By K.D. Norris
ken@wktv.org

Pianist Fred Hersch and guitarist Julian Lage, like two good friends who occasionally share coffee and stories — which is kind-of how they met — will meet up again for some wordless musical discussion as St. Cecilia Music Center begins its jazz series this month.

The story goes that Hersch and Lage, both with impressive resumes as front men and ensemble players in a wide range of musical genres but always focused on jazz, first met at a coffee shop in Boston and stayed together long enough to produce the much admired 2013 duo release “Free Flying”.

They are back together, undoubtedly having more coffee and musical conversations, for a few gigs this month including their Thursday, Oct. 17, concert at St. Cecilia, where tickets remain available. And don’t be surprised if their short reunion is only a prelude to another recording session.

“After the (2013) record, over the years, we find ourselves together every so often,” Lage said to WKTV in a telephone interview late last month. “It is one of those things that is somewhat unschedulable — I can relate, given what we’ve been up to. But it still remains a passion of ours.

“Frankly, we’ve been toying with this idea of recording again, doing some more shows, for a while. This upcoming run we have coming up (in October) … is kind of an opportunity to initiate some more stuff together. … I think we are just kind of moving towards, God wiling, doing some more stuff.”

Hersch, additionally, sees the pair’s current and, hopefully, future work together as part of a long relationship.

“I put this in the class of on-going special projects,” Hersch said to WKTV. “Julian is really busy with his own career and other projects. So am I. So sometimes it is complicated to find, like, three three great dates in a row. … But I think this is something we plan to keep going, indefinitely. As long as both of us has our brains and our fingers.”

The pair’s musical knowledge and manual dexterity, together and in their “other projects,” have gained them praise, awards and audience applause.

Hersch has 14 Grammy nominations to his credit and, citing only some of his recent distinctions, he was named a 2016 Doris Duke Artist, and was the 2016 and 2018 Jazz Pianist of the Year from the Jazz Journalists Association. The New York Times Sunday Magazine called him “singular among the trailblazers of their art, a largely unsung innovator of individualistic jazz — a jazz for the 21st century.”

Lage, who is also Grammy nominated, has placed his own mark on music written by a wide range of artists, from Roy Orbison to Ornette Coleman, and, according to supplied information, he “builds upon a wandering sonic outlook with jazz fusion, jam band liberation, standards, and rock ‘n’ roll.”

While the pair seldom play together, let alone in the duo format, their preparation for a concert such as the one in Grand Rapids is mostly a matter of shared musical language, as jazz people like to say.

“Julian lives in Brooklyn and I live in lower Manhattan, and we did play together this past May, on an on-going series where we play at the Jazz Standard (New York City club) where I invite a different partner each night of the week to come play with me,” Hersch said. “That was sort of our preparation. … We plan to meet in Grand Rapids, have a sound check and we have a pretty good sized repertoire, for now, which we keep adding to as well can. But it’s not really a rehearsal intensive process.”

While both have ventured in others realms, musically, they consider themselves to be jazz players at heart and in their soul.

“I consider my self a bonafide jazz guitar player, you know, and I think the definition of what it means to be a jazz musician is often wider than what we think,” Lage said. “At the end of the day, I kind of play the same all the time, I don’t really change … but my allegiance is to jazz.”

“Both of us believe that whatever piece we are playing, we are not only authentic to our own voices, as musicians, but authentic to that piece of music,” Hersch added. “Each piece of music you play might bring out the different influences, but Julian has a very distinctive voice, in the music. I think I have a very distinctive voice. So we are kind of speaking with our own accents but obviously affected by the particular material we play.”

Playing in a piano-guitar duo, sans drums and bass, is also a chance for Hersch to more fully utilize his keyboard, he admits.

“In jazz, the piano is a member of the percussion family. When I’m playing, I’m playing like a big drum set with 88 notes,” Hersch said. “I can create a lot of sound and play very orchestral. I can play in different registers with the piano. Julian and I have this great radar where it seems like whenever Julian is playing, even while I’m for all intents and purposes soloing, whatever he plays is adding to what I’m doing, not getting in the way.

“In order to work in a duo, whether it is piano-guitar, piano and saxophone, piano and voice, everybody has to have a great responsibility for the rhythm. … Both people have to have good understanding of where the beat is, where the time is … and so, (if we have that) we really don’t miss the bass and drums at all. Frankly it is very liberating.”

Tickets for Fred Hersch and Julian Lage are $40 and $45 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at www.scmc-online.org. A pre-concert reception for $15 at 6:30 p.m., with wine and hors d’oeuvres, is available by reservation in advance (by Friday, October 11). A post-concert party with dessert, coffee and wine is open to all ticket-holders to meet the artists, obtain autographs and CD purchases.