Tag Archives: Q&A

Public Q&A on landfill gas leak is Aug. 31 at Kentwood City Hall

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Aerial view of the old South Kent Landfill — Kent County oversees cleanup activities at this site (photo courtesy of accessKent.com)

 

By Victoria Mullen

WKTV

 

The old South Kent Landfill — formerly known as the Paris Township Dump — has been closed since 1976 but 40 years on, the community is still dealing with the consequences of waste disposition during an era with no environmental protection standards in place. The 72-acre landfill is one of 65 sites in 30 Michigan counties that are designated as Superfund sites — sites that were polluted decades ago and are now eligible for federal funding for cleanup.

 

The closed Kentwood Landfill is under regular monitoring by the Kent County Department of Public Works (DPW) with oversight by the Michigan Department of Environmental Quality (MDEQ) and the U.S. Environmental Protection Agency (EPA). (The City of Kentwood owns the property; Kent County manages it pursuant to a consent agreement between Kent County and the EPA.)

 

Recently, testing at the site at 4900 Walma SE in Kentwood — off Breton Road north of 52nd Street — found methane gas underground at several depths to the west of the landfill site; it has spread farther beyond the landfill boundary. Eleven monitoring wells detected methane in the ground at depths of 5 feet to 50 feet. Concentrations of the gas are high above flammability levels and could cause an explosion if not vented and flared.

 

It’s important to note that residents don’t face any higher risk than they have been in the past, according to Kristi Zakrzewski, the DEQ’s project manager for the landfill.

 

If you are one of the 150 households located within 1500 feet of the west edge of the old South Kent Landfill, you should receive — or have already received — a letter from Kent County about arranging testing for methane gas. You’ll be able to request quick, on-site testing for methane through the Kent County Department of Public Works at no cost to you.

 

“Safety is our priority as we move forward with this investigation,” said Dar Baas, Director of the Kent County Department of Public Works.

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Action shot of trash disposal at the current South Kent Landfill

 

“We are hiring an engineering consultant and have already started investigating methods to resolve the gas migration. We also have been in contact with the Michigan Department of Environmental Quality and the EPA.”

 

Methane, caused by the natural breakdown of organic materials — such as paper, cardboard, branches and wood — normally forms in landfills. Escaping methane is flared (burned) at gas stand wells on the site to prevent the gas from reaching the atmosphere, where it is detrimental to the ozone layer. An alternative to burning it is to convert it to electricity, and Kent County is looking into the feasibility of doing so, but there is no way of knowing how much methane is trapped under the landfill and whether it would be economical to build an electrical facility there.

 

Although the migration of methane beyond the landfill boundary is concerning, the DPW did not detect methane inside any neighboring buildings. They are working with the Kent County Health Department; if methane is found at the outer edge of the landfill, they will expand the gas stand wells.

 

Methane gas likes to spread upward. When it can’t, it seeks alternative ways to travel — horizontally — which is why it may be found outside the perimeters of the dump site. Any leaks are most likely to occur in crawl spaces and cracks in a building’s foundation, any place where methane gas can get through.

We’ve come a long way since the 1800s when people simply opened their back doors and threw their trash out. The Pantlind Hotel once had a piggery where people dumped their organic matter to feed the pigs.

Baas said that the South Kent Landfill dates back to the late 1940s when dumps had no environmental standards for the waste that was deposited there.

 

“The Baby Boomers started these dumps after World War II,” Baas said. “There’s a little bit of everything here.”

 

In the early 1950s, the area was the town dump, then became a licensed solid waste facility in 1966. The City of Kentwood operated the landfill from 1968 to 1970; Kent County operated it from 1971 to 1975. It was closed in early 1976 and capped in 1995 with several layers of clay — 6-inch layers creating a 2-foot cap — after which it was covered with topsoil and seeded with grass seed to keep the methane gas trapped. The site is mowed regularly to keep plants and trees from taking root and contributing to the methane problem.

 

In addition to organic materials, the site contains industrial waste.

 

“We used to have to treat the leachate waste water after the dump closed in 1976,” said Baas. “Forty years later, we are still dealing with the ramifications of this landfill, but we no longer have to treat the leachate as it’s a lot cleaner.”

 

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Business as usual at current South Kent Landfill

Cleanup, operation and maintenance activities and groundwater monitoring are ongoing.

 

“We will always have to watch over it,” Baas said. “Today, it looks like a meadow, but we have no way of knowing how long it will be before it can be used for other purposes.”

 

The public is invited to attend a Q&A session presented by the Kent County Department of Public Works on Wednesday, August 31 at 7 pm at Kentwood City Hall, 4900 Breton Ave. SE. Officials from the City of Kentwood will also be at the meeting to answer questions.

 

If you have questions, contact the Kent County Department of Public Works at 616.632.7920.

 

Award-winning Production Designer to speak on ‘The Art of Film Production Design’ at Calvin College

jeannine_oppewall_destaqueOn October 6 and 7, local film aficionados will have the opportunity to meet a motion picture industry great: Jeannine Oppewall, a highly respected production designer, art director and Calvin College alum, will share her ideas and experiences as a motion picture production designer during a Q&A after the screening of Catch Me If You Can at Celebration! Cinema North on October 6.

The following evening, Oppewall will present ‘Design and Ideas in the Film Industry’ at Calvin College. Both events are free and comprise the Loeks Inaugural Lecture in Film & Media, co-produced by Calvin College and Celebration! Cinema. RSVPs are required for the film screening. (Go here.)

About Jeannine Oppewall:
Professional on set, modest in her personal life, and an engaging conversationalist, Oppewall makes magic by turning a director’s vision (or lack thereof) into a coherent whole. Meticulous attention to detail is just one of her hallmarks. She has received numerous accolades, including the Camerimage Award to Production Designer with Unique Visual Sensitivity in 2014. Photo credit: Academy of Motion Picture Arts and Sciences

Simply stated, Oppewall is responsible “for everything an actor walks in front of, sits on, drives through or picks up.” In addition, each item must be historically accurate, right down to the color and texture. She has worked on more than 30 movies in such roles as production designer, set decorator and set designer.

Depending on the project, Oppewall may or may not receive any overall direction. To illustrate the enormity of the job, each project may take up to nine months of her life, working 14-hour days.

“A large number of directors don’t have a vision,” she said. “Some are visual, some are verbal and some are not interested as long as I get the job done.”

For exJeannine_Oppewallample, on Bridges of Madison County, Clint Eastwood was very hands off. On Tender Mercies, Oppewall received only five or six specifications on production design from director Bruce Beresford.

“It depends on the individual,” she said.

Overall, to succeed in her field, designs must be clean, neat and simple. For Oppewall, this is not a problem; design is in her genes.

“I came from family of designers and tried to intellectualize my interest in art, theater and culture,” she said. “I wanted to be the family intellectual, but the genes won out.”

In an industry dominated by high-powered males, Oppewall credits her years as editor of Chimes, the Calvin College student newspaper, for toughening her up; working with the big boys in Hollywood doesn’t intimidate her one iota.

“I was young and stupid and chaotic and idea-driven,” said Oppewall of her tenure at Chimes. “I was full of righteousness. But I learned how to assert myself and stand up for myself. I gave as good as I got, and I learned how to deal with males.”

And she does not cry. Ever.

“I get angry, but I do not cry,” Oppewall says. “I don’t know how to do it.”

On rare occasions, however, she may be rendered speechless. In her twenties, she worked for iconic American designer Charles Eames. She had lucked into the job by first touring the Eames studio and then asking a secretary if there were any positions open. Serendipity. There was.

“They needed someone to curate the slide library, black-and-white negatives and photos, and do reading and research for the National Council of Arts,” Oppewall said. IMG_0160

Another aspect of the job concerned film post-production. She knew she could handle everything but film post-production. She didn’t let that stop her.

“I made a few phone calls and contacted someone I knew who was knowledgeable about film post-production,” said Oppewall. “He told me to meet him at the Technicolor plant. ‘I will show you what your job is,’ he told me. ‘If you know your job, it will make my job easier.’”

Much later, during a conversation with Eames, “out of nowhere, he broke out singing, ‘Jeannine, My Queen of Lilac Time,’ the same way my mother did when I was a young girl,” said Oppewall. “I was flummoxed.”

She has this advice for newcomers to the film industry: “In Hollywood, you can find out everything about anyone,” she said. “All it takes is two well-placed phone calls, and you will know everything about everybody, if you know just whom to call. Find two people who like you and want to help you. That is how you begin.”

About the film:
detailStarring Leonardo DiCaprio, Catch Me If You Can is based on the true story of Frank Abagnale, Jr., who worked as a doctor, a lawyer, and as a co-pilot for a major airline—all before his 18th birthday.

Abagnale (Leonardo DiCaprio) was a master of deception and also a brilliant forger, whose skill gave him his first real claim to fame: At the age of 17, Abagnale became the most successful bank robber in the history of the U.S. FBI Agent Carl Hanratty (Tom Hanks) makes it his prime mission to capture Frank and bring him to justice, but Frank is always one step ahead of him.

WHEN: October 6 at 7 p.m. WHERE: Celebration! Cinema North. Click here to RSVP.

About the lecture:
On October 7 at 7:30 p.m., Jeannine Oppewall will present ‘Design and Ideas in the Film Industry.’ Using illustrations and anecdotes, Oppewall will explain how she expresses color, shape, texture, location, and construction on a project.

“It’s something I do by instinct, and most people have no idea what I do,” said Oppewall.

The event is free and open to the public. WHERE: Covenant Fine Arts Center Recital Hall, Calvin College.