Tag Archives: Susanne Albaitis

Fate and Free Will cross at Civic Theatre’s ‘Good People’

Courtesy of @grcivictheatre instagram
Courtesy of instagram: @grcivictheatre

susanne_albaitisThere’s the age-old debate, fate vs. free will. Margie has made choices in her life, or was it really just her fate?

 

Good People, running September 9 – 25 at Civic Theater, takes a look into the life of Margie, a single mother who loses her job in the first scene. Her boss Stevie is no tyrant, rather the son of a friend who is only trying to keep “corporate” happy. Margie is chronically late to work, leaving the young man no choice but to let her go. When Margie pleads with Stevie to keep her, we begin to see a glimpse of how Margie’s life has reached this point.

 

Margie grew up in South Boston, a working class neighborhood where getting out was more the exception than the norm. Like many of her friends, Margie remained in South Boston after she got pregnant in high school. Her baby, Joyce, was born with special needs. This made finding and keeping a job difficult for Margie because there were days where she was unable to leave on time if Joyce was upset. She often relied on friends, who proved to be inconsistent, for daycare. And college? Forget about it. Margie’s parents did not encourage her to try in high school, college was never an option.

 

But there was someone who made it out of South Boston, Mike. Mike became a doctor, a fertility specialist and he moved to a big house in Chestnut Hill. He married a younger woman, Kate, and together they had a daughter. Margie knew Mike in high school, they even dated for a few months before Mike left for college.

 

Margie and Mike’s past begins to unfold when Margie seeks out Mike for a possible job in his office. Margie takes it one step further when she shows up at his home for a party that he had explained was cancelled.  Part heart-felt reunion, part awkward culture clash, the evening revealed and kept many secrets.  It also made you wonder, was Margie’s, or anyone’s, station in life the result of their decisions, or just their fate?

 

This small cast delivered a huge performance. From the accents to emotions, the cast had it covered. There were a lot of laughs too. The three ladies, Margie, Jean and Dottie are South Boston’s version of Monica, Rachel and Phoebe. They bicker, go to bingo and you can tell there’s a lot of love for each other in there too. Kate’s tenderness balanced Mike’s tough, but understandable attitude toward Margie. She is the voice of reason when the evening of the party takes an uncomfortable trip down memory lane.

 

Good People, a thought provoking, dramedy, is a must see start to Civic Theater’s amazing 2016-2017 season. Visit the Civic Theater website for more information.

This nun is fun: Sister Act premiers at the Civic Theater

susanne_albaitisCivic Theater has done it again. They have assembled amazing Grand Rapid’s talent, chosen the perfect actors, created a fabulous set, and put it all together with incredible music for Sister Act.

 

Julianne Howe-Bouwens has established herself as a powerhouse of talent and continues to amaze, this time in the lead role as Deloris Van Cartier. With comedic timing and that voice (that voice!) she leads the cast through this very entertaining rendition.

 

Deloris Van Cartier witnesses murder and is sent into hiding in a convent. No one would think to look for this outgoing, sequin-wearing showgirl under the same roof as nuns. Deloris’s zest for performing soon takes hold of the nuns, and before they know it, they are packing the pews of the nearly closed church. It seems that the church has caught “Sunday Morning Fever”.

 

Deloris stays with the sisters until it is safe for her to leave. Once free, she returns to the convent for one last performance, realizing that she needs the nuns’ friendship as much as they need her voice. They are sisters.

Julianne Howe-Bouwens shines in Sister Act
Julianne Howe-Bouwens shines in Sister Act (Courtesy of GRCT.org)

 

Civic Theater was awarded the right to perform Sister Act along with playing Alan Menken’s original music from the Broadway show. The singing and choreography are perfectly matched with the music’s disco beat. Deloris and her back-up singers perform “Fabulous, Baby” in the beginning of the play. The song is then reprised later in the show with Deloris and the nuns.  The music, directed by Wright McCarger, weaves in and out of the story line seamlessly.

 

Sister Act is directed by Allyson Paris who is the Associate Director of Grand Rapids Civic Theater. She also recently directed the travelling troupe production of The Hundred Dresses. You may remember her as the mean nanny from Mary Poppins.

 

Much of the glitz and glamour of the show is emphasized by the ensemble dance numbers. Choreographer, Torrey Thomas worked with the groups nightly to perfect the routines. Whether in sequins or pajamas, the nuns put on quite a show.

 

If you like to laugh, enjoy great music, and are amazed by talented singers, then make sure to catch Sister Act at the Civic. The show runs through March 20 with ticket available online at GRCT.org.

Barefoot’s Small Cast Gives a Large Performance

susanne_albaitisBarefoot in the Park’s small cast gives a large performance in Civic Theater’s rendition of Neil Simon’s 1963 hit. As a Civic regular I have grown accustomed to the big ensembles, choruses, and multi-set-change performances. With this cast you grow to know and love the six performers throughout Barefoot’s two act play.

 

The story follows newlyweds Corie and Paul Bratter as they begin their life together in a small and drafty, but charming, New York apartment. Corie, played by Civic newcomer Lexee Longwell, sees only the good in everything. No furniture? No problem, it will arrive soon. No heat? No problem, the super will fix it when he has time. Her zest for life puts a positive spin on the five flight climb, snowing skylight and unsavory neighbors.

 

Corie’s new husband Paul, played by David Hatter, has a differing view on their new surroundings.  While Corie lives each moment to the fullest Paul would rather focus on his budding law career.

BarefootinPark

 

Life for the Bratters gets a little more complicated when they go on a double date. Corie fixes her prim and proper mother (Nancy Wagner) up with the worldly neighbor Victor Valasco (Don Vanden Heuvel). Victor introduces the group to a number of delicacies including brown salad and Ouzo. And when her mother goes missing, Corie takes the situation more seriously than previous events.  Conversely, Paul surprises Corie by coming home drunk and barefoot, shedding his stuffed shirt image, for that day anyway.

 

It was refreshing to watch Corie and Paul figure out that compromise and listening to your partner will strengthen a relationship. Their differences provide a balance that will make their love last.

 

Neil Simon’s Barefoot in the Park ran on Broadway from 1963 – 1967. It was Simon’s longest running play. Come enjoy Civic Theater’s performance from January 15 through January 31.  Please visit the GRCT website for all of the details.

A Christmas Story The Musical, Love and Laughter for the Holidays

A Christmas Storysusanne_albaitisOur neighbors moved last summer. My children were very upset by the news, not because we were particularly close but because every December they put a leg lamp in their front window. The leg lamp, made famous in the iconic ‘80s movie A Christmas Story, symbolized victory for the little guy and also made us giggle every time we passed their house.

Civic theater has brought a spectacular rendition of A Christmas Story to its stage. From beginning to end, the audience was engaged, laughing and tapping their toes along to the music. The solos, ensembles and choreography blended well with the storyline.  Each character was well played and so enjoyable to watch.

A Christmas StoryRalphie (Alex Sullivan) gave such an impressive performance that although you know that he will eventually shoot his eye out, you still want him to get that Red Ryder Carbine-Action BB Gun. When he sings “Ralphie to the Rescue!” he imagines himself saving his teacher Miss Shields (Aimee Workman) from a villain, classmates from bank robbers, and his brother Randy (Ben Lowen) from a prisoner. His daydream is a compelling display of the many reasons he needs a Red Ryder BB Gun.

Once again David Duiven impresses on stage as the Old Man, Raphie’s father. His mutterings about the neighbor’s dogs and the famous tire changing scene brought big laughs from the audience. When the leg lamp arrives, the Old Man sings “A Major Award”, beaming with pride and finding the perfect front window display for his prize. The audience went wild when the Old Man and the cast broke into a leg lamp chorus line with the children holding little leg lamps.

A Christmas StoryAt school Ralphie perfects his Christmas list essay, hoping that if he impresses Miss Shields, she will convince his parents that he should have the Red Ryder BB Gun. His essay seemed to do quite the opposite. Miss Shields transforms from sweet teacher to Broadway starlet, singing “You’ll Shoot Your Eye Out”. The audience was dazzled as her big voice delivered the crushing news. The tap dance ensemble added extra drama to this already jazzy number.

A Christmas Story, The Musical combines love and humor, reminding us all of the moments that make the holidays special. This hilarious rendition of a Christmas classic plays on Civic Theater’s stage November 20 – December 20, 2015. Make sure to check out GRCT.ORG for tickets and more details.

The Winds of Change are Bringing Mary Poppins to Town

susanne_albaitisJust in time for the holidays, Mary Poppins soars onto Grand Rapids Civic Theater’s stage, reminding us all about the important things in life: love and family.

 

November 14, 2014 through December 14, 2014, this beloved children’s story comes to life for the first time ever on Civic’s stage. Grand Rapids Civic Theater was only one of six community theaters in the country given the rights to perform Mary Poppins.

Mary Poppins
Alyssa Bauer as Mary Poppins

 

The seasoned cast includes Civic alum, Alyssa Bauer who transforms herself from perky wife and mother into the proper, boot and hat wearing nanny, Mary Poppins. Her sweet, yet powerful songs will have you believing that a spoonful of sugar will make the medicine go down. You may recognize her from her previous roles at the Civic including Cinderella in Cinderella, Maria in The Sound of Music, Martha Washington in 1776 and Mary Hatch in A Wonderful Life.

 

Villainous nanny, Miss Andrews is played to perfection by Allyson Paris, a musical theater and voice teacher at Civic. Miss Andrews is hired to replace a missing Mary Poppins, but her tyrannical discipline style differs greatly from Mary’s sweet disposition. Watch for the funny, yet dramatic “duel” between Mary Poppins and Miss Andrews.

 

The accomplished and talented William Schutte plays Bert, Mary Poppins’s life-long friend. Schutte’s stage career has taken him around the world. He was also cast in the touring productions of A Chorus Line, Jesus Christ Superstar and Evita.

 

His accomplishments extend beyond the stage; for years Schutte has choreographed shows at Civic and has won a number of Grand Awards for his productions. His role in Mary Poppins will return him to the stage where his passion for tap and theater will surely shine.

Set Design
Civic Theater being transported back to 1900’s London

 

Set design is another important piece of this spirited musical. Turning Civic Theater into 1900’s London is the work of scenic designer, David Len. Len uses a paintbrush with a four-foot bamboo extension to paint and splatter his way back to Edwardian London. Watching the backdrops come to life is an impressive show in itself.

 

The dancing penguins from the movie are absent in the play, but there are however statues that come to life. This holds true to the book series, Mary Poppins, written by P. L. Travers.

 

Auditions for the show were particularly difficult because performers needed to have singing, acting and tap dancing skills; the triple threat. Tap dancing is a bit of a lost art in the new millennium, but who knows, Civic’s four week run of Mary Poppins may just have Grand Rapids residents tap dancing in the streets.

 

Tickets are available on line at http://www.grct.org/purchasetickets.html or by calling (888) 695-0888. Grand Rapids Civic Theater also offers a number of ticket packages on their website.  Mary Poppins Case