By John D. Gonzalez
WKTV Contributor
Madeline Powell remembers the first time she saw the film version of “My Fair Lady,” the acclaimed Broadway show from the golden era of musicals.
She was nine-years-old and saw it with her grandparents.
“I remember very vividly watching it, and where we were sitting,” the Texas native said in a recent WKTV Journal interview.
“I remember the parts of the movie that caught my eye, and that I was most fascinated by.”
Now she is reliving those memories every night, playing the lead character of Eliza Doolitte in the national tour of the Broadway musical. It’s her first major role after graduating in 2021 from Oklahoma City University.
She is thrilled to be playing the iconic role in an iconic play, adapted from George Bernard Shaw’s 1913 play and Gabriel Pascal’s motion picture “Pygmalion,” which later became “My Fair Lady,” with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe.
A Star from the Golden Age of Theatre
It premiered on Broadway on March 15, 1956 and won six Tony Awards, including Best Musical. The classic songs include “I Could Have Danced All Night,” “The Rain in Spain,” “Wouldn’t It Be Loverly” and “On the Street Where You Live.”
The current tour is Lincoln Center Theater’s production of Lerner & Loewe’s “My Fair Lady,” and winner of five Outer Critics Circle Awards including Best Revival of a Musical and was nominated for 10 Tony Awards. The production premiered in the spring of 2018 at Lincoln Center’s Vivian Beaumont Theater.
It has impacted generations, Powell said.
“I have always held (‘My Fair Lady’) in such high esteem because of that experience with my grandparents,” she said, “and knowing how much they loved it, and what it meant to so many of their friends and so many people in the generations between us.
“It has been at the forefront of my mind, too, when I have been revisiting it in this context of being in the show.”
“My Fair Lady,” as most musical enthusiasts know, is a rags-to-riches story about a Cockney flower girl – flippantly referred to as a “guttersnipe,” in the production – who meets linguist Henry Higgins. He vows to turn her into a “lady” in just six months by teaching her the proper way to speak, as well as dress and act.
Mastering that Cockney Accent
It’s a show with a lot of dialects and accents, which Powell knows a little bit about.
“I had my own little Eliza Doolittle experience when I went to college and learned to neutralize the accent I didn’t realize I had,” said Powell, who is originally from Lubbock, Texas, where she began singing at age four.
Before the tour opened last fall, the cast worked with a dialect coach because of accents that range from Scottish to various ones in central London. It’s all “very specific because of the importance of the plot,” she said.
The excitement for language has made for a lively cast and crew.
“We have so much fun,” she said. “We can honestly never shut up talking in the accents when we’re not performing, too.”
That excitement comes across on stage where local audiences will get an opportunity to see it over eight performances, April 11-16 at DeVos Performance Hall.
Tickets are available for all shows, including special educator/student rush tickets for only $30, available only one hour before each show. More details at broadwaygrandrapids.com.
Keep an Eye on the Ensemble Cast
Along with the beautiful costumes, Powell said local audiences may want to pay special attention to the ensemble cast, which is “super fun to watch” in big scenes such as the opening number and “Get Me to the Church on Time.”
“It’s all kinds of chaos,” she said. “…They’ve got some interesting relationships they created, and they’re really setting up the world and dynamic for the principal characters. They’re doing all kinds of intentional things. I would keep an eye out for them.”
Overall, she said audiences should be prepared to be really entertained and inspired by the story of Eliza Doolitte.
“It’s a long show, but it doesn’t feel like a long show,” she said. “It’s super packed with interesting and intentional moments. Hopefully that will be impactful for new audience members, and for returning audience members, too.”
That impact, she said, is the transformation of a young woman.
“I can’t think of another character who has such a broad arc,” Powell said. “She is always shown to be really gritty and really smart and she knows exactly what she wants and what she needs to get those things.
“But we really watch her blossom emotionally and become comfortable with feeling her emotions…which is really powerful. We often don’t see women written to be that sure of themselves in musical theater or entertainment at all. It is an honor to do that every night.”
Show Info
Tickets are available online at BroadwayGrandRapids.com or at the Broadway Grand
Rapids box office located at 122 Lyon St. NW. Group orders of 10 or more may be placed by
calling 616-235-6285.
Remainder of the 2022-2023 BGR season includes:
HADESTOWN, May 9-14, 2023
FROZEN, July 11-24, 2023
More info, including season ticket information for the 2023-2024 season, at https://broadwaygrandrapids.com.
John D. Gonzalez is a digital journalist with 30-plus years of experience as a food, travel, craft beer and arts & entertainment reporter based in Grand Rapids, Michigan. He also co-hosts the radio show and Podcast “Behind the Mitten,” which airs at 6 p.m. Sundays on WOOD-AM and FM. Follow him on his journey to discover what’s next. You can find him on Twitter as @MichiganGonzo, on Instagram @MichiganGonzo and Facebook at @GRGonzo. He also relaunched his YouTube Channel. Email him story ideas and tips at michigangonzo@gmail.com.
