Tag Archives: animation

WKTV and Global Force Productions are going on a safari

Global Force Productions, a West Michigan-based international production company, specializing in CG animation, is bringing a new children’s educational program to WKTV. “Jake’s Safari,” was written by West Virginia actor/writer, George R. Snider, III. Global

 

“We fell in love with Mr. Snider’s story and its characters, so we attracted the production work to Grand Rapids,” said Randy Bassin, Force’s founder and executive producer of this show.

 

Together with talent from west Michigan and throughout the Midwest, along with the animation team at Global Force’s south India studios, under the direction of Terry Vanden Akker, TV audiences will experience a truly international safari for kids from pre-kindergarten through second grade. The show will air Mondays at 3:30 p.m. and Saturdays at 10 a.m. on WKTV channel 25.

 

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Globe Force Productions Founder Randy Bassin with Chiku from the company’s animated children’s show “Jake’s Safari.”

“Jake’s Safari,” which was nominated for a 2016 Eclipse Award for animation, is a half hour children’s program produced with both live actors and CG animated characters. The show will attract an international audience of both girls and boys. It is the story of Jake, a photo-journalist with “Wild World Magazine,” who experiences new adventures with his wise Zulu guide, Jabali, and his two animated sidekicks — a precocious monkey named Chiku and an easy living tiger named Tahla. Throughout the episode, audiences will meet Maribel, the assignment editor for “Wild World Magazine,” and Jake’s animated email messenger Rasul (a cheetah). Along the way you’ll be introduced to a wide variety of CG animals from different countries.

 

On Safari with Jake and his friends, viewers will traverse the world meeting new cultures, exploring exotic locations, learning about wildlife, promoting healthy childhood development, good morals, and even sharing photography tips designed for children.

 

For more information, visit Jake’s website at www.jakessafari.com or email Jake at goingonsafari@jakessafari.com.

New and Classic Japanese Animations to debut in West Michigan

brett_wiesenauerI love to promote animation from anywhere and everywhere that’s not Disney. Audiences have grown lazy in supporting flicks that don’t descend from the House of Mousecapades. I for one will always look to view things that challenge me asides from hammering messages into me like “RACISM AND CLASSISM ARE BAD, Even With Animals”.

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Luckily, the next two weekends hold promise to showcase wonderful Japanese treats that, while not implicitly for kids, look like exciting experiences for animation fans and non-followers alike to feel free to dive into.3997_the-boy-and-the-beast_24E7

 

Opening this Friday at Woodland Mall is the latest from Japanese artiste Mamoru Hosoda, The Boy and the Beast. The tale concerns a boy who falls into a strange apprenticeship to Kumatetsu the Beast Lord, who is currently involved in a competition for succession with another beast warrior who is more popular in standing than our Beast Lord.

 

The film was the second-highest grossing film in Japan last year and is from a creative talent who has been honing his skills over the last decade with visually pleasing and stimulating projects like Summer Wars and Wolf Children. As a fan of the whole of the directors work, going back to Digimon The Movie back in 2000, I look forward to exploring a whole different culture (of animal-warrior hierarchy) via the lens of another culture (Japan), and seeing how Hosoda seeks to delight audiences with a good story and unique character archetypes.

 

If you are in the mood for a less fantastic trip into Japanimation-Land, boy do I have good news for you. West Michigan is also receiving a dose of classic, classy Studio Ghibli within the week, in tandem with The Boy and the Beast.

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Opening at the Kalamazoo Alamo Drafthouse this weekend and spreading to Celebration Cinemas and select AMC theaters on March 11th is a special revival of the previously unreleased-in-America Studio Ghibli work, Only Yesterday. Featuring the voice talents of Star WarsThe Force Awakens ingenue Daisy Ridley and helmed by Ghibli legend Isao Takahata (director of the Oscar-nominated Tale of Princess Kaguya as well as the tearjerker classic Grave of the Fireflies), the film promises to be a beautiful adult tale of nostalgia in youth and adapting to womanhood. Animation circles have whispered on the beauty and grace of Only Yesterday for years, due to it never acquiring proper release outside of Japan due to its non-fantastic story and setting, which is the image Ghibli has presented internationally for most of its filmography.

 

Best of all is the relic quality of Only Yesterday, being released in Japan in 1991, when cel animation and hand-drawn family flicks was still the prominent animation style before computer animation made a hostile takeover thanks to Disney and Friends deciding putting pen to paper was old-hat and wasn’t worth the effort of maintaining. I miss classically drawn epics like the original Sleeping Beauty and Princess Mononoke. I want to see actual effort onscreen rather than glorified computer coding. Yes, computer animation can be impressive, as Tangled and Frozen showed in slow spurts, but due to the shrinking successes of mid-2000s releases like Home on the Range and Princess and the Frog, the Disney studio gutted the hand-drawn department and decided to focus more on computer technologies. But the companies mistook the failure of their products to be good and memorable films as the failure of the medium rather than the product.

 

Hopefully the two flicks will live up to the unearthly expectations I have planted on them as an animation fan.

UICA Showcasing Oscar Shorts

brett_wiesenauerIn coordination with my Oscarwatch series, I decided to throw some recognition towards that little theater in town that is taking part in Oscar season by showing the films that not everyone typically gets to see.

 

Today, the subject is short films, an often overlooked style of filmmaking too often dismissed by typical audiences as not worth their time unless the Disney logo is plastered on the front of it. That is a shame, since there are many talented people out there whose livelihoods thrive on the 45 minutes and under length of storytelling. Some stories just work better in bite size form, which many of Hollywood’s star producers and directors could take some lessons from.

 

The Urban Institute for Contemporary Art (UICA for short), located on Fulton and Division in downtown GR, is taking the time to showcase the Oscar nominated shorts this year, three categories split into four programming blocks. The programs consist of the animated, live action, and two sets of documentary short films deemed worth of recognition by the Academy of Motion Picture Arts and Sciences, along with the Shorts Channel (ShortsHD). The programming shows Tuesdays thru Sundays through March 3rd, with at least 2 showings per day, sometimes more.

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The Russian nominee WE CAN’T LIVE WITHOUT COSMOS

 

I personally went to see the animation selections with a small group over the weekend and was not disappointed. The program included the 5 nominees as well as 3 honorable mentions, all of which were unique in their own right. I even thought one of the honorable mentions was better than a couple of the nominees. The program lasted about 90-95 minutes, and the best thing about the UICA is that like other theaters, they pad out the first five minutes with trailers and advertisements, so if you get caught in traffic, you won’t miss the important bits.

 

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Poster for WORLD OF TOMORROW

Up for Animated Short this year are five shorts spread out across three continents and four countries, showcasing many different cultural perspectives. Bear Story, the submission from Chile, details a day in the life of a pauperish animal, who struggles to eke out living as a performer. The Russian entry, We Can’t Live Without Cosmos, is set during the glory days of the cosmonauts, exploring the relationship between two best friends who pass through Russia’s space program, hoping to make their country proud. The United Kingdom entry, Prologue, from the lauded animator behind the legendary unfinished project The Thief and the Cobbler/Arabian Knight and Who Framed Roger Rabbit, shows the anxiety and brutal chaos of a battle between two pairs of warriors in ancient Greece.

 

The PIXAR submission, Sanjay’s Super Team, deals in Hindu heritage and lore while giving nods, as evidenced in the title, to American superhero mythologies. The American independent darling, World of Tomorrow, narrates the inter-spatial meeting between a precocious young girl and her third-generation clone from over 200 years in the future, with a droll, goofy heart alongside morbid philosophizing on what the future holds in store for humanity.

 

All the shorts are certainly worth viewing, especially for the value of seeing them theatrically in downtown Grand Rapids of all places. Be warned, there is a viewer discretion break for young viewers after the fourth entry, as the fifth entry, Prologue, is a very violent and graphic depiction of an grisly battle scene. Luckily, the program does pad itself with 3 honorable mentions before that film. This goes to show that not all animation is kid-oriented, as most of the general public is due to find out.

 

Tickets are available at the UICA front desk, cost is $4 for UICA members, $8 for non-members. For showtime specifics, visit http://www.uica.org/movies