Local voices will add to the story as Opera Grand Rapids premieres new work focused on racial justice

By Sheila McGrath
WKTV Contributing Writer


As Opera Grand Rapids gets ready to stage the world premiere of Stinney: An American Execution, a companion piece will bring together local artists to talk about Stinney’s story through a variety of additional art forms.

The new opera tells the true story of the execution of George Stinney Jr., a Black teen who died in the electric chair at age 14 after he was wrongfully accused of raping and murdering two White girls. His conviction was overturned in 2014, 70 years after his 1944 execution.

The Stinney Artistic Collaborative, being performed the night before the opera opens, will showcase Ebony Road Players, Dr. Eric Williams from the Smithsonian Museum of African American History, The Diatribe, student artists from WMCAT, and other independent artists, in addition to performances by Opera Grand Rapids. 

“It’s essentially an open invitation for those artists to create after being inspired by George Stinney’s story,” said Emilee Syrewicze, executive director of Opera Grand Rapids.

In 1944 George Stinney Jr. became the youngest American executed. His conviction was over turned in 2014, 70 years after his execution. (Public domain)

“It’s a significant artistic achievement to get a world premiere opera, and particularly one that is so highly regarded,” she said. “That it speaks to a social issue like racial justice is something we wanted to elevate.”

She said after securing the rights to the opera in June, they knew they wanted to do more with it than just perform the opera. They reached out to organizations represented by artists of color and found several that were interested in taking part in a collaborative event.

Edye Evans Hyde, executive director of Ebony Road Players, will be performing songs relevant to the theme of the opera at the Stinney Collaborative.

She said in the current climate around the United States, with books about racial injustice being banned in schools, the arts community is the only place left to telI stories like Stinney: An American Execution.

“The arts still have the ability to further the conversation about equality and inclusion and racism and all these things that we still need to talk about,” Evans Hyde said. “I’m just really proud of the Opera and other Institutions taking on the subject matter so that we can continue to talk about these things, not just in February but the whole year long.”

G. Foster,  a teaching artist and co-founder of The Diatribe, will be performing a poetic work at the Stinney Collaborative.

G. Foster,  a teaching artist and co-founder of The Diatribe, will be performing a poetic work at The Stinney Collaborative. (Supplied)

He’s frustrated by the lack of progress toward racial justice not only around the United States, but in the Grand Rapids community.

“We still have so many problems that need to be addressed,” he said. “In 2021, Mayor Bliss announced that racism is a public health crisis in Grand Rapids. I haven’t heard anybody talking about it. We haven’t been putting in the work to make sure it’s preventable. We have ‘diversity, equity and inclusion.’ These are amazing words, but when you go to the table, there’s no diversity at these tables. It’s usually done by people who don’t look like me.”

He’s participating in The Stinney Artistic Collaborative in hopes that the event will help put words into action.

“We have to know our history, but we have to be able to change our present and our future,” he said.

The Stinney Artistic Collaborative takes place at 7 p.m. on Thursday, Feb. 24, at the Urban Institute for Contemporary Arts, 17 Pearl St. NW.

Stinney: An American Execution will be staged Feb. 25 through 27 at the Peter Martin Wege Theater, 341 Ellsworth Ave. SW. Tickets for Stinney and the Stinney Artistic Collaborative are available online at www.operagr.org or by calling the box office at 616-451-2741.

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