critical for our daily operations,” Tory Richardson, president and CEO of the Ford Airport Authority, said in supplied material. “This new operations center will enhance communication, collaboration and efficiencies for our teams. Without them, we wouldn’t be able to provide the high-quality service and exceptional safety track record the Ford Airport is known for.”
DLZ of Michigan is serving as the project architect with Pioneer Construction of Grand Rapids serving as the general contractor.
The Ford Airport is working with U.S. Rep. Peter Meijer’s office to pursue community project funding for a portion of the project. The Michigan State Police, Kent County Sheriff’s Office and the Grand Rapids Police Department have all voiced their support for the project, highlighting that it will be a critical backup base in case of a county-wide emergency, according to the announcement.
Things are starting to get back to normal at West Michigan’s veteran-care facility, including last week’s small ceremony to raise a 30- by 50-foot flag just off Monroe Avenue NE across from Grand Rapids’ Riverside Park, as it has been raised annually for more than 20 years.
West Michigan’s veteran-care facility, last week, held a small ceremony to raise a 30- by 50-foot flag just off Monroe Avenue NE across from Grand Rapids’ Riverside Park. (WKTV/K.D. Norris)
But with the near completion of several buildings that will make up the new veteran-care facility, there will also be a new normal for Michigan veterans in need of services.
Starting with the subtle but meaningful change of the title from the Grand Rapids Home for Veterans to the “Michigan Veteran Homes at Grand Rapids” — notice the plural of “home” — evidence abounds of not only the decentralization of the state’s veterans care system but also a functional modernization of the local facility, set to be fully opened by Christmas of this year.
A new of the old fountain and a new building at the Michigan Veterans Homes at Grand Rapids. (WKTV/K.D. Norris)
The new facility, located at 3000 Monroe She. NE, was described as being about 90 percent complete in late April when WKTV was invited in to accompany the first resident to tour the new main building.
The building has a huge common area and then separate wings providing individual pods of “homes” with private bathrooms for individual clients, small kitchens with food service staffs and dining areas for each pod, and a central wellness center for client medical and rehabilitation care as well as other needs.
And Tracy Nelson, administrator of local Homes for Veterans, also refers to the facility’s occupants as “members” — another bit of evidence of the change in service delivery model.
“When I started here about four years ago, we had well over 300 members,” Nelson said to WKTV. “The type of service we delivered for that many people was a bit different, because it is not a small home model.”
Now “we are about where we need to be, about 128 men and women, but we are accepting admissions, now and as we move into the new facility. We currently have some folks who are going to be transferring to Chesterfield Township, which is the home that is three months ahead of us.”
Prior to a complete review and redesign of the state’s veterans care program began in 2016 there was a single, large old facility in Grand Rapids. Now there will be three Homes for Veterans led by the Michigan Veterans’ Facility Authority: one Chesterfield Township, one Marquette and the new one in Grand Rapids located adjacent to the existing facility.
“We plan for a soft opening which means we will bring in our first eight members, so we can get certified, in August,” Nelson said. “After that (certification from the state and the federal Veterans Administration) we will be moving everyone else over. By Christmas, we will be complete.”
And while many of the changes will allow for delivery of care, some are simply to make the members feel more comfortable during their stays, long- or short-term — to make it “a home instead of an institution.”
Tracy Nelson, administrator of local Homes for Veterans facility, and
“member” Lee Walton, tour the still-unfinished building. (WKTV/K.D. Norris)
“Over at the existing campus, at one time, there would be four men — or four women — who shared one room and one bathroom. And then there was a central shower — they would have to come out of their room, go down the hall to a central shower, and then come back,” Nelson said as she described the differences coming in new facility. “That was a traditional setting. This is state of the art. This is a home.”
The first member to get a look at his soon-to-be home was Lee Walton, an Air Force veteran who worked many years in the Fremont area in the construction field, and someone who was known to pay close attention to the construction of the new buildings.
“Its going to be wonderful, I’m excited,” Walton said to WKTV. “We’ll have our own room, our own bathroom — that’s a big plus. And having our own kitchen and dining area. They have really done a nice job here.”
A care and rehab facility as well as a home
While a huge part of the facility upgrades at the Michigan Veterans Homes at Grand Rapids will be in the member amenities offered, Nelson is equally proud of the upgraded medical and rehabilitation facilities, including each pod having a central wellness center and an unique outdoor facility that will aid persons regaining real world independent mobility.
A memorial and a new building at West Michigan’s veteran-care facility. (WKTV/K.D. Norris)
“The wellness center is really a home of our therapists — physical therapists, occupational therapists, speech therapists — but in there they put all sorts of activities geared to get people to their maximum level of being independent,” Nelson said. “There is also an area back there for a physician. We are lucky enough to have a full-time physician, and a full-time nurse practitioner. And there are outside services that will come in — so dental, vision, other things. This (facility) has a distinct, separate place for those types of services to be rendered.”
And another element of the new facility will be an open-air, center-court area that looks a little like a big-person’s playground but has a very serious rehabilitation function.
“Most (mobility rehabilitation) facilities are not set up for all the different textures for walking, for them to get used to those different textures,” Nelson said. “When you go outside, there is cobblestone, there is pavement, there is gravel — it takes totally different skills to walk on those different surfaces. … It is designed for maximum success for our members who want to come to us for therapy and then go home.”
(During the WKTV visit, the feature was still under construction but some elements of it were visible.)
Moving forward during a time of pandemic
Facility upgrades, and some elements of change in member care, were in process before the COVID-19 crisis hit early last year, and the project was only sightly delayed from a construction standpoint.
The new facility was constructed on southern edge of the existing 90-acre property, at Monroe Avenue and Three Mile Road, with a price tag initially reported to be about $49 million.
And, the tightly controlled pandemic operational model adopted by facility leadership and workforce also gained praise from Nelson.
“The pandemic has really shifted the culture change rapidly,” Nelson said. “With this environment, you are doing multiple jobs based on the situation — as people became sick, we all pitched in and did what needed to be done to make sure our members needs were met.
“We had one office person who worked 20 hours of overtime one week and weekend, just to make sure our guys got outside for some fresh air and to walk. … We just wanted to maintain the best quality of life for our members that we could.”
Every visit to Frederik Meijer Gardens & Sculpture Park is a different experience than any other — there is always something new blooming in the gardens, or up on the art gallery’s walls, or a sculpture placed in a new or changed setting in the nearly 160 acres of land encompassing the West Michigan entertainment and cultural landmark.
And the last three years, there has even been even more changes to the Gardens’s buildings and grounds as part of a massive expansion — changes that are near completion with the recent opening of the new Welcome Center.
The WKTV Journal In Focus team recently visited for a special interview with David Hooker, president & CEO of Frederik Meijer Gardens & Sculpture Park.
We talked about the Gardens nearing the end of its multi-year expansion, the successful completion of a $115 million dollar capital campaign that funded it all, as well as keeping the doors open in 2020 despite pandemic restrictions.
Mr. Hooker also discussed the beautiful mystery that is the future of the Garden’s “natural area” — a one-time golf course but at this time unplanned area of donated land adjacent to the current park.
Fred and Lena Meijer portraits hanging at the gardens.
And Mr. Hooker has plenty of stories about Fred and Lena, but did you ever hear the story about his beginning experience at Meijer Gardens? Bet it is not what you think!
For more information about Frederik Meijer Gardens & Sculpture Park, visit meijergardens.org.
WKTV Journal In Focus airs on cable television in the Wyoming and Kentwood areas on Comcast WKTV Channel 26 and on AT&T Channel 99 Government channel (For dates and times on Channel 26, see our Weekly On-air Schedule. For dates and times on Channel 99, visit here). All individual interviews included in episodes of WKTV Journal In Focus are also available on YouTube at WKTVvideos.
David Hooker, president and CEO of Frederik Meijer Gardens & Sculpture Park, talked to WKTV at the Welcome Center opening Monday, Jan. 11. (WKTV video)
With the 2017 launch of the Welcoming the World: Honoring a Legacy of Love $115 million capital campaign, Frederik Meijer Gardens & Sculpture Park was honoring the legacy of Fred and Lena Meijer’s past community vision and well as initial and continuing financial support.
But Meijer Gardens — a bedrock cultural and artistic landmark in West Michigan — was also acknowledging that for it to move boldly into the future, for it to “Welcome the World”, it needed to get buy-in from the West Michigan community, including businesses large and small, and civic-minded individuals.
That buy-in — the fact that the capital campaign had attained it fundraising goal, and thus stayed on-track with its massive and near-complete 4-year facility expansion — was clearly evidenced by a wall of donors in its just-opened expanded Welcome Center.
Also evident was the intent of the leadership of the Meijer Gardens to make sure the community and tourism focal point of the region stayed vital and vigorous for generations to come.
“This is not monument to one person or one family, the community is making this happen and that is critically important,” David Hooker, president and CEO of Frederik Meijer Gardens & Sculpture Park, said to WKTV at the Welcome Center opening Monday, Jan. 11. “We, as an organization, have no time horizon. Our goal is to be here until the very end of time. For that to happen, everybody has to rally around, to own the place. (To be) stewards of it. This generation, the next, and the next.”
While the opening of the Welcome Center is not the end of construction at Meijer Gardens supported by the capital campaign, it will allow the end of use of a temporary entrance and work to be completed on a new Garden Pavilion and a veranda to expanded Tassell-Wisner-Bottrall English Perennial Garden — one of the final pieces of the multi-year effort.
An August 2020 aerial view of the new Welcome Center at Frederik Meijer Gardens & Sculpture Park (at right and lower right, still under construction). The Welcome Center had a “soft” opened this week that will allow the closure the temporary entrance (center) and a final phased of work to be done. (Meijer Gardens Website)
In all, the highlights of the expansion and renovation effort included the 69,000 square foot Welcome Center, the 20,000 square foot Covenant Learning Center, the Peter C. and Emajean Cook Transportation Center, the expanded and upgraded Frederik Meijer Gardens Amphitheater, and the Padnos Families Rooftop Sculpture Garden.
The need for expansion was evidenced by a 2016 economic impact study, conducted by Grand Valley State University, that estimated that Meijer Gardens supports or contributes more than $75 million to the Kent County economy each year. More than 12 million people from around the world have visited since it opened in 1995, according to supplied material.
The project also addresses facility needs that include expanded annual horticulture exhibitions, more galleries for sculpture exhibitions, additional parking capacity and improved vehicle flow.
The Welcome Center’s architect is Tod Williams Billie Tsien Architects/Partners, with local partners Progressive AE and Owen-Ames-Kimball, Co.
One area of the Welcome Center not yet complete is the Garden Pavilion, a central room where Jaume Plensa’s “Utopia” will be located. For the four walls of the Garden Pavilion, Plensa created a sculpture using one female face on each wall representing different ethnic backgrounds, according to supplied material. The faces “represent universal symbols of the beauty inherent in humanity,” and was specifically commissioned for the Garden Pavilion and is scheduled to open later this year.
At the Patterson Avenue and 44th Street project site, from left, KCRC Project Engineer Eric Rodegher, Kentwood Director of Engineering and Inspections Tim Bradshaw and KCRC Engineering Inspector Sean McKean. (Supplied/City of Kentwood)
By WKTV Staff ken@wktv.org
The Michigan Concrete Association has recognized the City of Kentwood and the Kent County Road Commission with an Award of Excellence for the agencies’ joint project at the intersection of Patterson Avenue and 44th Street, according to the City of Kentwood.
The project’s goal was to improve traffic flow throughout the heavily traveled intersection, which serves as the entrance to the Gerald R. Ford International Airport.
Completed in August 2019, the two-month project widened sections of both roads to provide dual left-turn lanes from eastbound 44th Street to northbound Patterson Avenue. The intersection’s north and west approaches were also reconstructed, receiving new full-depth concrete surfaces.
“To keep pace with the growth of Kentwood and the airport, additional lane capacity was achieved to improve commuting times for motorists at this critical intersection,” Tim Bradshaw, City of Kentwood Director of Engineering and Inspections, said in supplied material.
The award was presented during the Michigan Concrete Association 2020 Winter Conference and Workshop on Thursday, Feb. 13, in East Lansing. A competitive awards program, Kentwood and KCRC’s joint project was one of 25 that were recognized among the more than 45 projects that were submitted, according to the city.
“The new full-depth concrete pavement will serve this heavily traveled intersection for many years, reducing any future traffic impacts to the thousands of travelers who use the airport,” Dan DeGraaf, MCA executive director, said in supplied material. “The airport, city and county should be proud of the welcoming gateway that this intersection provides to visitors and motorists alike.”
Contractor Kamminga & Roodvoet completed the road improvements and Strain Electric performed the necessary traffic signal upgrades. Because of the intersection’s high traffic volumes and demand, the project was completed while maintaining two-way traffic and left turns at all times.
“This project is an excellent example of multi-agency collaboration,” Wayne Harrall, KCRC deputy managing director of engineering, said in supplied material. “Not only did Kentwood, the road commission and the contractors work together to complete a high-quality project, but the airport also provided critical support and communication that helped thousands of daily motorists safely navigate the work zone daily.”
There are many sights to see from Frederik Meijer Gardens & Sculpture Park’s just opened Stuart and Barbara Padnos Rooftop Sculpture Garden, sights both artistic and natural.
The flora of the rooftop gardens itself and the view of a wetland area from its heights are impressive. But the sculpture — four works on loan from the famed Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., including three by artists already in Meijer Garden’s collection — each offer their own unique story.
Works by Alexander Calder, Henry Moore and Marino Marini, while unique, will be familiar to visitors of the garden.
David Smith Cubi XII 1963 (Hirshhorn Museum and Sculpture Garden/Lee Stalsworth)
One of the sculptures, however, David Smith’s 1963 work titled “Cubi XII”, is not only new to the garden but was of particular interest to Laurene Grunwald, Director of Sculpture, Art Collections, Exhibitions & Installations.
“David Smith was an abstract expressionist,” Grunwald said to WKTV. “He died quite young in a car accident, (so) his work is not widely available. … (Cubi XII) is an abstract piece. It is stainless steal. And it is very iconic of his work.”
In a recent WKTV Journal newscast segment, we talked with Grunwald about Smith’s work, about the history of Meijer Garden’s relationship with the Hirshhorn, now and (hopefully) in the future, as well as how size and weight of the artwork plays into the discussion and decisions on which artwork came to Grand Rapids.
The Honolulu House Museum again will be the center of home-tour activities. The eight private homes on tour will be announced soon. (Photo courtesy Marshall Historical Society)
The 55th Annual Marshall Historic Home Tour on September 8th & 9th will feature 19 homes, with one home having ties to a major motion picture being released later in September.
On tour for the second consecutive year is the 1873 Italianate-style home that inspired the 1973 novel The House with a Clock in Its Walls by Marshall author John Bellairs. The movie version starring Jack Black and Cate Blanchett will be released September 20th, 2018.
Marshall’s railroad center, an octagon-shaped building that once stored luggage at the city’s railroad depot, has been reconstructed just north of the city. Marshall had been a regular stop for trains running between Detroit and Chicago in the late 1800s.
The 2018 home tour will have 19 sites, including eight private homes and seven museums. Tour hours are 9am-5pm on Saturday, Sept. 8th and 10am-5pm on Sunday, Sept. 9th. The Honolulu House Museum, 107 N. Kalamazoo Ave., again will be the central hub for home tour activities.
The other buildings on tour represent a range of architectural styles and were built between 1850 and 1911. Related events will include an arts and crafts fair and a Civil War Ball.
“The home tour committee is thrilled to have more private homes on tour this year and a wonderful cross-section of homeowners,” said Jennifer Conley Darling, chair of the Marshall Historic Home Tour. “A younger generation is purchasing these historic homes and renovating them by honoring the original architecture with modern décor.”
Advance tickets cost $20 and are available through September 3rd at www.marshallhometour.org or by calling (269) 781-8544. Tickets will be $25 after September 3rd. Tickets are good for both tour days. Parking is free and free shuttle buses will run to the tour sites.
The Marshall Historic Home Tour began in 1964, and it has grown into the longest-running home tour in the Midwest. The Marshall Historical Society uses the home tour proceeds to maintain and enhance its three museums and to support community efforts to preserve, protect, and promote Marshall’s historic heritage.
Calvin College placed second at the 7th Annual Disaster Shelter Design Competition, sponsored by Samaritan’s Purse International, April 19-21, and hosted on John Brown University’s (JBU) Siloam Springs campus. Nine teams from eight universities designed and constructed a rapidly-deployable emergency and disaster shelter, which a panel of judges with expertise in emergency management, engineering, logistics, and manufacturing, evaluated for possible implementation in relief efforts worldwide.
“It was a lot of fun. We got to test our prototype against other schools and other designs, simulate a lot of scenarios, and ultimately we got to see how well our process and ideas came to light in physical form,” said Kyle Sutton, a senior civil-environmental engineering major at Calvin.
Sutton, along with fellow senior civil-environmental engineering majors, Kyra Black, Cameron Carley, and Nate Veldboom, made the 13-hour drive south for the competition. The group, known as Team Dwell, brought with them their handiwork–a project they’ve been working on for their senior design project this year.
The competition scenario they participated in was based on the 7.8 magnitude earthquake in 2015 that affected more than a million people in Nepal. The shelters were required to address the local climate in Nepal, as well as their mountainous terrain, by retaining heat and transporting easily as well as by being water resistant, cost effective and culturally appropriate. The shelters were also required to be able to house a family of four.
“This competition gives Samaritan’s Purse access to some of the region’s most innovative engineers, construction management and architects, as students provide practical solutions to real-world problems,” said Mark Terrill, associate professor of construction management at John Brown University, and competition coordinator. “Not only does the competition combine classroom learning and real-world application, but it’s also really fun to watch.”
Team Dwell (Courtesy Calvin College)
Each team’s disaster shelter prototypes endured durability testing – including earthquake sustainability, heat retention, overnight habitability, wind turbulence, and water resistance. In addition, teams competed in an emergency shelter construction test, where they were evaluated on their ability to quickly design and construct emergency shelters from given materials.
Teams were scored based on their shelter’s performance in individual events and on their presentations detailing their shelter’s schematics, design, and materials. In addition to Team Dwell’s second place overall finish, they also took top honors in the Best Camp Plan, Best Report/Presentation, and Lightest Shelter categories.
A team from LeTourneau University took first place overall and John Brown University took third place. Other universities who participated this year include: Dordt College, Pittsburg State University, Gyeongsang National University, Murray State University, and University of Arkansas at Little Rock.
Tour one of the country’s largest urban historic districts and help celebrate the 50th anniversary of the Heritage Hill Association. The Annual Heritage Hill Tour welcomes you inside seven restored private houses and three historic buildings on Saturday, May 19 from 11 am–5 pm and Sunday, May 20 from 12 pm–6 pm.
Tour offers an interior view of stunning turn-of-the-century homes, each uniquely styled by current owners. An elegant Greek revival, amazingly modern Queen Annes, a Chateaux mansion, a Craftsman beauty, a creatively converted 1900 carriage house, and more await you. It’s a celebration of the grandeur and art of the past fused with present-day livability. We’ve come a long way since 1968 when 75% of the neighborhood was slated for demolition.
Advance tickets are $18 and are available at the Heritage Hill Association office or at www.heritagehillweb.org. To obtain tickets by check, send to the Heritage Hill Association, 126 College SE, Grand Rapids, MI 49503. Tickets the weekend of the tour are $25. Free shuttle bus transportation for the tour is provided between featured properties.
Heritage Hill dates back to 1843 and was named by This Old House as one of the “Best Old House Neighborhoods” in the country. Its 1,300 homes represent Michigan’s finest collection of 19th and 20th century American architecture.
The west wall of the Qdoba at 28th Street and Shaffer Avenue has two panels that will be considered an art venue for the review of the Kentwood Arts Commission. (WKTV/K.D. Norris)
The west wall of the Qdoba at 28th Street and Shaffer Avenue has two panels that will be considered an art venue for the review of the Kentwood Arts Commission. (WKTV/K.D. Norris)
The west wall of the Qdoba at 28th Street and Shaffer Avenue has two panels that will be considered an art venue for the review of the Kentwood Arts Commission. (WKTV/K.D. Norris)
The City of Kentwood, after city Commission approval in January, amended its zoning ordinance to allow for evaluation and approval of outdoor public art displays within the city.
The amendment also establishes the Kentwood Arts Commission, which, according to the city, is tasked with “reviewing and approving venues” within the community. The Arts Commission will also be responsible for determining whether or not outdoor art display venues are permitted under city guidelines.
“Art is a valuable component in creating a vibrant community,” Terry Schweitzer, community development director, said to WKTV. “As we continue to grow as a city, we wanted to be sure there is a process in place to support public art venues. We hope that this new ordinance will serve as a catalyst to bring public art to our diverse group of residents.”
The changes to city zoning, approved by city Commission action at its regular meeting on Jan. 16, amends an ordinance which now covers art galleries, art display venues, and public art — with public art being defined as being “publicly-owned art and memorials, artistic enhancement of public infrastructure, temporary art exhibitions or displays on public property.”
The current members of the Arts Commission are Schweitzer, City Commissioner Betsy Artz and community members Jerry DeMaagd and Clarkston Morgan. The Commission will have their first official meeting in the coming weeks, according to the city.
There is a opening for one more community member on the Arts Commission. Qualifications for the position, according to the city, are that the person lives and/or works in the City of Kentwood and he or she should have an interest in art. Anyone interested can learn more and apply at kentwood.us/city .
The entire approved ordinance can be read as part of the city Commission’s informational packet for the Jan. 16, 2018 meeting. (It is several pages down in the .pdf package.)
When words simply won’t do… Lynn Strough takes us on a visual journey of Venice.
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About Lynn Strough
Lynn is a 50-something-year-old woman whose incarnations in this life have included graphic designer, children’s book author and illustrator, public speaker, teacher, fine art painter, wine educator in the Napa Valley, and world traveler. Through current circumstances, she has found herself single, without a job or a home, and poised for a great adventure.
“You could consider me homeless and unemployed, but I prefer nomad and self-employed, as I pack up my skills and head off with my small backpack and even smaller savings to circumnavigate the globe (or at least go until the money runs out). Get ready to tag along for the ride…starting now!”
All images copyright Lynn Strough and Travelynn Tales
Welcome to this week’s chapter in the ongoing series by our world traveler, Lynn Strough. Let’s do some day tripping!
Not far from Dubrovnik, Croatia, is the country of Montenegro, and it’s easy and inexpensive to go day tripping there. Montenegro is known for its beaches and the old city of Kotor, and they’re both worth a look, although on the day I was there, so were three cruise ships and thousands of other tourists, so not the ideal circumstances for my visit.
In Kotor, you will find inside the city walls, plenty of places to shop and to dine –- it’s quite touristy. But you will also see some interesting architecture, and the inevitable beautiful doors and flapping laundry. An old fortress gives you some lovely views and more places to relax.
Many people go there to climb to the top of the mountain above Kotor, although we were told by our tour guide that we didn’t have time. Our guide also informed us on numerous occasions that Montenegro has become a playground for rich Russians. I don’t know if this is true, but there is certainly wealth displayed, in the marina in the form of large yachts, as well as on the nearby tiny island of Sveti Stefan where the 5-star Aman Sveti Stefan hotel beckons to those with deep pockets.
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It’s always fun to discover the local color of a new country, including markets and graffiti, and taking a day trip to Montenegro is certainly worth a visit, although it’s not on my top list of places to go. I’ve met people who love Montenegro and people who don’t, and to be fair, going on a tour — even a small group tour — isn’t the best way to get the full picture, although I hope you’ve enjoyed a few of mine.
Day trips to Mostar, Bosnia, are also available, although I was told it’s five hours on a bus round trip, with only an hour and 1/2 off the bus to see the famous Stari Most bridge, which is not the original but a reconstruction started in 2001. I skipped this.
More my style for Dubrovnik day tripping, it’s just a little leap to the island of Lokrum, a nature reserve where it’s possible to get away from the crowds of the old town. You depart from the harbor in Dubrovnik, and it’s only a 15-minute scenic ride by taxi-boat. 6.30 euro includes your ride and entrance into the island park reserve. Bring your bathing suit, as you can swim off of one of the many ladders that sink into the sea, or then again, you may not need one.
On the island, you can also go hiking, past the Benedictine monastery and up to the top to the old fort, for some interesting history and amazing views. Wear good hiking shoes, as the trails are dirt and rocks and slippery pine needles. It smells like sea and balsam, and I heard a young man with a guitar, sitting on top of the fort strumming and singing.
The only inhabitants of the island are feathered and full of eyes. Peacocks were brought over from the Canary Islands a century and a half ago, and wander the auto-less island freely. This guy strutted up to me, spread his fan tail, then turned his back on me. I wasn’t sure if he was flirting with me or mooning me.
There are a couple of restaurants on the island, but my recommendation is to pack a picnic and pick one of the many perfect rocky shores to dine with a view.
Day tripping from Dubrovnik is easy and affordable, so why not stay a few more days before heading off to the rest of the islands, any of over 1000 of them.
About Lynn Strough
Lynn is a 50-something-year-old woman whose incarnations in this life have included graphic designer, children’s book author and illustrator, public speaker, teacher, fine art painter, wine educator in the Napa Valley, and world traveler. Through current circumstances, she has found herself single, without a job or a home, and poised for a great adventure.
“You could consider me homeless and unemployed, but I prefer nomad and self-employed, as I pack up my skills and head off with my small backpack and even smaller savings to circumnavigate the globe (or at least go until the money runs out). Get ready to tag along for the ride…starting now!”
All images copyright Lynn Strough and Travelynn Tales
“Split Ring” at its new home, 300 Ottawa Ave. in downtown Grand Rapids.
The 46-year-old building at 300 Ottawa Avenue, NW, received a facelift inside and out, just in time to welcome back a familiar sculpture that held court on its front plaza more than 40 years ago.
Split Ring, by noted contemporary sculptor Clement Meadmore, was installed at the 300 Ottawa Building, then known as the Frey Building, as part of a landmark exhibition called Sculpture Off the Pedestal that opened September 8, 1973. The event was the inspiration of Fred A. Myers, then director of the Grand Rapids Art Museum, and it was sponsored by the Women’s Committee of the museum.
Sculpture Off the Pedestal & the Women’s Committee of the Grand Rapids Art Museum
The Women’s Committee was formed in 1957 to support the museum and to raise money and promote the arts in Grand Rapids.
“It was a challenging outlet for talented women of various backgrounds,” says Peggy Bransdorfer, who served a term as its president and co-chaired Sculpture Off the Pedestal with Connie Oosting and Jerry Hazzard. “They could make use of their considerable skills at a time when it was frowned upon for women with children to work outside the home.”
Clement Meadmore chose “Split Ring” to be part of the 1973 “Sculpture off the Pedestal” exhibition in downtown Grand Rapids.
Though the 1969 installation of Alexander Calder’s La Grande Vitesse, on the plaza surrounding Grand Rapids City Hall and the Kent County Building, received widely mixed reactions, Fred Myers proposed to members of the Women’s Committee that they organize and sponsor an unprecedented downtown exhibition of large contemporary outdoor sculpture in public spaces. Undaunted by the huge effort it would require, members of the committee voted to take it on. They researched and recommended the artists who would be invited to participate, located sites for the artwork, and set themselves up as liaisons between the artists and local government, business and industry in order to overcome obstacles of money, space, transportation, permits and acceptance of the artists’ work. All fifty committee women were involved from the beginning, and they had a budget of $17,800, which included a grant from the National Endowment for the Arts that the committee had matched.
The selected artists were asked to loan one of their sculptures or to create a new piece for the exhibition. Clement Meadmore chose Split Ring, which he had created three years earlier. Robert Murray’s contribution titled Windhover, a steel structure 16 feet long, 14 feet high, and 9 feet wide, had been fabricated in 1970. When it arrived, it was clear that it needed painting. The artist relayed his color selection and Peggy says she and Connie, “…got our ladders and rollers and painted it!”
Each artist was assigned a team of two or three members from the Women’s Committee. With their far-reaching contacts, the women recruited local businesses to provide fabrication for seven sculptures, using processes supervised by the artists, and to provide transportation for both the artists and five sculptures already created, all of which greatly reduced costs.
“We knew the local businesses were very receptive,” remembers Peggy, “and we got nearly everything donated, including flights on corporate planes to bring the artists to town.”
“These women were so courageous,” says Joseph Becherer, vice president and chief curator of sculpture at Frederik Meijer Gardens. “A project of this scope is absolutely monumental, and it was an extraordinary undertaking!”
In addition to all of their liaison work, members of the committee generated tremendous enthusiasm for the exhibition, produced a fine catalog, and housed the artists in their homes. In late summer of 1973, some 35 years before ArtPrize would come on the scene, the public watched the remarkable process of installing twelve contemporary public works of art clustered on and around the block bordered by Lyon, Monroe, Michigan and Ottawa. Some were temporary sculptures made of wood and designed to be taken down at the end of the exhibition. Grand Rapids Project “X”, the first permanent large-scale outdoor work by artist Robert Morris, was completed in Lookout Park in 1974.
There was a bit of discord about the art, and that was to be expected. It was more avant-garde than many of the city’s residents were used to. Peggy remembers that some thought it didn’t complement the Calder. Still, the exhibition was tremendously popular, and the Women’s Committee was asked to extend it. The initial three-month commitment stretched into eleven months.
After the “Sculpture Off the Pedestal” exhibition, “Split Ring” was sold to the Taubman Group, which owned Woodland Mall, and was installed inside the mall in a pond in front of what was then Hudson’s. Some years later, the sculpture was moved to another location in the mall.
All the works that were not temporary were for sale. Committee members encouraged the purchase of what Connie Oosting described as the “innovative and daring art” so the sculptures could remain in Grand Rapids. In Connie’s message in the 1973 catalog for Sculpture Off the Pedestal, she wrote, “These sculptures offer the man on the street an epiphany, the surprise of the uplift of the spirit in the midst of an otherwise pragmatic environment…an alternative to the usual visual pollution encountered in most American cities.”
Three of the sculptures stayed in Grand Rapids. Untitled by Dale Eldred, is located on the main campus of Grand Valley State University. Project “X” is a permanent installation in Lookout Park that prevents the hillside from eroding and provides a path connecting the hilltop with recreational facilities below. Split Ring was sold to the Taubman Group, which owned Woodland Mall, and was installed inside the mall in a pond in front of what was then Hudson’s. Later, when new mall owners talked of removing Split Ring, there was public outcry from many who had come to enjoy it and think of it as “ours.” Split Ring was, instead, moved to another location in the mall.
“I am thrilled that Split Ring is coming back downtown,” says Mary Ann Keeler, who joined the Women’s Committee in the early 1970s upon learning that its members were organizing Sculpture Off the Pedestal. “It is important that people see contemporary sculpture around them, that they see the art of today, as they go about their life and their everyday tasks.”
Mary Ann remembers being inspired by the image of Alexander Calder’s large red sculpture against the backdrop of the tall black buildings downtown. “The Calder was the start of bringing contemporary sculpture into downtown Grand Rapids, and Sculpture Off the Pedestal got the momentum going,” she says, and adds with enthusiasm, “It’s amazing how one thing leads to another!”
The 300 Ottawa Building
The office building at 300 Ottawa was built by Edward Frey three years before the launch of Sculpture Off the Pedestal. It was designed to be the “back of the house” to support operations at the Union Bank Building at 200 Ottawa Avenue, now the Chase Building.
DP Fox Ventures, the holding company of Dan and Pamella DeVos, purchased the side-by-side 200 and 300 Ottawa Buildings in 1998. Because 300 Ottawa lacked a clear identity and purpose in recent years, DP Fox launched a stunning renovation that pays tribute to the building’s mid-century roots and includes the addition of a dramatic two-story lobby; updates to the entrances and exterior facades, common areas, restrooms and elevator cabs; and integration of technology.
Partway through renovations, a discussion arose about the possibility of Dan and Pamella acquiring Split Ring from the Woodland Mall owners and returning it to the plaza at 300 Ottawa where it made its Grand Rapids debut. Both Dan and Pamella are recognized locally and nationally for their support of the arts, so the connection was logical. Pamella has served in many capacities with the Grand Rapids Art Museum (GRAM), including co-chairing major exhibitions of artists ranging from Picasso to Perugino to the Dutch masters. She and Dan served as co-chairs of the GRAM’s Inaugural Ball and Centennial Gala in 2010, where Pamella was honored as one of the ten most influential women of GRAM’s first 100 years. Moreover, in recognition of her many years of service to GRAM, Pamella was named an Honorary Life Trustee in 2010. Pamella also serves as Vice President on the Board of Trustees at the Whitney Museum of American Art in New York City, playing a key role in the planning and development of the new Whitney Museum in Manhattan.
With their strong background in the arts, both Dan and Pamella were excited about the prospect of acquiring Split Ring, and so were the mall’s owners. An architect and structural engineer confirmed that the plaza site would support the 4,000 pound structure. Agreement was reached, and plans were put in place to move Split Ring from Woodland Mall to the 300 Ottawa plaza in June.
“Pam and I are delighted to be able to bring Meadmore’s wonderful sculpture back downtown, to a prime location right across from the Calder, and to honor the pioneering work of the Women’s Committee,” said Dan DeVos. “The timing coincides with significant renovations to 300 Ottawa, and it all came together perfectly.”
“As a city, we embrace the value and importance of public art,” said Grand Rapids Mayor Rosalynn Bliss. “The return of this beautiful sculpture to its original location further enhances our downtown and continues our strong tradition of providing access to art for everyone.”
David Frey, whose father built 300 Ottawa, agrees. “There is growing recognition of the role of public art in the urban experience, and this is another way in which this great Midwestern city is distinguishing itself!” he says. “Public art brings intellectual and visual stimulation to an area. It is provocative, and it adds variety and energy. Public art is an investment, in a very real way, in the economic development of a city.”
Split Ring has been a distinct part of Woodland Mall’s indoor landscape for more than four decades. Those who were introduced to Split Ring while shopping there as teenagers grew up to share its striking presence with their children.
“We are thrilled that the Split Ring sculpture will remain in the local Grand Rapids community,” said Tony DeLuccia, general manager of Woodland Mall. “We hope that area residents will enjoy and appreciate its beauty as Woodland Mall shoppers have over the years.”
Clement Meadmore and Split Ring
Clement Meadmore was born February 9, 1929 in Melbourne, Australia and spent most of his life in the United States. He began his career as a furniture designer and evolved into a sculptor who was recognized most for his massive outdoor steel sculptures. He was also an amateur drummer and he loved jazz, which is evident in the names of many of his sculptures. The artist’s work is characteristic of the minimalist school of sculpture that thrived in the 1960s and 1970s in the U.S., when artists were striving to pare back art to clean lines and basic shapes.
“Minimalism followed the commercialism of Pop Art and the visual chaos of Abstract Expressionism,” says Joseph Becherer. “It was seen as a way of cleansing the art world and bringing it back to its most straightforward forms. Artists worked with geometry and with a very limited color basis. Black became a signature for Clement Meadmore.”
Split Ring was fabricated of Corten steel, which is a weathering steel that will not corrode. While Clement Meadmore’s works were usually designed to sit flat on the ground, Split Ring will be installed on a new base on the 300 Ottawa plaza to ensure it can be seen from the street.
Welcome to this week’s chapter in the ongoing series by our world traveler, Lynn Strough. Here, Lynn takes us to Split, Croatia.
Split is a vibrant town on Croatia’s Dalmatian Coast, which is known for Diocletian’s Palace, a fortress-like structure erected by the Roman emperor in the 4th century. Now it’s full of restaurants, shops, cathedrals, hotels, and tourists.
Note that the cruise ships dump huge crowds here, but if you see the tour guides holding up a flag followed by the masses, just head the other direction. They usually go for the area with the most souvenir shops.
If you’re in the old town at the right time, you might bump into some men in metal or possibly even Santa Claus or Dumbledore.
You’ll notice many interesting architectural details both on the ground and up in the air if you climb the bell tower, which I have to say is a really high one! Inside the walls, you’ll find the beautiful Croatian National Theatre and just outside the walls, a colorful market.
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Speaking of walls, there is a fair amount of graffiti, but most of it is artistic and interesting. Oftentimes in Split, you’ll stumble on to a flea market, and you never know what you might find. And after the sun goes down, the colorful lights come on, if you’re into late nights with food festivals and free concerts… free, unless you care to donate some spare Kuna.
If you tire of old town Split, there are many day trip opportunities, like taking a ferry to the island of Brac (pronounced “Brach”), which is known for its very famous beach, Zlatni Rat (Golden Cape). This beach is a protected nature park and it changes shape under the influence of tides and waves.
If water and beaches aren’t your thing, there’s Trogir, another walled village a short bus ride away from Split. It has the usual fortress you can climb for a view, plus canals, shops, restaurants, churches and the like for you to explore. Or you can set up office with a pizza and free wifi, if you need to get a little travel blogging done.
Now, after a month in Croatia, it’s time for me to split Split and head to Slovenia. But looking back, what’s not to love about Croatia? I’d go back in a heartbeat, and highly recommend it for a beautiful, affordable, fun and sun-filled holiday for you.
About Lynn Strough
Lynn is a 50-something-year-old woman whose incarnations in this life have included graphic designer, children’s book author and illustrator, public speaker, teacher, fine art painter, wine educator in the Napa Valley, and world traveler. Through current circumstances, she has found herself single, without a job or a home, and poised for a great adventure.
“You could consider me homeless and unemployed, but I prefer nomad and self-employed, as I pack up my skills and head off with my small backpack and even smaller savings to circumnavigate the globe (or at least go until the money runs out). Get ready to tag along for the ride…starting now!”
All images copyright Lynn Strough and Travelynn Tales
West Michigan has a long history of design, and it’s becoming an even stronger and more vital part of our community. From graphic design to industrial design, architecture, interior design, packaging design, and UX design, an incredible amount of innovative, world-class work is happening here, and we want the world to know about it!
In its second year, West Michigan Design Week is a week-long series of programs aimed to inspire designers from all disciplines and demonstrate the strategic and economic advantages of design thinking to the rest of the community. The hope is that this event will spotlight West Michigan design increasing opportunities for local designers, attracting new ones, and building connections between designers and our cultural, educational and business communities.
Mimi Valdés, The Multimedia Maker
From April 6-11, a lineup of tours, speakers and workshops is scheduled in the area to showcase what has been accomplished in the region as well as to develop connections in the design industry. Go here for the calendar of events.
The Pyramid Scheme, 68 Commerce Ave. SW, Grand Rapids, kicks things off on April 9 with music and good company. Get your 2016 West Michigan Design Week t-shirts screen printed by Ambrose live on stage. Glitter Booth will capture the action.
Saturday, April 9th | 9pm – 2am
9:00 – 10:30 | Tom Engelsman from Scintillate
10:30 – 12:30 | AJPASCHKA
12:30 – 1:30 | AB
Several design industry organizations have collaborated to make this event possible, including (in alphabetical order): AIGA West Michigan, American Institute of Architects Grand Rapids, American Society of Interior Designers and Interaction Design Association, Design West Michigan, Industrial Designers of America, International Interior Design Association, and Kendall College of Art and Design.
About Lynn Strough
circumstances, she has found herself single, without a job or a home, and poised for a great adventure.
By WMDW
