By Joanne Bailey-Boorsma
joanne@wktv.org
Letters, characters, and elements seem to randomly come together creating a human form on Monroe Avenue and Lyon Street in Grand Rapids.
The piece, Jaume Plensa ‘s “The Four Elements” is just the last addition to the downtown landscape which features such works as Mark di Suvero’s “Motu Viget” (The Swing), Maya Lin’s “The Ecliptic,” Clement Meadmore’s “The Split Ring” and the first public funded art piece by the National Endowment for the Arts, Alexander Calder’s “La Grande Vitesse.”
“Grand Rapids’ reputation as an art destination has been growing for decades,” said Experience Grand Rapids President and CEO, Doug Small. “As community leaders help to bring the work of acclaimed international artists to our doorstep, it not only enhances the ‘quality of place’ for area residents – it enhances the draw for visitors from across the country and around the world.”
Plensa, who is from Barcelona, Spain, is world-renowned having public works in several cities including Chicago where he is the artist of the Crown Fountain featuring faces on large scale screens with water shooting out of their mouths.
The Grand Rapids piece, which was commissioned by the DeVos family, is a 16-foot-tall, 5,400-pound stainless steel sculpture that uses letter characters and element symbols representing air, water, fire and earth to create a human form, signifying the many different characteristics that bring people together to form a single human race. Pamella DeVos said the piece is meant to portray a welcoming message of unity and diversity.
The piece is one of three that the DeVos family has commissioned for the downtown area.
Gardens brings in third Plensa piece
The Frederik Meijer Gardens & Sculpture Park already is home to the Plensa piece, “I, you, she or he,” which are three steel sculptures similar to the downtown piece.
This week the Gardens unveiled a third piece by Plensa, “Utopia.” Housed in the Gardens’ new Welcome Center, which was designed by Tod Williams and Billie Tsien, “‘Utopia” consists of four 90-foot carved marble portraits depicting the faces of Marianna, Julia, Laura, and Wilsis. Each of the floor-to-ceiling portraits utilizes the human form to symbolize the capacity for a shared humanity.
According to GRAY Gallery, which represents Plensa, the installation is crafted from white marble, a material chosen by the artist both to harmonize with the architecture and for its nuanced reactions to light and shadow.
“With ‘Utopia,’ I wanted to set out to transform an expansive space into a single piece,” Plensa said. “I wanted to do something unforgettable for the Gardens. I wanted to create something that seemed invisible, but with 400 tons of marble, which I know seems like a contradiction. I spend my life trying to work through that duality, that poetry.”
The Gardens dedicated and opened its 69,000-square-foot, LEED-certified Welcome Center this week. The Welcome Center is part of the $115 million “Welcoming the World: Honoring a Legacy of Love” expansion project that includes an expanded and upgraded amphitheater, Frey Foundation Entry Plaza, a new Meijer-Shedleski Picnic Pavilion, the new Stuart and Barbara Padnos Rooftop Sculpture Garden and expanded and accessible parking and urban gardens. Still to be completed are the indoor sculpture galleries, a Volunteer Tribute Garden and the expanded Tassell-Wisner-Bottrall English Perennial Garden. The project is scheduled to be completed in June 2022.
