By K.D. Norris
ken@wktv.org

Wyoming resident Jon Lopez’ early day job is managing a Bagel Beanery on Clyde Park Avenue SW, where he is often present at the crack of dawn getting ready for the morning rush of caffeine seekers and bagel lovers.

But in the afternoons or early evenings, in his basement sculpture studio, he sort of transports himself to another world — a world of clay-full characters including thoughtful monkeys, mice on a mission and a green octopus that he is almost on talking terms with.

“I always have a tremendous amount of self-doubt when I’m starting a sculpture, but then suddenly the character is looking back at me and I say ‘Oh, shoot’, this is the character, its spirit,” Lopez, a 2015 graduate of Grand Rapids Community College, said to WKTV. “An animal will just set on the desk until that breath of life is put into them. … If I don’t get that feeling, it does not get put out.”

And one of the self-titled Clay Alchemist’s favorite characters-come-to-life is a green octopus called Charlie, who will be present at the current exhibition “GRCC Alumnus: Jonathan Lopez”, at GRCC’s Collins Art Gallery. The exhibition held a soft opening Sept. 30, plans a opening reception on Wednesday, Oct. 9, from 3-7 p.m., and will run through Oct. 25.

“The simplicity of Charlie is one of my favorites,” Lopez said. “And I’ve come back to him a couple times. I just like messing with octopuses. They are really fun … they have really comical faces.”

Lopez has a long history with clay sculptural work, which has undergone a environmental transformation to plasticine, and over the years developed an artistic preference for the end result being high-tech photos of his sculptures in unusual settings and then the recycling of the original works of art.

“I like the idea (of using plasticine), that I can reuse it over and over again. … I just like the concept of nothing is permanent,” he said. “There is something nice and refreshing that when something is done, it is out of my hands. I might keep it for a short time, so some people can see it in person. But when it is done — once the (photograph) illustration is done, I like to take them apart and that same clay goes into the next illustration. … In a way it is environmentally friendly.”

And as far as the choice of photographs being the final product?

“I have always been really reserved with letting people see the finished product, in person, the actual sculpture in person,” he said. “Allowing me to do the photograph, rather than you see it in person, I have more control of the lighting and where it is at. I almost feel that, as an artist, you lose a lot control and emotion when you hand it off to someone else. And the photography just enables you that control when you hand off the finished piece.”

He uses Fuji metallic paper in printing, which “brings a really dimensional esthetic to the picture,” he said. “When you have just a standard glossy, or luster, there is a lack of depth to there photograph. The metallic just picks up the highlights in a certain way where I’ve had so many people come up to a print and say ‘It looks lifelike. It looks 3-dimensional.”

While most of the sculptural and photographic work occurs in his basement studio, sometimes his creatures travel.

“My friend and I went to Colorado as well as Louisiana with some characters … There has been a few spring breaks where I have taken them along,” he said. “I took a turtle down to Louisiana and I took his photograph in New Orleans and in the swamps.”

The exhibition is really the evolution of his work, starting with his first publicly shown work, when he was just out of college, “which was an online dating parody,” then there is a series which has not been on exhibit called “Curious Cuisine, which is sort of a humorous approach to looking at the lives of food.”

Some of his work — maybe as he matures — is becoming more serious, maybe even described as “dark”. One series of works is called “No Dignity” which includes the photograph “Untermench”.

“Untermench literally means sub-human, and it’s just an analogy of the way that people treat, that people in general, demonize a group of people. The photograph is of a cat exterminating mice and cockroaches, and over the years, since Hitler, really, people have been called cockroaches or vermin, and exterminated,” Lopez said. “This is an examination of social issues, really. … It is important to have these conversations about how we treat each other.”

But, Lopez says, when he gets too dark, there is always Charlie and other fun and funny creations waiting to come to life.

“As an artist, when you have a point in life, when you’re getting a more low-key part in your life, or you are just going thorough some inner turmoil, it is nice to have an outlet,” he said. “But at the same time, when I do a couple of darker pieces, then I would have to do a curious cuisine illustration … The truth is that I cannot stay in that (serious) vein for too long.”

The GRCC Collins Art Gallery is located on the 4th Floor of Raleigh J. Finkelstein Hall, formerly Main Building, 143 Bostwick Ave NE. Grand Rapids. Gallery hour at Monday to Thursday, 10:30 a.m. to 7 p.m. For more information visit GRCC.edu/visualarts .

For more information on the artist, visit clayalchemist.com .

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