Category Archives: Entertainment

Civic Theatre teaches us all that there is more to freckles than you thought

Hailey Clack, as Emily, professes how much she likes her classmate Danny. (Photo courtesy of Studio3twenty)
Hailey Clack, as Emily, professes how much she likes her classmate Danny in “Freckleface Strawberry.” (Photo courtesy of Studio3twenty)

Before the review, a full disclosure: I had never heard of “Freckleface Strawberry” until a notice from Grand Rapids Civic Theatre reminding me it was the upcoming children’s theater production. While the book came out when my daughters were 7 and 9, and certainly would have been in their reading level, they gravitated to such titles as “Pinkalicious” and “Fancy Nancy,” both of which had come out a year or two before “Freckleface Strawberry.”

 

My guess why actress Julianne Moore’s book never made it into our reading repertoire would be that we hadn’t had to deal with freckles, much less red hair. So in our household, when you say “Freckleface Strawberry,” you are bound to get the response my husband said as I was on my way out the door to see Civic’s production: “Oh, Strawberry Shortcake.”

 

It was actually an interview with Civic’s Associate Director Allyson Paris, who was directing the show, that piqued my interested. The comment that caught my attention was that the musical was smart and funny. “It’s upbeat, modern and really refreshing.”

 

The Freckle Mafia lead by actor Steve Place. (Photo courtesy of Studio3twenty.)
The Freckle Mafia lead by actor Steve Place. (Photo courtesy of Studio3twenty.)

I tend to seek out shows I have not seen before and with that kind of positive preview, I convinced my now 15-year-old daughter to go with the promise it would only be an hour (and it was to about the exact minute) and that we would have frozen yogurt afterwards to reflect on the production.

 

We both agreed that the caliber of a Grand Rapids Civic Theatre production is about bar none. If you want to see a good show at a decent price (tickets for “Freckleface Strawberry are $10 – $16), go see a Grand Rapids Civic Theatre production. If you’ve got an hour between now and May 1, go see “Freckleface Strawberry the Musical.” Kids are optional as this show about a 7-year-old learning to accept who she is has a message for everyone – young, old and in between. And the cast will literally dance its way into your heart thanks to the amazing choreography of William Shutte.

 

Speaking of the cast, it is full of characters each having their own moment which helps to story to unfold. Those moments started with Hailey Clack, as Emily, with her “love” song “I Like Danny;” the duet between Elizabeth Foster, as ballet girl, and Abbie Westers, as Freckleface Strawberry, in “Lonely Girl” (coincidentally both girls played Jane Banks in Civic Theatre’s 2015 production of “Mary Poppins;” and Gabriel Buskard’s, as Jake,  nearly perfect pitch in the gospel-like “When You Got Friends.”

 

I would be remiss if I didn’t mention the Freckle Mafia lead by familiar Civic Theatre face Steve Place. Place and his crew, featuring Ashlyn Fitch, Sarah Hughes, and Ellie Brower, have almost perfect comedic timing giving everyone something to giggle about.

 

And finally there is Lindsay Tallman who demonstrates her range playing the new age, free spirited teacher, performing “Creative Mind” to the low key, wisdom-filled mother who delivers the most potent message of all when she sings “childhood is but a moment” in “Once Upon a Time.”

 

Still this is a production for children and being such is packed with insightful songs that are designed to get its message across – we are all different and that’s the best part.

 

“Freckleface Strawberry the Musical” runs through May 1 at Grand Rapids Civic Theatre, 30 N. Division Ave. For tickets, visit grct.org.

 

 

WKTV airs Saugatuck Short Film Festival in support of this year’s call for entries

Last year's Saugatuck xxxxxxxx
Last year’s Saugatuck Short Film Festival will be aired on WKTV this week.

The Saugatuck Center for the Arts, 400 Culver St., Saugatuck, is calling all filmmakers to submit their short films to the fourth annual Saugatuck Shorts Film Competition.

 

This year marks the fourth year of the Saugatuck Center for the Arts’ (SCA) film competition, where professional and student filmmakers will compete for $2,500 worth of cash prizes for their short films—five minutes or less—that feature some sort of Michigan flavor. Student submissions (high school students and younger) are free, and adults (college and up) are $20 per entry. Video projects by schools, clubs, and religious organizations are encouraged to enter. Registration for Saugatuck Shorts is open now until Oct, 9, and can be completed at sc4a.org.

 

“Over the past three years, the SCA’s Saugatuck Shorts competition has brought in filmmakers from across the state for a wonderful night of engaging entertainment on the big screen,” said SCA Executive Director Kristin Armstrong. “The competition is a great way for students and professionals alike to get their work in front of the community. We are very excited to bring this special competition back!”

 

Saugatuck Shorts is the only film competition in West Michigan that offers a cash prize for film submissions in a juried category and an audience favorite. Similar to ArtPrize, a panel of judges will choose the top ten shorts to be shown on screening night. Of those top ten, a winner from the student and from the adult category will be chosen. The student winner will be awarded $500 and the adult winner, $1,000. On screening night, after the audience has viewed all ten shorts, they will cast their votes for the “Audience Favorite” which will be awarded another $1,000.

 

This year’s competition also marks the second year that the SCA will partner with Wyoming-Kentwood Television (WKTV) to promote Saugatuck Shorts. In addition to the station coming to the event to broadcast it live, WKTV will also feature the top ten juried films on their station.

WKTV will be airing last year’s 3rd Annual Saugatuck Shorts Film Festival Tuesday, April 26, at 9 p.m. and again Saturday, April 30 at 10 p.m. on Comcast, channel 25.

 

WKTV is a community television station located at 5261 Clyde Park Ave. SW. WKTV is one of the oldest community television stations in the country that is still in operation, celebrating 40 years in 2014. More information about WKTV can be found here.

Tuesday Evening Music Club brings talent to Frederik Meijer Gardens

Complicated Animals performs at the Frederik Meijer Gardens.
Complicated Animals performs at the Frederik Meijer Gardens July 19.

Along with its annual Summer Concert Series, the Frederik Meijer Gardens & Sculpture Park also hosts the Tuesday Evening Music Club during the summer and announced the line-up to that series earlier this week.

 

The Tuesday Evening Music Club brings talented local and regional musicians to the Frederik Meijer Gardens Amphitheater stage Tuesday evenings—free to Meijer Gardens members and included in admission for other guests—throughout July and August. The 1,900-seat Amphitheater Garden is one of the most unique and intimate venues in Michigan.

 

Show times are listed.

 

Tracing The Roots, July 5 at 7 p.m.
Various artists perform a musical montage that traces the evolution of hip-hop, jazz and blues from their African roots.

 

G-RAPS, July 12 at 7 p.m.
La Famiglia front man Mike G performs with and hosts this gathering of the most talented hip-hop artists in the city, backed by his band and R&B vocalists.

 

Camille and Complicated Animals, July 19 at 7 p.m.
Camille: A multi-instrumentalist and songstress that brings a modern flare to classic crooning.
Complicated Animals:: A fusion of indie-pop and Brazilian Bossa Nova, or “Indie-Nova.”

 

Zion Lion and The Mark Lavengood Bluegrass Bonanza, July 26 at 7 p.m.
Zion Lion: A mixture of reggae, calypso, soca, and zoukous.
The Mark Lavengood Bluegrass Bonanza: High-energy, toe-tappin’, traditional bluegrass.

 

Dave Hardin and Brother Adams, Aug. 2 at 7 p.m.
Dave Hardin: Veteran singer-songwriter of the West Michigan scene, specializing in vintage country ballads.
Brother Adams: A mixture of folk, alt-country, and psychedelic rock.

 

Olivia Mainville & The Aquatic Troupe and Delilah DeWylde & The Lost Boys, August 9 at 7 p.m.
Olivia Mainville & The Aquatic Troupe: A gypsy swing folk band.
Delilah DeWylde & The Lost Boys: Rockabilly and 1950s style rock and roll.

 

Deep Greens & Blues and Nicholas James & The Band Wagon, August 16 at 7 p.m.
Deep Greens & Blues: A mixture of modern and alt-country, 70’s folk, and southern blues.
Nicholas James & The Band Wagon: Country-folk, with a hint of zydeco, and story-driven lyrics.

 

Cultivating Peace, August 23 at 7 p.m.
Cultivating Peace: An evening of sacred world music traditions, featuring various artists.

 

Ralston & Friends, August 30 at 7 p.m.
Ralston & Friends: Local music icon Ralston Bowles shares the stage with friends and collaborators from the community and beyond.

 

To become a member or renew a membership, visit MeijerGardens.org/Membership

 

A tutorial on how to get your hands on those Frederik Meijer Garden concert tickets

Complicated Animals performs at the Frederik Meijer Gardens.
Complicated Animals performs at the Frederik Meijer Gardens.

The Greater Grand Rapids area was all a buzz last week. Not only did Garth Brooks tickets go on sale  – with 60,000 tickets sold for six-concerts in one day – but the Frederik Meijer Gardens & Sculpture Park released its 2016 summer concert series line-up as well.

 

And it is quite the line-up with a mixture of returning favorites, Grace Potter, Gavin DeGraw,  and The Beach Boys, and some who have never performed at the Gardens’ outdoor amphitheater such as opener Tears for Fears and Motown’s darling Diana Ross.

 

“We brought back some such as Jackson Browne because his show sold out so quickly last year and so now those who didn’t get to see him might have the chance to do so,” said Andrea Wolschleger, whose last task as public relations manager for the Frederik Meijer Gardens was promoting the summer concert series. “It really is a nice mix of returning favorites and new faces.”

 

While tickets are a hot item, with the Gardens at about 95 percent sold for the 2015 summer series, Wolschleger said there is a misnomer that all the concerts sellout right away during the members-only preview sale.

 

“Actually during the member sale, we might have five or six of the concerts sellout,” Wolschleger said.  There are around 30 concerts in the series starting with Tears for Fears on June 6 and ending with Gavin DeGraw and Andy Grammar on Sept. 7.

 

Of course, If you are really hoping to snag those tickets for Diana Ross, the best chance is to be a member of the Gardens since the member-only sale starts at 9 a.m. April 30.

 

“I would recommend becoming a member before April 30,” Wolschleger said. “You are going to want to be able to get online right away at 9 a.m. If you try to get your membership done that same day you might have problems getting online for the members’ sale.”

 

Becoming a Gardens member – which starts at $50 for an individual ($30 for a student) – now or even a few days before means any problems can be resolved before the sale starts, Wolschleger said. Members also save $2 a ticket. There is an $8 per order handling fee through StarTickets. For the general public, there is a $3.50 handling fee per order plus a $5.25 convenience fee per ticket. There are no fees for tickets purchased through the Meijer Gardens Admission desk during normal business hours.

 

Members have until midnight May 13 to order tickets. Starting at 9 a.m. May 14, tickets are released to the general public. For a complete list of performers, dates and times, click here.

 

The amphitheater seats 1,900 and is general admission. Blankets and low-rise chairs that are 32 inches maximum from ground to highest position of the chair are allowed. A limited number of standard-height chairs will be available to rent for $5 on a first-come, first-serve basis.  Concertgoers may bring their own food, bottled water and non-alcoholic beverages. For complete guidelines, click here.

5th Annual GRJazzFest announces line-up April 27

grand-jazz-logo

By GRandJazzFest

 

Summer’s still quite a way off, but it’s never too early to get excited about good jazz!

 

GRandJazzFest presented by DTE Energy Foundation returns to Rosa Parks Circle in downtown Grand Rapids, Mich., this Aug. 20 and 21, for the fifth annual festival. The popular family-friendly festival, which attracted more than 10,000 people last year, is West Michigan’s only free, weekend-long jazz festival. The two-day festival will again be free because of Presenting Sponsor DTE Energy Foundation, the City of Grand Rapids and other sponsoring organizations and individuals.

 

Edye-Evans-Hyde
Edye Evans Hyde performed last year

“Grand Rapids and West Michigan have embraced GRandJazzFest,” founder Audrey Sundstrom said. “We’re proud to say GRandJazzFest is one of the most diverse, community-oriented festivals for people who live here, who travel here, and who want to enjoy two days of great live music in a vibrant downtown setting. THIS is what community is all about.”

 

Each year, GRandJazzFest has been held at Rosa Parks Circle in the heart of downtown Grand Rapids to enable festival-goers to take in all that downtown has to offer: restaurants, clubs, museums, microbreweries and shops. The festival typically occurs during Restaurant Week in Grand Rapids. The festival’s location provides easy access to those who ride the bus, walk or bike, and is also close to parking.

 

The 2016 festival lineup will be announced on April 27 at the House of Entertainment and Music (H.O.M.E.) at The B.O.B. That night at H.O.M.E., the band Evidence led by saxophonist Michael Doyle takes the stage. Evidence performed at the 2014 GRandJazzFest.

 

Like last year’s reveal, festival organizers will coordinate with leaders at International Jazz Day to include GRandJazzFest’s reveal announcement as a sanctioned International Jazz Day event.

 

At the 2016 festival in August, 11 diverse jazz artists and bands will perform, including a student jazz band and two major headline acts.

Walt-Gutowski1
Walt Gutowski performed last year

 

Free face painting by Fancy Faces will be available for kids and, if lines aren’t too long, for “kids at heart.”

 

GR and Jazz (the non-profit, all-volunteer-run producer of GRandJazzFest) is pleased to announce a special collaboration with the Grand Rapids Art Museum: Under an agreement with GRAM, the festival’s VIP area will be located on the GRAM front terrace where refreshments and snacks will be provided. The VIP area is for sponsors of GRandJazzFest. Additionally, GRAM will have an outdoor bar area set up at the base of its front steps adjoining Rosa Parks Circle for attendees who would like to purchase and consume refreshments and enjoy the festival.

 

Grand Rapids city commissioners approved GRandJazzFest as one of 24 events that it will co-sponsor in 2016, a distinction only given to events that have proven to be successful and enrich the community. GRandJazzFest 2015 received distinction as a Downtown Grand Rapids Inc. Signature Event along with two other festivals, ArtPrize and LaughFest.

 

In addition to DTE Energy Foundation, the City of Grand Rapids, and GRAM, sponsors for the 2016 event to date include GR and Jazz, IntentPR, Gilmore Collection, Comcast, Hilger Hammond, Amway Hotel Corporation, Experience Grand Rapids, ICON Sign, Meijer, Moxie Men Incorporated, Hungerford Nichols, WGVU, Steelcase and Clark Hill. Sponsorship opportunities are here.

Grupo-Aye
Grupo Aye performed last year

 

“We are so grateful to all of our sponsors for their support – we could not do it without them,” Sundstrom said. “We’re seeking additional sponsors to help us bring a full weekend of FREE, family-friendly live jazz performances to West Michigan!”

 

Get a taste of past GRandJazzFests by viewing the “recap” videos here.

 

More information on the 5th annual GRandJazzFest presented by DTE Energy Foundation can be found here and at the festival’s Facebook and Twitter sites.

Local resident climbs a mountain in search of Noah’s Ark

Kevin DeVries, the lead mountaineer for the "Finding Noah" exhibition, will be at the KDL Wyoming branch April 21.
Kevin DeVries, the lead mountaineer for the “Finding Noah” exhibition, will be at the KDL Wyoming branch April 21.

By Joanne Bailey-Boorsma

joanne@wktv.org

 

In 2013, something rare happened in Turkey: after decades of bloody conflict, there was a cease fire between the Kurdistan Workers’ Party and the Turkish Government/Army.

 

For a professional film crew, directed by Brent Braum, it was iconic in it meant the group of Ark Explorers Inc., with lead mountaineer and Byron Center resident Kevin DeVries, would be able to make its last attempt to discover if Noah’s Ark made its final resting place on Turkey’s Mt. Ararat’s nearly 17,000-foot Eastern Plateau. Released last year, the independent film, “Finding Noah,” became something of a phenomenon with more than 500,000 views on its trailer, more than 65,000 likes on its Facebook page and more than 30,000 theater tickets sold on its limited release. The film also garnered several awards from the Montreal World Film Festival, Napa Valley Film Festival, Twin Cities Filmfest and the Sun & San: The Mississippi Film & Music Festival.

 

It also helped launch a speaking career for DeVries who is scheduled to be at the Kent District Library’s Wyoming Branch, 3350 Michael Ave. SW, Thursday, April 21, for a private, free screening of the film at 5:45 p.m. along with a Q&A with DeVries to follow.

 

“We were there to prove scientifically that the ark was there,” said DeVries, who formed a connection with KDL while working on his four-part book series “Explorers of the Lost Ark.” The book series recounts the five summers (2009-2013) Ark Search LLC, explored Mt. Ararat in search of Noah’s Ark.

 

DeVries was a travel agent when he reached out to the group offering his services and expertise in mountain climbing. He had climbed five of the seven continental summits, skied to the North Pole, kayaked all five of the Great Lakes and is a 2013 Boston Marathon Qualifier and Finisher, so DeVries knew what was needed to survive the rugged conditions of Mt. Ararat. A devout Christian, DeVries admitted he had an interest in the story of the ark especially since similar tales appear in cultures around the world.

 

“It’s kind of one of those holy grails from the Bible,” DeVries said of searching for Noah’s Ark. “If you can prove it one way or another, it would have tremendous ramifications.”

 

Proving the ark’s existence and location, which according to the Bible “…came to rest on the mountains of Ararat” (Genesis 8:4), could rewrite textbooks in such fields as zoology, geology, and anthropology, to name a few. A flood of that proportions certainly would have had an impact on land formations, DeVries said.

 

But in the end, as the film points out, it is not so much the destination, but, as DeVries noted sounds a little clichè, the journey.

 

“It is really about the brotherhood,” DeVries said. “I made friendships with these people that will last a lifetime.”

 

The adventure certainly impacted DeVries life who is an inspirational speaker travelling the United States to talk about the film and his personal experience in several faith-based programs and events. He continues to climb with his goal of completing The Explorers Grand Slam – Climb the Seven Summits and Ski to the North and South Pole. For the record, he needs to climb Mt. Everest and Mt. Vinson – the tallest peaks in Asia and Antarctic respectfully – along with skiing to the South Pole.

 

At the April 21 event, DeVries said the film, which is now out on DVD, will be shown with the audience having an opportunity to ask questions afterwards. The film, DeVries said, does an excellent job in telling the story of the search, not only for Noah’s Ark, but in finding yourself. Or, as a quote from DeVrie’s own website puts it “Sometimes we have to travel the ends of the earth to reach the end of ourselves and find a new beginning in God that never ends.”

 

For more about the showing, visit the KDL website. For more about DeVries, visit his Grace Explorations website.

 

‘Kids Simmer Camp’ stirs up kids’ imaginations and cooking skills

simmer camp 5By Downtown Market

 

Kids Simmer Camp, for ages 6-11, is a great way to get your kids excited about preparing meals. Fun and educational, these three-day camps explore adventurous weekly themes. From discoveries in the Greenhouse to hands-on cooking in the Teaching Kitchen, “Simmer” Camp cultivates growth and bakes up excitement. Each activity and recipe will pair with the inspiring weekly theme and stimulate inventive imagination and creativity.

 

Everything needed for class is provided: ingredients, the aprons, and the fun! If you shop prior to class and need to put any perishable food purchases in the cooler, please let the sous chef know on your way into class.

 

If your child has an allergy, simply indicate during the registration process if there are any dietary restrictions that our chef should be aware of. We will make the appropriate accommodations to ensure an excellent culinary experience.

 

Please include ages on registration so our chef can prepare ahead for all ages.

 

These classes fill quickly.

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simmer camp 2

 

Week 1: Baking 101-Oven Science
June 28, 29, and 30, 10a-2p • $125

From savory to sweet, to sneaking in a few secret ingredients, kids will learn the science behind baking, and how to incorporate greenhouse fresh ingredients into their baked goods.

 

This week’s kids’ creations include:

Buttermilk biscuits, homemade baked chicken tenders, nutty chocolate chip quinoa cupcakes, mini seasonal fruit tarts, savory supper pie, black bean brownies, pizza with vegetable pizza sauce, and monkey bread.
REGISTER HERE

 

Week 2: Roadtrip USA
July 12, 13, and 14, 10a-2p • $125

From the Southwest, to Creole country, to New England, and back, kids will take a culinary road trip throughout the US!

 

simmer camp 4This week’s kids’ creations include:

Mexican enchiladas, southwestern slaw, Tex-Mex style chocolate pudding, hopping John rice and beans, pimento cheese spread, lemon parfaits, New England crab cakes, rhubarb tea, and hasty pudding.

Kids will also learn about water resources, plant adaptation, rice farming, food preservation, and other important agricultural facts from around the country.
REGISTER HERE

 

 

Week 3: SOLD OUT!

 

 

Week 4: Movie Meal Mayhem
July 26, 27, and 28, 10a-2p • $125

Ever wondered how to make a real Ratatouille or what would happen if Minecraft food was served at your dinner table? What would happen if food took over Grand Rapids like it does in Cloudy with a Chance of Meatballs? Join us as we explore the food, farming, and environment related to these popular movies.

 

This week’s kids’ creations include:

Sausage meatballs, giant pancakes, peach sauce, fresh fruit juice, pixelated fruits and veggies with homemade sauces and dips, vegetable ratatouille, French chocolate mousse, and homemade bread sticks.
REGISTER HERE

 

simmer camp 3

Week 5: Modern City Homesteading
July 19, 20, and 21, 10a-2p • $125

Kids will learn the ten basic concepts of urban homesteading and align them with practical skills, such as growing potted plants, making sauces from scratch, designing your own reusable snack sack, and using dry ice to create a fun dessert. Kids will also learn about rain barrels and worm bins (vermiculture) and how they add value to any urban yard.

 

This week’s kids’ creations include:

Cucumber salad, black bean quesadillas, banana pudding vegetable pancakes with homemade ketchup, carrot slaw, ice cream, deviled eggs, seasonal veggie soup and homemade soft pretzels with honey mustard dip.
REGISTER HERE

 

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Questions?  Email classes@downtownmarketgr.com or call 616.805.5308 ext 217.

Pine Rest’s Leep Gallery’s newest exhibit features the work of a local photographer

One of the collages by Kathryn Armstrong now on display at the Leep Gallery at Pine Rest
One of the collages by Kathryn Armstrong now on display at the Leep Gallery at the Postman Center on the Pine Rest Christian Mental Health Services, 300 68th St. SE.

A new photography exhibit, “From the Rising of the Sun” by local artist Kathryn Armstrong opens at the Leep Art Gallery April 7, 2016. The exhibit is at the Postma Center on the Pine Rest Christian Mental Health Services main campus in Grand Rapids.

 

The photography exhibit is in the form of 20 collages with 400 photographs, and is based on Psalm 113:3, “From the rising of the sun unto the going down of the same the Lord’s name is to be praised.” It reflects Armstong’s lifetime of experiencing the wonder and glory of God’s creative genius around the world. The murals share the heartbeat of one family traveling through one year and one lifetime in a modest lake home here in Grand Rapids.

 

“I hope it also transcends that perspective to speak for the universal experiences of humans, not only in our American life and culture, but everywhere, through vistas of the intimate and exotic both at home and throughout our magnificent planet,” Armstrong said. “My prayer is that every person who views these collages will feel their spirits lifted and their hearts drawn toward the eternal creator of our universe, who loves us with an everlasting love.”

 

Armstrong has taught high school, has home schooled her own seven children, and sold photos to the Lighthouse Christian Bookstore in Marquette, Mich. Last fall she had one of her collages on display at Acton Institute, has photographed numerous weddings and has been an avid photographer since receiving a Brownie box camera for her tenth birthday. She has carried a camera with her ever since.

 

Armstrong’s exhibit will be on display at Pine Rest Postma Center located at 300 68th St. SE, through July 1. The Leep Art Gallery is open Monday through Friday 9 a.m. – 4 p.m. and is free and open to the public. For more information, please call 616-222-4530.

Actress Julianne Moore’s storybook character comes to life on Civic’s stage

Byron Center's Abbie Westers plays Freckleface Strawberry in Grand Rapids Civic Theatre's upcoming production "Freckleface Strawberry the Musical," running April 22 - May 1.
Byron Center’s Abbie Westers plays Freckleface Strawberry in Grand Rapids Civic Theatre’s upcoming production “Freckleface Strawberry the Musical,” running April 22 – May 1.

Joanne Bailey-Boorsma

joanne@wktv.org

 

When Allyson Paris got hired as the new Grand Rapids Civc Theatre associate director, she learned right away about the spring children’s production Freckleface Strawberry the Musical and immediately went out and purchased all the books in the series.

 

“I was familiar with the first one but quickly went out and got my hands on all the ones I could find,” said Paris who directs the upcoming show which runs April 22 – May 1.

 

Freckleface Strawberry the Musical is based on the New York Times best-selling children’s book written by actress Julianne Moore. Moore – whose nickname when a child was Freckleface Strawberry – has stated that the story is based on her childhood memories and those stories have resonated well with both young and old as the original book has now grown into a book series with two apps and the musical. Paris did not know about the apps.

 

“Oh my gosh, I’ve been schooled,” she said with a laugh. “I’ll have to tell the cast about them. More research.”

 

Freckleface Strawberry (played by Byron Center’s Abbie Westers who was in Civc’s production of Mary Poppins and Junie B. Jones) is just like every other girl, except she has bright red hair and, according to her, something far worse, freckles. She will do anything to get rid of her freckles until her schoolmates help her learn a valuable lesson: everyone is different and that’s what makes everyone special.

 

“I feel the message of valuing what makes us different and celebrating ourselves is great for kids,” Paris said, quickly adding “and adults.”

 

Paris said Freckleface is part of the new generation of musicals. “It’s a smart, funny, musical,” she said. “It is upbeat, modern and really refreshing.

 

“It also has a broad range. Should you bring your five-year-old, absolutely. Should you bring your 15-year-old, of course.”

 

And despite it being about a 6-year-old girl, who by the way is kind of tomboyish, Paris can attest that the story is relatable to both boys and girls as her main reading partner with all those books she purchased was her six-year-old son “and he loves the Freckleface books.”

 

Freckleface Strawberry is a children’s musical appropriate for children ages four and older. The production is an hour long, which Paris noted is great for a first-time theater experience. Performances are 7:30 p.m. Wednesday through Saturday and 2 p.m. Sunday at the Grand Rapids Civic Theatre, 30 N. Division Ave. It is recommended to arrive at least 30 minutes before the scheduled performance. Tickets are $10 – $16. For more information, visit grct.org or call the theater’s box office at 616-222-6650.

Movies in the Park start June 3

movie-rMark your calendar for Movies in the Park this summer. Pre-movie entertainment typically begins at 6 pm and movies begin at dusk.  A list of movies will be out later this month. Meanwhile, the dates are as follows:

 

  • June 3
  • June 17
  • July 8
  • July 22
  • August 5
  • August 19

 

Movies in the Park is the premier outdoor film series in Grand Rapids. DGRI and partners present films–free of charge–on a giant screen in Ah-Nab-Awen Park on the banks of the Grand River every other Friday from June thru August. Guests are invited to treat the evening like a picnic and bring your own blanket, chairs, beer, wine and snacks for a special night under the stars. Pre-movie entertainment begins at 6 pm. Films start at dusk.

 

Movies in the Park stems from a 2013 community idea to expand the portfolio of free, outdoor urban recreation activities in Downtown Grand Rapids. The film series has quickly become a signature event in Downtown. The 2015 series of six movie nights attracted more than 31,000 people and stimulated an estimated $664,000 in total consumer spending. Overall, the series leveraged approximately $441 in economic return to downtown and participating businesses for every public dollar invested to produce the events.

 

Go here for more info.

UN.EARTH showcases KCAD students’ imaginative, captivating work

Un_Earth LogoBy KCAD

 

The most imaginative and captivating work from students in Kendall College of Art and Design of Ferris State University’s (KCAD) Pamella Roland DeVos School of Fashion will be presented to the public at their annual fashion show, to be held inside the Grand Rapids Downtown Market on April 13 from 7:30-10 pm.

 

“It’s fitting that all of the hard work and dedication the students in our Fashion Studies program have displayed throughout the year culminates in an event that they have the freedom to make their own,” said Interim Dean of the College Ron Riksen. “The KCAD community looks forward to celebrating their accomplishments.”Chelsey Sawallich

 

Titled UN.EARTH, the event will feature work from all class levels of the Fashion Studies program that ties into the event’s theme of nature and personal growth. The theme is based on the earth’s terrain and includes three subcategories: peak, valley, and coast. Specific color schemes and key words associated with each subcategory informed class projects in Fashion Studies courses throughout the spring semester of the 2015-2016 academic year.

 

Underclassmen will be displaying individual garments, selected through a juried process, that were designed within the parameters of different class projects. Graduating seniors, on the other hand, will be displaying their full capstone collections, multiple garments that have been designed with much more creative freedom at the students’ disposal. A number of fashion illustrations will also be on display.

 

“We chose to call the fashion show UN•EARTH specifically for its definition and connotation,” said Fashion Studies senior Audrey Langejans, one of the event’s lead organizers. “The word ‘earth’ got us thinking a lot about incorporating the nature-inspired trends that are so relevant in the fashion industry right now – trends that would give the underclassmen a chance to be extra creative in their interpretation of the theme. The definition of the word ‘unearth’ itself felt like the perfect summation of the senior experience. We seniors have spent three years working on class projects and learning different techniques, and now we have been able to unearth our own aesthetics and identities as designers through our capstone collections.”Maria Tenhave-Chapman

 

Fashion Studies Program Chair Lori Faulkner added, “In our Capstone course, senior students use all the technical skills and knowledge they have gained through their years of study at KCAD to create an individual collection that specifically reveals their individual vision. Up until their senior year, they have been designing with certain guidelines in mind, but for this project they are given complete creative freedom. Regardless of their class level, I am consistently amazed by the unique designs that my students are able to take from concept to finished product.”

 

UN.EARTH will be held at the Grand Rapids Downtown Market on April 13, 2016 from 7:30-10 pm. Appetizers and refreshments will be provided by Martha’s Vineyard. Admission to the event is free, and the public is warmly welcomed to attend. Attendees are asked to please RSVP through Eventbrite to reserve their free tickets. Space is limited.

Batman v Superman: From Hall H to the big screen

Batman v Superman

By: Katelyn Kohane

 

“The greatest gladiator match in the history of the world. God vs Man. Day versus night! Son of Krypton versus Bat of Gotham!”

 

First two rows: Ben Affleck and Henry Cavill. Bottom left: Gal Gadot, bottom center: Jesse Eisenberg, and bottom right: Amy Adams.
First two rows: Ben Affleck and Henry Cavill. Bottom left: Gal Gadot, bottom center: Jesse Eisenberg, and bottom right: Amy Adams.

Last year, I was lucky enough to get into Hall H at San Diego Comic-Con for a first look at Batman v Superman. The preview was amazing and the whole cast was there! I had the privilege to see Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Gal Gadot and Zach Snyder.

 

Let’s take a quick glance back at some of the actors and actresses who have portrayed some of these great characters: Batman, Superman, Lex Luthor, Lois Lane and Wonder Woman.

 

Lois Lane has been portrayed by Noel Neill, Margot Kidder, Teri Hatcher, Erica Durance, and now Amy Adams.

 

Lex Luthor has been portrayed by Kevin Spacey, Gene Hackman, Lyle Talbot, Michael Rosenbaum (who is my favorite Lex Luthor uptil now.) and now Jesse Eisenberg.

 

Batman v Superman Hall HWonder Woman has been portrayed by Lynda Carter and now Gal Gladot (she is awesome. Loved her in Fast and the Furious).

 

Superman has been portrayed by Christopher Reeve, Dean Cain, Tom Welling (my favorite Superman), Brandon Routh and now Henry Cavill.

 

Last but not least, of course, is Batman who has been portrayed by Adam West, George Clooney, Val Kilmer (one of my favorite actors), Christian Bale (my favorite Batman) and now Ben Affleck.

 

Ben Affleck held his own as Batman
Ben Affleck held his own as Batman

It certainly was humbling being in Hall H to see the new characters in person. Many people, including myself, were worried about Ben Affleck playing Batman. However, that worry is no longer there. I think he has proved that he can tackle the role.

 

I personally enjoyed this take on Batman v Superman, and while I loved parts of the cast, there is certainly room for improvement. Superman is overshadowed by Batman, and I am team Batman all the way. This Batman is a little darker than normal with Batman utilizing more guns. Hey, desperate times call for darker measures.

 

Within the first two days of release, I had already made it to the theater twice to soak in all the action. In fact, I liked it so much that I even bought the sound track composed by Hans Zimmer.

 

As the movie opens you see separate sides of both Batman and Superman. We catch up with Bruce Wayne, Clark Kent and Diana Prince (Wonder Woman) at a party hosted by Lex Luthor. Bruce Wayne comes to investigate Lex Luthor and Diana Prince is at the party to see if she can get a picture back from Lex that he stole from her. Diana ends up stealing the hard drive from Bruce, but since she can’t unlock it, she ends up giving it back to Bruce.

 

Bruce becomes more of a detective and unlocks the hard drive to find a picture of Diana. He also notices that Lex has found others like her including the Flash, Aquaman, and Cyborg.

 

Superman had to answer to the Senate
Superman had to answer to the Senate

Superman gets into some trouble and the Senate holds a hearing. Lex blows up the hearing and starts even more trouble. Lex kidnaps Lois Lane and Martha Kent. Superman saves Lois Lane but Martha is still held by Lex. Lex threatens Superman that he has to fight Batman in order to save Martha. Superman and Lois attempt to convince Batman to save Martha. Batman obliges. Then Batman, Superman and Wonder Woman fight Doomsday. Two are victorious, while one scarifies himself to save the day.

 

(And breath!)

 

I condensed the movie down considerably, but you get the gist. If you haven’t seen it yet, the epic fight is worth the price of admission.

 

The first night I saw the film I went with a group of friends. I have to admit the first time was better than the second because you didn’t know what to expect. On second viewing, this time with a few friends from the West Michigan Film and Video Alliance, I noticed that the dream sequences were a little long and so was the fight with Doomsday. Overall, I’d give it an A-.

 

Don’t forget that Captain America: Civic War is coming to theaters of May 6. Suicide Squad will premier on August 5. The superhero movies never stop coming.

 

“It may be the Gotham city and me… we just have a bad history with freaks dressed like clowns.”

 

Katie works in the film industry as a camera operator and has worked on films like ‘All You Can Dream’, ‘Set Up’ and a TV show called ‘American Fallen Soldier.’ She loves helping WKTV with the Citizen Journalism team and working as a tech at Amway Grand Plaza Hotel. Katie loves working in the film industry and loves watching movies just as much!

Nominees for the 2016 Eclipse Awards announced

Marie Ullrich and Todd Lewis announce the nominees for the 2016 Eclipse Awards.
Marie Ullrich and Todd Lewis announce the nominees for the 2016 Eclipse Awards.

The nominees for the 2016 Eclipse Awards were announced today by Todd Lewis and Marie Ullrich on WKTV.

 

With a record number of entries, judges from around the globe narrowed the field down to the nominees listed below. An annual event, the Eclipse Awards are designed to celebrate West Michigan filmmakers and the films they create.

 

Winners will be announced live on April 28 on WKTV, Comcast channel 24, starting at 7:30 p.m. and is hosted by local comedian Ben Wilke. The Eclipse Awards show also will be streamed live at theeclipseaward.com. WKTV News will be providing complete coverage of the entire event.

 

For all nominees and their guests, there will be the Eclipse Lounge on April 25 at 7 p.m. at the second floor patio of the Rockwell Republic, 45 S. Division Ave. Tom Norton, station manager for WKTV, which helps to organize the event, said the the Eclipse Lounge is an important aspect to the event in that it gives nominees an opportunity to network and for everyone to be recognized for their accomplishments.

 

“We believe that being nominated is an important achievement and so we honor all the nominees,” Norton said.

 

Filmmakers can enter in several main Categories such as Cinema Trailer, Documentary, and Narrative Short. There are also craft Categories focused on the experiste in creating a film such as Acting, Directing and Original Score.

 

Categories are listed in alphabetical order with nominees listed in random order.

 

Documentary nominees are My Personal Pink Time, Josh Reed, producer; Strong Words: The Art of Toi Derricotte, David Schock, producer; and UP a River, Kristin Ojaniemi, producer.

 

Local & Regional Segments & Promotional Pieces (under 20 minutes) nominees are Frederik Meijer Gardens and Sculpture Park: A Grand Rapids Treasure, Experience Grand Rapids, producer; GoSite Sponsor Video, Mallory Patterson and Randy Strobl, producers; HappenDance, Andrew Tebeau, producer; Meet Maren, Mallory Patterson and Randy Strobl, producers; There’s a Little Gilda in All of Us, Mallory Patterson and Randy Strobl, producers; and Why We Work at Wedgwood, Navin Kharmai, producer.

 

Local TV & Cable (30 minute time slot) nominees are Cooking with Angus: Mozzarella, Noah DeSmit, producer; Feel Like You Belong – Takunda Maxima Episode, Alan Headbloom, producer; and Jake’s Safari, Randy Bassin, producer.

 

Narrative Short nominees are Interference, James Stephens, Kelly Loughlin, producers; Portrait, Andrew Behm, producer; shehimher, DJ Viennese, producer; The Discovery of Alan Hindley, Andy Fortenbacher, producer; The Million Dollar Nickel, Kyle Misak, Jake Maxwell, producers; and This is Munyagwa, Erick Lauchie, producer.

 

On-line Programs, Segments or Promotional Pieces nominees are Live Arts, Andy Terzes, producer; Lucky Jay, Brian Gotberg and Harper Philbin, producers; Recognizing the Signs of Idiopathic Normal Pressure Hydrocephalus in the Clinic, Kendall College of Art and Design, producer; and The Story of the Nutcracker Village, Jacob Schmiedicke, producer.

 

Craft categories are listed in alphabetical order with nominees listed randomly.

 

Acting nominees are Ray Brazaski for Cathedral; Michael McCallum for Lucky Jay, Sherryl Despres for Rodeo Girl, Sophie Bolen for Rodeo Girl, Heather Baker-Jackson for shehimher and Liz Nolan for Two For the Show.

 

Animation nominees are Sanjo Antony for Jake’s Safari, Larry Lauria for Pete’s Odyssey, and Brett Deacon and Evan Hollingsworth for Project Liberation.

 

Cinematography and Videography nominees are Reid Petro for Alaskan Adventure, Logan Hurtado and Dylan Sanders for Death at the Opera, Steve Steketee for Frederik Meijer Gardens and Sculpture Park: A Grand Rapids Treasure, Reid Petro for It’s Your Move, Matthew Weaver for Journeyman, Andy Terzes for Live Arts, John Hansen for shehimher, Reid Petro for The Million Dollar Nickel and Travis Babbitt for Topanga.

 

Direction nominees are Andy Terzes for Live Arts, Harper Philbin for Lucky Jay, DJ Viernes for shehimher, Kyle Misak and Jake Maxwell for The Million Dollar Nickel,  and Michael McCallum for Two for the Show.

 

Editing nominees are Alex Bolen for L I G H T, Tim Lieber for Lucky Jar, Mallory Patterson and Randy Strobl for Mosaic Mobile 2015 Promo, Kyle Misak for The Million Dollar Nickel, and Michael McCallum and Andrew Tebeau for Two for the Show.

 

Original Scoring nominees are David Purnell for INK 180 and Theo Ndawille II for shehimher.

 

Writing in Produced Content nominees are George Snider III for Jake’s Safari, Harper Philbin, John Dufresne and Angelo Eidse for Lucky Jay, DJ Viernes for shehimher, Kyle Misak and Jesse Charles for The Million Dollar Nickel and Michael McCallum for Two for the Show.

West Michigan Design Week kicks off April 9 at the Pyramid Scheme

By WMDW

 

West Michigan has a long history of design, and it’s becoming an even stronger and more vital part of our community. From graphic design to industrial design, architecture, interior design, packaging design, and UX design, an incredible amount of innovative, world-class work is happening here, and we want the world to know about it!

 

In its second year, West Michigan Design Week is a week-long series of programs aimed to inspire designers from all disciplines and demonstrate the strategic and economic advantages of design thinking to the rest of the community. The hope is that this event will spotlight West Michigan design increasing opportunities for local designers, attracting new ones, and building connections between designers and our cultural, educational and business communities.

Speakers
Mimi Valdés, The Multimedia Maker

 

From April 6-11, a lineup of tours, speakers and workshops is scheduled in the area to showcase what has been accomplished in the region as well as to develop connections in the design industry. Go here for the calendar of events.

 

The Pyramid Scheme, 68 Commerce Ave. SW, Grand Rapids, kicks things off on April 9 with music and good company. Get your 2016 West Michigan Design Week t-shirts screen printed by Ambrose live on stage. Glitter Booth will capture the action.

 

Saturday, April 9th  |  9pm – 2am
9:00 – 10:30 | Tom Engelsman from Scintillate
10:30 – 12:30 | AJPASCHKA
12:30 – 1:30 | AB

 

$8 / 21+
Get tickets here.

 

Sponsors:
Glitter Booth

 

Several design industry organizations have collaborated to make this event possible, including (in alphabetical order):  AIGA West Michigan, American Institute of Architects Grand Rapids,  American Society of Interior Designers and Interaction Design Association, Design West Michigan, Industrial Designers of America, International Interior Design Association, and Kendall College of Art and Design.

 

 

 

Wyoming High School Artist Leaves Mark with Mural

Kibsy works on a painting during the recent Wyoming High School Festival of Arts.
Kibsaim Kibsy works on a painting during the recent Wyoming High School Festival of Arts.

by Erin Albanese

School News Network

 

When senior Kibsaim “Kibsy” Ruiz Salva paints, she relaxes. That’s an important outlet for someone who is already working toward becoming a doctor.

 

Kibsy is beginning her studies to become a neurosurgeon by attending the Kent Career Tech Center’s Health Early College Academy, but the talented student is leaving her mark at school through art.

 

Kibsy painted a mural titled “Time and History” in the school hallway — which showcases how literature can help people step back in time — by depicting a woman reading to a child on a park bench on one side and a gathering of people in dress from bygone eras on the other.

 

Kibsaim “Kibsy” Ruiz Salva’s painting won second place in the Hope Restored Empowerment Center 2016 Soul Food Eat and Greet Excellent Art Award contest.
Kibsaim “Kibsy” Ruiz Salva’s painting won second place in the Hope Restored Empowerment Center 2016 Soul Food Eat and Greet Excellent Art Award contest.

She also created a painting of a boy and his mother reading about civil rights activist, the Rev. Martin Luther King Jr., which received second place in the Hope Restored Empowerment Center 2016 Soul Food Eat and Greet Excellent Art contest. The center is a non-profit located in Wyoming.

 

“Martin Luther King is an icon. He had a dream and he wanted to see people together,” she said of the inspiration for her piece.

 

Kibsy began studying art as a 9-year-old at a specialty school in Durango, Mexico, after her parents, Daniel Ruiz and Juanita Salva, realized she had the ability to draw what she saw. She said her artistic ability is a gift from God that gives her peace.

 

“My inspirations come from my past and family, as they define my culture, my daily life, and my passion for art,” she said.

 

After immigrating to the United States at age 11, Kibsy continued her art, impressing those like Wyoming High School art teacher Robyn Gransow Higley.

 

“Kibsy’s artwork is powerful, from inception to product,” Higley said. “Full of emotion, her artwork invites viewers to engage and reflect upon meaningful figures, eras and experiences. Kibsy’s passion for learning is inspirational and exciting.”

 

Kibsy had to choose between art and attending the Tech Center this year, but Higley encouraged her to continue art outside of class to continue creating.

 

While painting is a stress reliever and outlet, Kibsy finds it an important means of expression too.

 

“I want to influence people and make an impact in their lives,” she said. “Art is the most convenient form of message. In an image, people can think of many things.”

 

Kibsy plans attend Grand Rapids Community College and then a four-year university to major in biomedical engineering before attending medical school.

 

The joke is on us: Jim Carrey moving to Grand Rapids – highly unlikely

Actor Jim Carrey
Actor Jim Carrey

There it was, streaming across my Facebook news feed “Jim Carrey Moves to Grand Rapids, Michigan.”

 

What? Really? Click on the link and according to “KNP 7 News, Your Local News Source,” Carrey is moving because he is “… just tired of the L.A. lifestyle and the fake people, honestly, and I feel like, at this point in my life, I’d rather just live in a place full of real, genuine people. I’ve been to Grand Rapids a few times over the years and the people there are real…”

 

OK. But my question is whom is KNP 7 a local news source to? The only news outlet I know in the Grand Rapids area with a seven in its name is Fox 17. Checking the “about” section of the KNP 7 site and it states: “KNP 7 News is a fantasy news site.  All news articles on knp7.com are satire or pure fantasy.” Hmm. Which coincidentally, Fox 17 News was quick to debunk the rumor.

 

Still, those West Michiganders who left welcoming messages – or shared the announcement on Facebook – shouldn’t feel too deflated. While Carrey might not be moving here, West Michigan has been home to a number of big name stars. For starters, Good Morning America weather anchor Ginger Zee, who hails from Rockford, for starters. Zee is currently on Dancing With the Stars.

 

And there must be something about Rockford as Dick York, from the 1960s television show Bewitched, lived there as well.

 

Other famous faces are Gillian Anderson, of The X Factor fame; Taylor Lautner, of Twlight fame; Conan O’Brien’s sidekick Andy Richter; and Tony Award-winning actress Elizabeth Wilson, just to name a few of the many who entered the entertainment field.

 

Musically we have Anthony Kiedis from Red Hot Chili Peppers, Kevin Max of dc Talk, Brian VanderArk from The Verve Pipe, Dennis “Fergie” Frederiksen from Toto and Al Green.

 

The list of sports names is long but boxers Floyd Mayweather Sr. and Jr. top it along with olympic medalist Brian Diemer who still hosts the Brian Diemer 5K every June. This year is June 11 in Cutlerville.

 

And while Carrey may have portrayed many different types of characters, he has never had the role of being president, something that Grand Rapids favorite son, Gerald R. Ford, certainly achieved.

 

Bottomline is, if Carrey was to move West Michigan, he would be among some great famous company, but if he doesn’t we won’t be a “grinch” about it.

On the shelf: Book review of “Empty Mansions”

05BOOK-blog427Empty Mansions:

The Mysterious Life of Hugette Clark and the Spending of a Great American Fortune

by Bill Dedman and Paul Clark Newell, Jr.

 

Review by Mary Knudstrup

Grand Rapids Main Library

 

The rich really are different and nothing proves it as much as Empty Mansions, the story of Huguette Clark, heir to the riches of her millionaire father, W.A. Clark , a savvy and ambitious businessman and politician, who made his money in copper mines and founded a town that later became Las Vegas.

 

Authored by Bill Dedman and Paul Clark Newell Jr., a cousin to Huguette, Empty Mansions tells the story of a woman so wealthy she owned paintings by Renoir and Degas, Stradivarius violins, and several remarkable homes, including an estate in Santa Barbara, California, and three apartments totaling more than 40 rooms at a posh Fifth Avenue address.

 

Despite her vast wealth, however, she chose to spend a large part of her life as a recluse, collecting dolls and abandoning her many opulent homes to live in a small and rather spartan hospital room even though she was not ill.  A complex and mysterious individual, she was extraordinarily generous to people she hardly knew but avoided most of her family.

 

Upon her death her secluded life was thrust into the public venue as a legal battle over her $300 million dollar ensued.  Meticulously researched and filled with illustrations of her homes and possessions, Empty Mansions is an intimate look at an eccentric life.

 

 

Grand Rapids Public Museum opens new Native American exhibit tomorrow

Grand Rapids Public Museum opens a new exhibit tomorrow.
Grand Rapids Public Museum opens a ‘Walking Beyond Our Ancestors’ Footsteps: An Urban Native American Experience.’

The Grand Rapids Public Museum (GRPM) announced today a new regional traveling exhibit titled Walking Beyond Our Ancestors’ Footsteps: An Urban Native American Experience will open Saturday, April 2.

 

This exhibition invites visitors to step into the gaze of a few of the Native Americans who have lived, worked and studied in the greater Grand Rapids area over the mid-20th and 21st centuries and features contemporary artwork by local Native American artists. The show contains historic documents and objects made by local Native Americans during the past several decades.

 

Walking Beyond our Ancestors Footsteps will be in the Museum’s Circle Theater, a 800-square-foot area on the third floor located next to the core exhibition Anishinabek: The People of This Place. Admission will be included with general admission to the GRPM. This exhibit will be on display through June 19.

 

This exhibit is part of the work completed in conjunction with the “Gi-gikinomaage-min (We are all teachers): Defend Our History, Unlock Your Spirit” project, which is managed by the Kutsche Office of Local History at Grand Valley State University. That project has been supported in part by the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities. To learn more, go here.

Robots, rocks and more are all part of this year’s Spring Break activities

Robots rule – at least for Spring Break 2016 as several area organizations have programs around robots and science.

Leading off the robot mania is Kent District Library’s Wyoming Branch, 3350 Michael Ave. SW, with the KDL LAB Maker Break April 4 – 7 from 10 a.m. – 4 p.m. According to the KDL’s press materials “If robots and smashing and rebuilding things is your kid’s idea of a great time, then do we have the event for you!”

The Grand Rapids Community College Manufacturing Trailer will be at the branch Monday through Thursday with a 3D printer, virtual welder and more to explore. Also on Monday, there will be 11 different STEAM-based activities including Snap Circuits, LittleBits Electronics, Robot Rumble as well as demonstrations from local robotics groups.

Thursday, Spanish-speaking staff from Grandville Avenue Arts and Humanities will be on hand as Maker Break week wraps up.

The Grand Rapids Public Library also focuses on robots and programming with its spring break program Teen [Tech]Knowledgy Spring Workshop from 2 – 4 p.m. April 4 at the Grand Rapids Main Library, 111 Library St. NE. Participants will be able to create and program a robot using the Lego Mindstorm Education EV3 base set and software. This program is for grades 7 – 12. For more information, visit grpl.org.

And then there is The Robot Zoo at the Grand Rapids Public Museum, the basis for the Museum’s Spring Break programs. The Museum’s Galleria will be filled with hands-on crafts and activities that are free with general admission. Create your own robotic creature to take home and play with oversized games. Activities will take place in the Museum’s Galleria Monday, April 4 through – Saturday, April 10, from 11 a.m. to 3 p.m.

The Robot Zoo will be open extended hours until 8 p.m. all during Spring Break and the Chaffee Planetarium features the new original show Starlight Safari and Breaking News from Outer Space and the return of Dark Side: The Light Show. For more information, visit grpm.org.

Not to be left out on the robots theme, the Second Annual FIRST Robotics Competition returns to the East Kentwood High School, 6230 Kalamazoo Ave. SE, Friday and Saturday, April 1 and 2. This high-tech sporting event will produce excitement and energy for participants and spectators alike, as teams compete for honors and recognition that reward design excellence, sportsmanship, teamwork and more.

The 41st Annual Gem and Mineral Show will take place at Rogers Place April 7 - 9.
The 41st Annual Gem and Mineral Show will take place at Rogers Place April 7 – 9. (Courtesy of Grand Rapids Public Museum)

Also taking place and in the realm of the world of science is the 41st Annual Gem & Mineral Show, which this year returns to Rogers Plaza, 972 28th St. SW. The event is from 9:30 a.m. – 9 p.m. April 7 and 8 and from 9:30 a.m. – 7 p.m. Saturday, April 9, and features an array of mineral specimens, crystals, fossils, beads, and more. Demonstrations will be taking place along with rock and mineral identification, displays and exhibits and children’s activities. For more information, visit www.indianmoundsrockclub.com

The City of Kentwood Parks and Recreation Department will host a Spring Break Fun Club April 4 – 8 at the Kentwood Activities Center, 355 48th St. SE. Hours are 8 a.m. – 5 p.m. daily. Activities include sports, games, arts and crafts, gym and outdoor fun. Cost is $25 per day or $85 per week. Contact the Parks and Recreation Department at 656-5270 to register.

Some other spring break activities:

The Grand Rapids Art Museum opens "Maurice Sendak: Where the Wild Things Are" on April 9.
The Grand Rapids Art Museum opens “Maurice Sendak: Where the Wild Things Are” on April 9. (Courtesy of Grand Rapids Art Museum)

The Grand Rapids Art Museum, 101 Monroe Center NW, opens on April 9. The six-week exhibition, which closes May 22, features original drawings, prints and posters by the children’s book author in celebration of book’s 50th anniversary. For more information, visit artmuseumgr.org.

Craig’s Crusisers, 5730 Clyde Park SW, hosts unlimited fun every Wednesday with $25 wristbands from 4 – 9 p.m. For more information, visit craigscruisers.com

John Ball Park Zoo, 1300 W. Fulton St., will be having a Zoobilee during spring break, April 4 – 8. Activities include special animal feeding times, an opportunity to meet the animal keepers and learn more about the animals at the zoo. For specific activities and days, visit jbzoo.org.

John Ball Zoo also offers Spring Break Day Camps for kindergarten through 5th grade. April 4 and 5 is Just Zoo It! and April 6 and 7 is Who Dung It? There is also the Spring Break overnight, Starlight Safari, April 8 to April 9, for students in third through sixth grades. Visit the website to register.

The Salvation Army KROC Center, 2500 S. Division Ave., will be offering special activities and entertainment such as extended open swim hours and sports tournaments April 4 – 8. Sponsored by the National Heritage Academies, the Spring Break activities are free for members. Non-members can purchase a day pass which is $5.50 for ages 11 and younger and $7.50 for ages 12 and up. Visit grkroccenter.org for more information.

The Grand Rapids Children’s Museum, 11 Sheldon Ave. NW, will have all kinds of Spring Break activities from April 2 – 10. There will be interactive dance, magic shows, and storyteller Kevin Kammeraad. For a complete list of events, visit grcm.org.

Shows:

"Alvin & the Chipmunks: Road Chip" runs April 1 - 7 as Flick's Family Film
“Alvin & the Chipmunks: Road Chip” runs April 1 – 7 as Flick’s Family Film Fest. (Photo courtesy of Flick’s Family Film Fest)

Flick’s Family Film Fest is currently running at all Celebration! Cinemas, including Celebration! South Cinema, 1506 Eastport Dr. SE (across from the East Kentwood High School).  Alvin & the Chipmunks: Road Chip runs April 1 – 7 and Kung Fu Panda 3 is April 8 – 14. Movies are free for children ages 12 and under and $5 for ages 13 and older.

The Grand Rapids Ballet brings back its popular Spring Break for Kids program April 5 – 7. With two performances each day of a half-hour, family-friendly ballet with the fun starting at 11 a.m. and 1 p.m. each day. Tickets for these shows do sell out, so if possible purchase early. For more information, visit grballet.com.

For those comic book lovers, Marvel Universe Live! comes to Van Andel Arena, 130 W. Fulton St. Spidy, Hulk and even Thor will battle those dastardly villains tonight at 7:30 p.m., Saturday at 11:30 a.m., 3:30 p.m. and 7:30 p.m. and Sunday at 1 and 5 p.m. Tickets start at $27.50. Visit vanandelarena.com for more information.

Art.Downtown. – Grand Rapids is April 9

 

art.downtown_trolley

400 Artists, 30+ Destinations, 3 Trolleys, 1 Night

 

By Avenue for the Arts

 

This spring, Art.Downtown. will captivate Grand Rapids on Saturday, April 9, 2016 from 12-9 pm. Grand Rapids’ ultimate local art experience will feature several hundred artists in dozens of galleries, businesses, and studio spaces around downtown GR. Expanding from the Avenue for the Arts corridor in the Heartside Neighborhood to Kendall College of Art and Design and Devos Place in central downtown, this one-night event features several hundred artists in dozens of galleries, businesses, and studio spaces around downtown Grand Rapids.

art.downtown._3

Here’s some of what to expect, rain or shine: artists and musicians exhibiting and performing at a variety of unexpected locations from U-haul trailers, the art museum, parking lots and private studios. Come early and stay late, for a night on the town with family and friends.

 

Grand Rapids Trolley will provide free transportation to all the major areas of Art.Downtown. Volunteers and maps will be on-site to help guide you to various sites, restaurants, and parking locations. Meet and speak with artists, curators, and shop owners about everything from artistic methods to collective movements. Join the excitement and see what our downtown arts community has to offer!

art.downtown_4

Stay updated on Art.Downtown. information by attending planning meetings at 307 S. Division Ave, and by visiting our website. Follow @AveForTheArtsGR on Twitter, and join the event conversation by using #ArtDowntown. Connect with Avenue on Facebook for detailed updates about Art.Downtown. and special event postings.

 

For more info, call 616.914.8463.

 

Photos courtesy of Avenue for the Arts

Does anybody really know what year it is? (Does anybody really care?)

By Victoria Mullen

victoria@wktv.org

So, there I was, just minding my own business pondering where the gray walls end and the gray skies begin, when Easter happened. I turned my head and when I looked back—poof!—people were all decked out in their Sunday finest, and there were countless clusters of chocolate bunnies and little baskets festooned with eggs and jelly beans snuggled in colorful nesting material.* More chocolate bunnies. Even more of them. Plus those peculiar curiosities called “peeps.”

Easter took me by surprise, I must admit, because I’m never prepared for it. The fault is not mine but that of full moons and equinoxes. I come from a family of Greek Orthodox people, which means “my” Easter quite likely isn’t yours. The date of Greek Orthodox Easter is determined by the Julian calendar, and it can vary wildly from one year to the next. It’s kind of cool except most other people use the Gregorian calendar. When I am asked what I’m doing for Easter, I say that I have no idea. Because I never know when it is.

(Wait. What?) OK, I’ve just been told that my Easter is scheduled for May 1 this year. But will there be any chocolate bunnies left?

A calendar by any other name

The calendar’s purpose is to keep people rooted somewhat in reality. Calendars tell us when we have to work, when to vote, when to go to church, when to celebrate a holiday, when to observe Thanksgiving and other feasts—you name it. Without calendars, surely humankind would be cast adrift, lost forever in contemplation and confusion.

Einstein really nailed it when he said that time is relative, because it seems that no one can agree on using just one method to keep track of days, weeks and months. There are many, many calendars.

Western civilians currently use the Gregorian calendar, which improved upon the Julian calendar (the source of “my” Easter), which had improved upon the Roman calendar. And then there are a multitude of different religious calendars, many of which disagree that we are even living in the year 2016.

Depending on the calendar, today is whatever day you’re reading this (Gregorian) or minus 13 days (Julian). By way of example, pretend that I’m writing this on the 12th of March (three days before the Ides). If we use the Julian calendar, I’m writing this on the 29th of February (assuming it’s 2016), which is a leap year day, all the better to confuse the issue.

equinoxes-and-solsticeOf moons and equinoxes and rotation

Putting together an accurate calendar is not for the faint of heart. It requires meticulous musings, knowledge of the phases of the moon and equinoxes, and the rotation of the earth. It also requires people with nothing better to do than argue over an overabundance of calculations. Key point: In the end, they must all agree. And we know how well that usually works out.

We want to control everything. It’s human nature. But despite this irrational obsession, the universe always has the final say. In the case of calendars, the earth’s rotation refuses to conform to a man-made system of measurement. Just when you think you have it under control, you find that you don’t.

Trying to tame time 

Before the dawn of civilization, ancient peoples had no need for wall calendars, Blackberries and day planners. By monitoring the phases of the moon and observing weather patterns, these peoples knew when to plant crops, when to migrate, when to harvest crops, etc.

Enter the Romans, who demanded predictability. Mental illness—obsessive-compulsiveness, specifically—influenced the matter, and politics played a huge role as well. Some would argue that politics and mental illness are mutually exclusive, but this matters not because of at least one immutable fact: Credit for the invention of the original Roman calendar goes to Romulus, the first king of Rome, at around 753 BCE (Before Common Era). Scholars think it may have been a lunar calendar, but it was so fraught with flaws that this remains uncertain.

The Roman calendar began the year with a month that could be construed as a call to action—March (Martius). The calendar consisted of 10 months, with six months of 30 days and four months of 31 days. The winter season was not assigned to any month, so the calendar year only lasted 304 days with 61 days unaccounted for in the winter. Basically, winter was ignored.

I am not a fan of winter and would prefer to ignore it, too, but if everybody did that, many, many retail and online stores would go out of business. The economy would take a dive. More people would plunge into poverty.

Besides, it seems a bit extreme. Animals in the wild don’t ignore winter, they hibernate. As they sleep they are blissfully unaware, but winter exists nonetheless. Wild creatures don’t use calendars, and they’ve gotten by just fine over the centuries.

Predictably, the earth’s rotation would not cooperate, and as expected, the 304-day Roman calendar didn’t work for long because it didn’t align with the seasons. King Numa Pompilius—and, seriously, who burdens a kid with such a name?—reformed the calendar around 700 BCE by adding the months of January (Ianuarius) and February (Februarius) to the original 10 months. This increased the year’s length to 354 or 355 days.

Despite their efforts, the average Roman citizen often did not know the date, particularly if he or she was some distance from the city. For these reasons, the last years of the pre-Julian calendar were later known as “years of confusion”.

The Julian calendar. The Gregorian calendar. And the colossal confusion called “Easter.”

Julius Caesar (yes, he of the Ides of March) introduced the Julian calendar in 46 BCE, and it took effect in 45 BCE, shortly after Rome conquered Egypt. With the addition of January and February, some of the months’ names no longer “agreed” with their position in the calendar (September-December). In 44 BCE, the month Quintilis was renamed July in honor of Julius Caesar and in 8 BCE, Sextilis was renamed August in honor of Augustus (the other Caesar).

The Julian calendar proved rather hardy and served humankind in good stead until 1582, when Pope Gregory XIII promulgated the Gregorian calendar, because naming a calendar after oneself is irresistible, if not grandiose. Today, the Gregorian calendar is the most widely used civil calendar throughout the world.

Why did all of this happen? Blame it on Easter. Wait. That’s not entirely fair. It’s better to blame it on the pope, who wanted to bring the date for celebrating Easter closer to the time of year in which it was celebrated by the early Church. Because Easter was tied to the spring equinox, the steady drift in its date by the year being slightly too long drove the poor pontiff to distraction. With no treatment available for obsessive-compulsive disorder, he did the next best thing. He changed the calendar.

The (formerly) blissful equinox.

There’s always been quite the brouhaha over the relationship between the equinox and Easter, and it will be easier to understand the conundrum if you think of the equinox as a thing with feelings. Imagine, if you will, the equinox, before humankind existed. Close your eyes. Can you see it? Right over there, smiling in its ignorance, living in peace, perhaps even unaware of its own existence, but in a state of bliss nonetheless.

So, there’s the blissful equinox, just minding its own business when humans appear on the map. These people make up stories about Easter. Eager to harness something—anything—people tie Easter to the spring equinox. This seemingly harmless—and certainly thoughtless—act has far-reaching consequences. No longer does  the equinox exist unfettered, and it is not amused.

Yet even this did not satisfy humankind. Over time, the date kept “drifting,” so the Roman Catholic Church promulgated a fateful rule—the full moon preceding Easter would not precede the equinox. Ever. Thanks to this rule, the equinox now remains fixed at March 21 for computational purposes, and the earliest date for Easter is fixed at March 22.

march-equinox-illustration To further compensate for the drift, the Gregorian calendar also removed 10 days. If you lived back in 1582, you went to bed one night and woke up 10 days later. There is much more to all of this, but alas, space in this context—according to my editor—is finite. Go here to learn more.

As expected, the equinox resented—heck, still does—being stuck in place, forever. But the equinox was not the only thing to suffer—people suffered, too. We’re talking about 10 perfectly good days—poof!—just gone.

Things still aren’t perfect.

So, here we are, in the year 2016, accustomed to a 365-day year and a leap year of 366 days. We have scheduled the leap year day, February 29, to occur every four years to help synchronize the calendar year with the solar year (the length of time it takes the earth to complete its orbit about the sun), which is about 365¼ days. It sounds so cold and calculated because it is.

The length of the solar year is slightly less than 365¼ days—by about 11 minutes—and this cannot go unpunished, so we “compensate” for this discrepancy. Until the advent of the next calendar—whenever that may be—the leap year is omitted three times every four hundred years. What this means is that a century year cannot be a leap year unless it is divisible by 400. Thus 1700, 1800, and 1900 were not leap years, but 1600 and 2000 were—and 2400 will be—leap years.

Ha! Surely you see the quandary. The universe will not be outfoxed.

*Where does nesting material go to live when Easter is all said and done?

Applications being accepted for the Festival of the Arts Regional Arts Exhibiton

Entries being accepted for the 2012 Regional Arts Exhibition.
Entries being accepted for the 2012 Regional Arts Exhibition.

There have been a few changes to this year’s Regional Arts Exhibition, which is part of the annual Festival of the Arts, a celebration of the arts community that runs the first full weekend in June in downtown Grand Rapids.

 

This year, organizers have announced they would only be accepting online registration from those interested in participating in the event. Artists may go to http://festivalgr.org/regional-arts to preregister. Printed entry forms will not be provided this year.

 

Entries will still have to be brought to the Urban Institute for Contemporary Arts, 2 W. Fulton St., May 12 – 14. According to Fred Bivins, the chair for the Regional Arts Exhibition, the change gives artists several options. Artists can  go to the website and print the labels that go on the back and pay online if they wish. If an artist does do that, the bar codes that are included for each work will minimize handling of works and reduce the number of hours volunteers have to put in to track every entry, Bivins said.

 

Artists can enter one, two, or three pieces through the online system and when he/she complete the simple form he/she will receive an email with the labels included as a pdf. Just print the sheet and affix the labels. Bivins did note that if an artist does bring in his/her works and has not preregistered, volunteers will go through the same process and print out the labels at that time, which will take a little more time than those who preregister.

 

Parking will be limited this year as the city of Grand Rapids has informed organizers it has leased most of the parking spaces in the gallery ramp located next to the Urban Institute for Contemporary Arts, where the exhibition will be this year. For that reason, Bivins said Festival will not be using the fourth floor ramp. Take in will be from UICA’s Commerce Avenue entrance. Meters will be hooded and there will be signs to direct people.

 

Because artwork will have to be transported through several doors and hallways this year, the size allowed has changed. Artists are encouraged to visit the website to check on what sizes are being accepted.

 

This year’s jurors are: 2-D, Matt Schenk, who was the Regional Arts recipient of the UICA’s annual solo award; 3-D, potter Rita Shields; and photography, Filippo Tagliati, an associate professor of photography and video at Grand Rapids Community College.

 

Here are the important dates.

Take In of Entries:

  • Thursday, May 12, noon – 5 p.m.
  • Friday, May 13, 4  – 7 p.m.
  • Saturday, May 14, 10 a.m. – 2 p.m.

 

Jurying, Saturday, May 14

Give back of non-selected Entries: 

  • Thursday, May 19, Noon – 5 pm
  • Friday, May 20, 4 pm – 7 pm
  • Saturday, May 21, 10 am – 2 pm

 

Hanging  Schedule – May 19 – May 27

 

Awards Selection – May 23 – May 26

 

Purchase Awards – May 25

 

Opening Reception – May 27

 

Closing Reception – June 26

 

Pick Up Selected entries after the show ends:

  • Sunday, June 26, 5 p.m. – 6 p.m. (after the Opening Reception)
  • Monday, June 27, noon – 5 p.m.

Festival of the Arts will take place June 3 – 5 in downtown Grand Rapids and along with the Regional Arts Exhibition, includes an array of activities with performances, a youth art exhibition, children and adult art activities and much more. Visit festivalgr.org for more information.

Brett the Wiese vs. Batman v Superman

brett_wiesenaurIn the review of Deadpool on this newsblog, the author noted the slump comic book movies have been in since Marvel has hit their stride. Some may have queried as to why the lack of mention of DC properties in the post-Nolan age. Well, at that time, the public had only been exposed to one entry in the now-expanding DC Film Universe, and that was the terribly flawed Man of Steel. For the past three years, fans and critics alike have been arguing and dissecting Zack Snyder’s vision of Superman with venom, online screaming matches, and shallow low blows, in print as well as in conversation. The film caused a rift between fans of the material, one that still hasn’t quite recovered at the time of the release of the newest entry, also helmed by Snyder.

What does this mean for Batman v Superman: Dawn of Justice? Well, it really depends on who is going to see it. Short version, if you didn’t like 300 or Man of Steel, you will most likely take issue with this film’s continual lack of actual character content in place of EXPLOSIONS! If you just want to see Batman and Superman duke it out mano-a-Supermano, you’re going to be in for a long sit since the climactic battle has a lot of setup. And it gets chaotic narrative-wise long before the anticipated battle.

After a brief prologue recounting Bruce Wayne’s tragic family life, the opening scene plops us back into the climax of Man of Steel, where the now retired from crime-fighting Mr. Wayne (a super-serious Ben Affleck) has arrived to evacuate his Metropolis outlet of Wayne Enterprises. Unfortunately, Superman and his nemesis Zod melt the buildings beams in course of their battle royale and a fair share of Wayne’s employees are killed or maimed. To be frank, the 9/11 imagery is strong with this sequence. Director Snyder seems intent on trying to access some emotional recall by referencing this horrible day in American history like his own version of the Easy Button from Staples. We get it, man! ‘Twas a day that shall live in infamy. Enough!

2988068-bvs-posterAnyway, cut to 18 months later, where Bruce Wayne has returned to the mantle of the Batman, beating sex traffickers and the like to bloody, broken pulps and branding them with Bat symbols as a warning. Across the bay in Metropolis, Clark Kent (Henry Cavill) finds the unlimited reach of the vigilante to be worrisome and strives to editorialize his concern at the Daily Planet, but his editor Perry White (a caustic Laurence Fishburne) is having none of it. Meanwhile, Lois Lane (Amy Adams) is recovering from a spat in a desert country with some terrorists who seemed set on icing the Man of Steel. She discovers a unique brand of firearm was used that, of course, doesn’t match any on record. She heads off to Washington, all while a Congressional committee, headed by a fiery Holly Hunter, is gathering to call out Superman for his selfish and catastrophic actions.

Anywho, billionaire lunatic Lex Luthor (Jesse Eisenberg) is out to discredit Superman and inspire Batman to rip the Man of Tomorrow a new one in one fell swoop. He discovers in the wreckage of the Kryptonian battleships from the previous film a substance that could prove weakening to Superman. Batman also discovers this and steals said item in order to further his own vendetta against Superman. Thus, a titanic conflict is ignited between the Bat of Gotham and the last son of Krypton. Who will emerge victorious? Do audiences actually care?

There’s a strange sort of moral ambiguity at play that rivals the Batman titles helmed by Tim Burton almost thrity years ago. In those movies, this reviewer likens them to movies of “Batman as played by The Punisher”, seeing as Michael Keaton’s incarnation had no obvious qualms with dropping petty criminals off roofs and blowing up whole factories of bad guys. While not as outlandish as those films stylistically, Batman v Superman still doesn’t hold our heroes to the high standards of previous characterizations.

Superman outright causes collateral damage to the citizens of Metropolis people in the leftover footage from Man of Steel, and then he enters this film by flying an arms dealer through a rock wall and to his screaming end because the poor schmuck pointed a pistol to Lois Lane’s noggin.

Batman also causes some questionably over-powered damage to some henchman using crashed vehicles as missiles and outright blowing some poor villains up with their own weapons of choice. Note that it is not necessarily bad that these two anti-heroes don’t quite have a “no-kill-code” in these iterations, but we as audiences need to have such qualms or lack of established early on rather than popped on us halfway into the film.

As with most movies of the genre, there are great things as well as crummy things in this adaptation of the World’s Finest mythos. Ben Affleck is smugly inspiring as Bruce Wayne, and downright terrifying as Batman. I would argue he makes a better Caped Crusader than the previous titleholder, Christian Bale, if only for the fixing of the Dark Knight’s voice to be more like that of Kevin Conroy’s voice modulations in the classic Batman the Animated Series.

Henry Cavill is passable as the Man of Tomorrow, still struggling with issues held over from the previous film including the death of his Earth father as well as his destructive battle with General Zod. Amy Adams is pleasant to watch, as always, as Lois Lane, lover of Superman and the American way. Holly Hunter is also enjoyable in her brief screen time as seemingly the only person in the country who will say no to both Superman and Lex Luthor.

Speaking of, onto our primary villain of the week: Lex Luthor, as played by Jesse Eisenberg (The Social Network). Ho boy, where to begin. To put it plainly, he is awful. We’re talking as-directed-by-Joel-Schumacher levels of badness. He is trying so hard to be quirkily evil, he comes off as spastic and idiotic rather than intimidating. He practically cackles his lines like Caesar Romero would have in the 1966 Batman TV show. He is clearly meant to inspire fear, since he is basically Bruce Wayne with an even more-so misguided savior complex, but since he is so goofy and has only one real sinister moment (involving a jar of urine, of all things), audiences are going to question why this performance is in this movie when it does not mesh. It’s jarring and inspires cringes for all the wrong reasons.

The music in the film is a curio in and of itself being from the same composer as the Dark Knight trilogy as well as Man of Steel, Hans Zimmer. But he brought in industrial composer Junkie XL to work on the Batman half of the score, since Zimmer didn’t want to be tempted to reuse material from the Nolan movies. Aside from some outright theft from classical Profokiev in the crafting of Luthor’s theme, the new music melds well with the chaos onscreen. The scenery has a smidge more color than the previous DC entry, which is a plus. And then there’s Gal Gadot’s glorified cameo as Diana Prince/Wonder Woman. Every time she appears, you want to know more about her, which can only mean good things given we will eventually get a Wonder Woman movie out of this. In addition, Jeremy Irons as Alfred takes over well from Michael Caine in previous installments, giving a biting repartee to the relationship between Master Wayne and his loyal butler and confidante. This gives hope that Affleck’s now in-production solo effort as Batman will be a solid step up from this tripe.

Interestingly, for the past week, super-fans have been loudly and venomously reacting to Rotten Tomatoes’ collection of negative reviews against the film, where the film currently sits at a certified Rotten 29% score. These fans are not realizing that RT is not the source of the bad reviews. RT only collects and aggregates the reviews. It is not a grade like in school environments, it is a measurement of how many critics recommend and liked the film.

In short, there is just too much happening in this movie. There are at least 15 storylines crashing together in this film desperately trying to stick in order to set up the Justice League movie in 2017. And it all lands with a dull flop as audiences try to keep track of motivations and actions and catchphrases and ugh! It just gets to be too much, and director Snyder is not skilled enough to streamline the elements into the movie smoothly.

The film still looks grim and bleak, which is fine, but he needs a change in style and aesthetic for a while. He’s not great at comic-book adaptations. He needs a change, to give some other director a chance at saving DC’s cinema properties. But what do I know? The movie’s still going to break the box office and set up sequels simply because of brand recognition. The average moviegoer doesn’t care about quality at this point, they simply want big, bad, superhero brawls, and even then, this movie will skimp on that in the end.

On the shelf: A book review of Dan Harris’s “10% Happier”

Anchor Dan Harris and his new book.
ABC News “Nightline” Dan Harris and his new book.

10% Happier: 

How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works – A True Story

 

by Dan Harris

 

Review by Karen Thoms

Grand Rapids Main Library

 

“I just want you to be happy.”

 

Parents say this to their children because they know how quickly day-to-day stresses can  sap life of happiness. If declining happiness is a fact of most lives, maybe becoming 10%  happier is a worthy goal.

 

Harris is a climb-the-ladder faster kind of guy. He made a rapid ascent at ABC News, but not without occasional kicks from his mentor, Peter Jennings. According to Harris, “Working for Peter was like sticking your head in a lion’s mouth: thrilling, but not particularly safe.”

 

Harris’ rise had a lot to do with his upbringing. Son of an oncologist father and pathologist mother, he absorbs his father’s “wisdom” from an early age: “The price of security is insecurity.”

 

He acts on it brilliantly in his career by over-thinking and volunteering to cover stories putting him in harm’s way–anything to gain more air time.

 

By the time he’s in his early thirties, Harris is covering breaking news stories from Iraq, Afghanistan, and the West Bank.

 

However, the light from his rising star is almost extinguished in 2004 when he has an on-air meltdown, fueled by years of drug abuse. Harris tells millions that cholesterol-lowering  drugs have “cancer production” effects. Before the cameraman has time to cut away, Harris has implied to millions that cholesterol-lowering drugs cause cancer! Not long after this on-air blunder, Jennings gives him a new beat to cover. Religion. His rise, his fall, and his new assignment all happen in the first chapter of the book.

 

The remainder of the book alternates between Harris’s visits to his psychiatrist to try to  get his mental health stabilized and the evolution of his religion stories for ABC  News.   

 

At the beginning of this religion beat he covers only sensational stories that make Christians look like lunatics. He might have kept filing stories filled with caricatures had he not met mega-church evangelical pastor, Ted Haggard.

 

His developing friendship with Haggard causes him to lower his defenses and piques interest in his own spiritual life. He chooses the kinds of stories he will pitch to his superiors based on his growing spiritual interests. His personal reading begins to inform whom he will interview, and he frequently chooses advocates of a more Eastern approach to religion. In time, he starts his own mindfulness and meditation practices, including going to weekend retreats.

 

As these experiences begin to shape a less driven, less anxious life, Harris finds himself wanting to share what he is learning with others. He is dismayed to find that people aren’t  interested and sometimes even chide him. Late in the book he accidentally stumbles upon  a winsome way to open discussions with others.

 

10% Happier is not a how-to book. It is a chronicle of the highest and lowest points to date in the life of Dan Harris. He believes that if he was able to tame the voice in his head and reduce stress while not losing his edge, you can, too. You can be 10% happier.

 

On the Shelf book reviews are provided by the Grand Rapids Public Library. For a list of locations, programs and other good reads, visit grpl.org.

 

Broadway Grand Rapids opens the curtain on its new season

Broadway Grand RapidsBroadway Grand Rapids announced its new season with a four-show slate sure to pique the curiosity of every generation.

 

“A majority of the shows we bring in are musicals and we’re always looking to bring in something different, something new to Grand Rapids. It’s a combination of new and traditional to reach a multi-generational audience,” said Meghan Distel, Director of Marketing for Broadway Grand Rapids.

 

The planning required to create a new season at Broadway Grand Rapids is quite extensive. Booking a show requires finding shows that will play well with the Grand Rapids audience, planning and scheduling around open dates at the DeVos Performance Hall, and also finding dates that work with the shows themselves and their tour locations. It’s a process that can take over a year, but it’s all worth it.

 

It’s also important to bring in variety. “They’re all very different. Cinderella and the Sound of Music are classics. Motown should bring in a new crowd because it’s new and features over 40 classic hits,” said Distel.

 

What exactly does the new season look like? Take a look:

•    Cinderella (September 27 – October 2, 2016)
•    The Sound of Music (February 21-26. 2017)
•    Motown the Musical (May 2 – 7, 2017)
•    Dirty Dancing – The Classic Story on Stage (June 6 – 11, 2017)

https://youtu.be/g3R808Z1V30

The season kicks off with Rodgers + Hammerstein’s Cinderella, an updated version of the classic family favorite with new twists and musical numbers.

 

Last year marked the 50th anniversary of the beloved film The Sound of Music, which starred Julia Andrews. A stage adaption is coming to Grand Rapids directed by three-time Tony Award winner Jack O’Brien.

 

Motown the Musical features more than 40 classic hits and tells the story behind the hits as Diana, Smokey, Berry and the whole Motown family fight against the odds to create the soundtrack of change in America. The Michigan roots make it a great show to bring to Grand Rapids.

 

The season finishes off with an unprecedented live experience of Dirty Dancing – The Classic Story on Stage. Based off the 1987 iconic film, this performance is full of heart-pounding music, passionate romance, and sensational dancing.

 

On top of the four featured shows, Broadway Grand Rapids will premier two special event performances. These performances are scheduled to a limited number of shows.

 

•    A Christmas Story The Musical  (December 27 – 30, 2016)
•    Rent 20th Anniversary Tour (March 14 – 16, 2017)

 

While the 2016-2017 season is currently generating buzz, Broadway Grand Rapids has already reeled in a big fish for the fall of the 2017-2018 season and it’s something quite Wicked. That’s right, Wicked the Musical will be coming to the DeVos Performance Hall.

 

To purchase tickets for the upcoming season, visit broadwaygrandrapids.com.

The animals invade Chaffee Planetarium in new show

Returning with new xxx is "Dark Side of the Moon: the Light Show, featuring the music of Pink Floyd.
Returning with new production is “Dark Side: The Light Show,” featuring the music of Pink Floyd.

Joanne Bailey-Boorsma

joanne@wktv.org

 

One new, original planetarium show along with a returning favorite were recently added to the Grand Rapids Public Museum’s Chaffee Planetarium scheduled.

 

Starlight Safari, a state-of-the-art globetrotting planetarium adventure, is an interactive trip across the continents to see and learn about various animal constellations.

 

Visitors join a live presenter in the Chaffee Planetarium to begin their adventures. This 40-minute show includes interactive questions that test the audience’s knowledge of animal and mythical constellations, as well as teaching about lesser known animals in the sky. Beginning near Grand Rapids, attendees will learn about what is in our night sky. From there, venture to remote areas in Africa, Australia, South America and Asia to see Pisces, Leo, Draco the Dragon and many more.

 

The program, which will run through Sept. 18, is a fun, entertaining, and educational experience suited all ages, especially families with children. Tickets are $4 each with general admission to the Museum, $5 each for planetarium only tickets and free to Museum members. For more information and show times, visit grpm.org/Planetarium.

 

Starlight Safari is an original production by the Chaffee Planetarium inspired by the Museum’s 2016 traveling exhibitions, The Robot Zoo and National Geographic’s Earth Explorers, which is set to open in May.

 

The popular Dark Side: The Light Show, featuring music from Pink Floyd’s album “The Dark Side of the Moon,” also returns tot he planetarium.

 

Visitors will experience this iconic album “The Dark Side of the Moon” as never before, featuring stunning 4k visuals, brilliant LED sequences and incredibly clear 5.1 surround sound. Dark Side: The Light Show was the GRPM’s first original production since the planetarium underwent major renovations in 2013/2014.

 

This most recent production of this show was developed by members of the original crew that worked on previous laser light shows at the GRPM in the 1990s and 2000s. Members of the volunteer planetarium production team include: Jacob Bourjaily, Matt Bourjaily, Ethan Brown, Dave Staskiewicz, Chad Kremer, Dave DeBruyn, John Foerch and Daniel Tell.

 

Each song from this album is played in this show with its own unique thematic visuals. Following the course of the album, the visuals increase in complexity each song, taking the audience on an unforgettable rock and roll journey.

 

Dark Side: The Light Show will play Tuesdays at 8 p.m., Fridays at 9 p.m. and Saturdays and Sundays at 4 p.m through June 19. Tickets are $4 each with general admission to the Museum, $5 each for planetarium only tickets and free to Museum members. For more information and to purchase tickets, visit grpm.org.

 

Dark Side: The Light Show contains adult language and dizzying visual effects. It is not recommended for individuals prone to motion sickness, seizures or light sensitivity.

 

Good vibrations for the summer as the Grand Rapids Symphony announces its 2016 Picnic Pops season

Jeans ‘n Classics performs in the We Will Rock You! The Music of Queen, July 21 & 22.
Jeans ‘n Classics performs in the We Will Rock You! The Music of Queen, July 21 & 22.

By Jeffrey Kaczmarczyk

jkaczmarczyk@grsymphony.org

 

New experiences and new sounds, including a tribute to the rock group Queen, are part of the 2016 D&W Fresh Market Picnic Pops season.

 

But old standbys, including one of West Michigan’s best fireworks shows of the summer, also returns in July for the Grand Rapids Symphony’s 22nd annual summer series that welcomes the music of the Beach Boys back to the great outdoors of Cannonsburg Ski Area.

 

Today, your Grand Rapids Symphony unveils the three-concert season of shows happening on Thursday and Friday evenings. Two more special-event, one-night-only shows in early August will be announced soon.

 

Single tickets plus series tickets and flexpasses, offering substantial discounts, over single-ticket prices, all are on sale. Save up to 28 percent with a 3-Concert Series subscription or save up to 17 percent with a 6-ticket Flexpass. Go online to the Grand Rapids Symphony’s website for more information.

 

The Classical Fireworks will be lead by Principal Pops Conductor Bob Bernhardt, July 14 & 15.
The Classical Fireworks will be lead by Principal Pops Conductor Bob Bernhardt, July 14 & 15.

The 2016 D&W Fresh Market Picnic Pops opens July 14-15 with Classical Fireworks at 8 p.m. Principal Pops Conductor Bob Bernhardt will be on the podium for the show he describes as “classics go to the movies.”

 

“Wagner, Beethoven and Grieg were great film composers – and didn’t know it,” said Bernhardt who made his Picnic Pops debut last summer at Cannonsburg.

 

Popular orchestral favorites from movies, such as Richard Wagner’s Ride of the Valkyries, which is heard in films including Apocalypse Now, Full Metal Jacket, and What’s Opera, Doc, are part of the show.

 

“It’s almost all music not originally for film but for the concert stage,” Bernhardt said.

 

Two exceptions include music from Harry Potter and the Sorcerer’s Stone and E.T. The Extra Terrestrial, which were composed for film. Next season, the Grand Rapids Symphony will screen both films in their entirety, accompanied by live music, during the 2016-17 season indoors in DeVos Performance Hall.

 

Tchaikovsky’s stirring 1812 Overture, heard in many films but featured prominently in the 2006 film V for Vendetta, closes each night’s Picnic Pops concert with a pyrotechnic display.

 

Benefactor sponsors include TerryTown RV, Kennari Consulting and Chemical Bank for the concerts including the second movement of Beethoven’s Seventh Symphony, featured prominently in The King’s Speech, in the climactic scene in which King George VI addresses the nation on radio that the United Kingdom is at war with Nazi Germany.

 

“Every concert needs moments of reflection,” said Bernhardt, who returns for his second D&W Fresh Market Picnic Pops season with the Grand Rapids Symphony.

 

The 2016 D&W Fresh Market Picnic Pops continues July 21-22 at 7:30 p.m. with We will Rock You! The Music of Queen.

 

Special guests Jeans ‘n Classics return to Grand Rapids for such hit music as Bohemian Rhapsody, Another One Bites the Dust, You’re My Best Friend, and We Are the Champions led by associate conductor John Varineau.

 

The Canadian rock group appeared previously with the Grand Rapids Symphony in a tribute to the music of Elton John in 2010 and in a salute to songs from the James Bond series of films in 2009. Led by guitarist and arranger Peter Brennan, Jeans ‘n Classics is back with a new show with songs made famous by the glam rock band of the 1970s and 1980s. Benefactor sponsors are Mercy Health – St. Mary’s and Universal Forest Products.

 

The three-concert season ends July 28-29 at 7:30 p.m. with The Music of the Beach Boys featuring the veteran surf rock band

Papa Doo Run Run performs in the Music of the Beach Boys, July 28 & 29.
Papa Doo Run Run performs in the Music of the Beach Boys, July 28 & 29.

, which was at Cannonsburg in July 2011 for the Grand Rapids Pops summer season.

 

Launched in the 1960s in Cupertino, California, Papa Doo Run Run toured behind Jan & Dean and spent 15 years as the celebrity house band at Disneyland. The group earned a Top 40 hit with their cover of Be True to Your School, plus a Gold Record and Grammy Award nomination for the 1985 recording, California Project. Several members of the group have toured and recorded with Brian Wilson and with other incarnations of the Beach Boys. Miller Johnson and Mary Free Bed are benefactor sponsors for Papa Doo Run run’s return to West Michigan.

 

Gates at Cannonsburg Ski Area open at 5:45 p.m. each night for picnicking and pre-concert entertainment, including free, kid-friendly activities such as face painting, crafts, and a musical instrument petting zoo.

 

Pack your own picnic baskets and coolers or purchase food from the grill at the Cannonsburg concession stand. Alcoholic beverages are permitted on the grounds, and parking is free for concertgoers.

 

Jeffrey Kaczmarczyk is the public relations director for the Grand Rapids Symphony. To check out the current season and the 2016 Picnic Pops, visit grsymhony.org.

10 Cloverfield Lane: A twisted and claustrophobic paranoia thrill ride

There is a point a little over halfway into the second entry in the Cloverfield saga where a character is attempting to pass time putting a jigsaw puzzle together and he comments on how the puzzle is missing pieces. Earlier in the accompanying montage, he is shown attempting to jam a puzzle piece into place that obviously doesn’t fit.

This is a rather perfect analogy for describing the impression left after viewing 10 Cloverfield Lane.

The film conveys a lot in its stay, mostly considering the repercussions of ultra-conservative paranoia and the personal sacrifices required to transcend meager humanity to attain apocalyptic warrior status, Mad Max style. But before we get to that, we must discuss the actual content of the film, pre-analysis.

So, what does the film concern itself with, aside from what I stated above? Well, Michelle (Mary Elizabeth Winstead) is recovering from a toxic relationship with Bradley Cooper’s voice and is run off the road after she flees her apartment somewhere in a cityscape. She is rescued by a paranoid bunker dweller named Howard (John Goodman). He claims there was an “attack” and he has assembled a modest amount of supplies to survive in the aftermath of whatever happened above. Believing the air to be contaminated, he has allowed only two others into his bunker, Michelle and down-to-earth redneck, Emmett (John Gallagher Jr.).

At first, Howard takes some steps to chain up Michelle so she apparently won’t leave the bunker, but it also may have been to prevent her from exacerbating her leg injury she received in the accompanying car crash. She eventually is let on a looser leash, proverbially, but the doubt in her and our minds never quite alleviates until the film’s questionable conclusion.

The film has a lot of slowly unspooling tension from the moment we and Michelle arrive in Howard’s bunker. Howard is not a completely benevolent host, as he showcases several antisocial tics and nervous anxieties that bring his handle on his issues into question. He slams his hands on the dinner table in impotent frustration at how easily Michelle and Emmett get along while Howard is left to himself and his hordes of videocassettes and DVDs.

Eventually, Michelle comes to understand that Howard may not be entirely crazy but that doesn’t help that she is still trapped in a bunker with a man whose grip on his emotions is tenuous at best. There’s a magnificent game of Taboo played in the latter half of the film that turns the simple game of charades into a terrifying marathon of second-guessing suspense, which I won’t spoil here.

To come completely clean without spoilers, the movie does satisfy on many levels. It is thrilling, it has compelling and relatable characters, the film looks and feels pent-up like the characters and setting, and there aren’t any overblown, ridiculous elements that remove audiences from the viewing experience, outside of the questionable choices made in the last 15 minutes. But if one does wish to discuss the implications and revelations in the later stages of the film, they are free to strike up a conversation with me on social media or just see the movie and make decisions for yourself.

Executive producer J.J. Abrams’ never-sated lust for movies that spring themselves on unsuspecting audiences only to land with a dull thud and leaving audiences bewildered for the wrong reasons is a terrible habit of his that he should really get to moving past. Star Trek – Into Darkness suffered from the same unsurprising ‘Mystery Box’ marketing that succeeded so well with the likes of LOST came back to bite after fans of Star Trek came out in vehement opposition to what they saw as a lack of understanding of what made Original Series Trek interesting and entertaining. In that case, Abrams has come out and admitted that he is not a ‘trekkie’ per se, but that doesn’t excuse the lack of research on his part.

10cl_posterAs for Cloverfield, the first film came and went with some impact on audiences, but it should be noted that a sequel was never fast-tracked until production on a little film code-named Valencia was acquired by Abrams’ Bad Robot productions. As soon as that happened, J.J. Abrams assigned a new writer to polish some connections to the 2008 movie and dropped a trailer on the unsuspecting public just after the New Year. The results did prove that people were very curious about the contents. And the box office returns did reflect that curiosity, as 10 Cloverfield Lane took in over $50 million in its first two weekends at the multiplex.

10 Cloverfield Lane is a curious little experiment of sorts for short-term marketing and release planning. The film is quite excellent as a thriller and worth seeing in the theater before Batman v Superman comes in and wrecks its staying power. It could be a lot worse. But once the last 15 minutes happens, then Abrams’ intent becomes obvious and audiences scratch their heads in regards to how the ill-fitting pieces actually resemble the puzzle they feel they should have solved by now.

18-year-old pianist wows crowd performing Rachmaninoff at Grand Rapids Youth Symphony concert

Sami Ahmad
Sami Ahmad is this year’s Grand Rapids Youth Symphony’s Piano Concerto Winner

By Joanne Bailey-Boorsma

joanne@wktv.org

 

Most would admit – whether musicians or just lovers of classical music – that Rachmaninoff’s Piano Concerto No. 2 is one of the more difficult pieces for a pianist to master.

 

So it was bit of a surprise when 18-year-old Sami Ahmad performed it at the 2016 Grand Rapids Youth Symphony’s Piano Concerto Competition held this past January.

 

“It was amazing,” said Kin M. Ma, who heard Ahmad perform the concerto during the Grand Rapids Youth Symphony’s March 6 concert where Ahmad was the featured soloist.

 

“I chose the Rachmaninoff because two years ago I was looking for a concerto to play,” said Ahamd, who attends both Portage Northern High School and Kalamazoo Area Mathematics and Science Center. “So I printed the score and found that my hands could reach the big opening chords so I played through the first few pages and listened to a bunch of recordings and found I really loved the piece.

 

“I have asked my teacher [Susan Wiersma Uchimura] to play it ever since then and this year, she finally said yes. So I have been playing it for about a year now. “

 

Ahmad certainly showed he had mastered the piece as he went on to win the Grand Rapids Youth Symphony’s Piano Concerto where he earned a $300 cash prize along with the honor of being the featured soloist at the March concert. That concert will be broadcasted on WKTV (channel 25 on Comcast, channel 26 on AT&T, and channel 99 on U-verse) Saturday, March 19, at 8 p.m., Tuesday, March 22, at 9 p.m. and Saturday, March 26, at 10 p.m.

 

Besides featuring Ahmad, the Grand Rapids Youth Symphony’s second concert of the season also included Mozart’s Sinfonie in A KV 201 featuring the Grand Rapids Classical Orchestra. Franck’s “Le Chasseur Maudit” also was on the concert program and the performance finished with Berlioz’s “Symponie Fantastique,” a popular piece that has been featured in the films “The Shining” and “Sleeping with the Enemy.”

 

As Ahmad, who has performed with the Kalamazoo Symphony Orchestra, the Kalamazoo Junior Symphony, and at the Grand Rapids Bach Festival, finishes up his high school career, he said his plans to pursue a major in the history of science and medicine with at least a minor in music. He has not yet selected a college.

 

The Grand Rapids Youth Symphony, under the leadership of John Varineau who is also the Grand Rapids Symphony’s associate conductor, was formed in 1959 with the goal of bring together West Michigan’s most talented young musicians to rehearse and perform together under professional standards. In 2000, the Classical Orchestra was founded and focuses on musical literature from the Classical period.

 

The Grand Rapids Youth Symphony’s last performance of the season is May 1 at 3 p.m. at DeVos Performance Hall, 303 Monroe Ave. SW. Tickets will be available at the door.

 

For more information on the Grand Rapids Youth Symphony, click here. For more on upcoming programs at WKTV, click here.

Poems from the dark side: actress Amber Tamblyn presents at Schuler Books

Amber Tamblyn reads from her new book "Dark Sparkler."
Amber Tamblyn reads from her new book “Dark Sparkler.”

It seems wherever comedian David Cross shall be, actress Amber Tamblyn is sure to follow.

 

Tamblyn, who has starred in “Joan of Arcadia,” “Sisterhood of the Traveling Pants,” and “Two and a Half Men,” has been touring with her husband Cross, whose “Making America Great Again!” tour is part of this year’s LaughFest lineup.

 

And the arrangement works out well for area residents as Tamblyn, who is a writer and acclaimed poet, will be at Schuler Books & Music, 2660 28th St. SE, discussing her latest book “Dark Sparkler.”

 

Dark Sparkler
Dark Sparkler

“[What drew me to poetry] I think, like anybody, is being able to have a feeling that’s expressed and reciprocated — to be able to make others feel and emote,” Tamblyn said in a recent article with Boulder Weekly. “It’s also what’s powerful about acting — that you get to affect people. Writing to me, when I was younger, had the same power that acting did.”

 

“Dark Sparkler” started with Tamblyn digging into the life and death of child star Brittany Murphy. Murphy died in 2009 from pneumonia and anemia. Tamblyn, also a child star who got her start on “General Hospital,” did not know Murphy but was moved by Murphy’s death as she was the first female contemporary of Tamblyn’s to die.

 

Tamely wrote a poem about Murphy that appeared in [Pank] magazine. The overwhelming interest in that poem encouraged Tamblyn to delve deeper into the topic of the female actresses who were gone before their time.

 

In total, more than 30 actresses, both famous and obscure, are featured in the book such as Murphy, Marilyn Monroe and Jayne Mansfield. The poems are paired with original artwork, commissioned for the book, by David Lynch, Adrian Tomine, Marilyn Manson, and Marcel Dzama.

 

Tamblyn’s talk and book signing is set for 6:30 p.m. Friday, March 18, at Schuler Books & Music, 2660 28th St. SE. Also that evening, her husband, David Cross, will be at Fountain Street Church, 24 Fountain St. NE. His LaughFest show is at 8 p.m. with tickets running from $39.50 – $32.50. Tamblyn’s talk is free.