Tag Archives: The Little Mermaid

GR Civic goes under the sea this holiday with Disney’s ‘The Little Mermaid’

In front, Angelique Ferrante as the mersister Atina in Disney’s “The Little Mermaid.”

By Elizabeth Voltz

WKTV Intern

 

Whether your Ariel or not, being a part of the cast of the Disney’s “The Little Mermaid” is “a magical, once-in-a-lifetime opportunity,” according to Angelique Ferrante, who portray’s the mersister Atina in Grand Rapids Civic Theatre’s current production which runs through Dec. 16.

 

“I’m 29-years-old, so the idea that I’d be able to play in a Disney show meant for kids, I was just excited to play a tapping seagull, a mermaid or a fish. It was all very exciting to me to be able to play out this child fantasy for myself,” Ferrante said.

 

The show is a rendition of the familiar 1989 animated film with Disney using some of its magic for the classic Hans Christian Anderson fairytale. Princess Ariel and her undersea companions are in for a whirlwind of adventure as Ariel falls for the human Prince Eric. She cuts a deal with the sea witch Ursula, trading her singing voice for a pair of human legs. All she has to do is get Eric to “kiss the girl.” The production includes many of the award-winning songs by Alan Menken such as “Part of Your World,” “Kiss the Girl,” and “Under the Sea.”

 

“Some of the songs are a bit different but all the things you know and love from the movie are there,” she said. “‘Under the Sea’ is so magical. I get excited looking around when I’m on stage with my fellow castmates. I can only imagine what it looks like for the audience looking in because when I look up, left and right, I’m usually in awe.”

 

Residing in Grand Rapids, Ferrante grew up on Long Beach in Long Island, New York. Her latest role was Reno in a production of “Anything Goes,” put together by the Long Beach Theatre Guild. She was brought to West Michigan this year when her fiancé accepted a position as a doctor at Mary Free Bed.

 

Angelique Ferrante as the mersister Atina performs the song “Daughters of Triton.”

“Moving to Michigan this summer, I knew I was going to do some homework, not just for a new job or a place to live, but to perform,” she said. “Civic Theatre had an amazing reputation and auditions at the same time I knew I’d be able to get my life in order and audition.”

 

Ironically, the actress said working with a company and organization like the Grand Rapids Civic Theatre has been a game changer compared to acting in New York.

 

“It’s like the further I’ve gotten away from New York, the closer I’ve gotten to Broadway in a sense,” said Ferrante. “It’s been far more professional the further I’ve gotten away from New York City. It’s just kind of crazy to imagine that’s a reality. This is a whole other league. It’s so impressive to me not only the amount of talent that’s in the cast but the production, the crew, the entire behind the scenes corporate business model that Civic has.

 

“To my surprise, we were doing costume fittings before our first rehearsal even before the first read through. That’s when I knew I was in a unique place that was going to really take any performing I’ve done to the next level.”

 

 

She estimated there’s about 25 cast members for the production, relatively small for a Civic holiday performance, but it’s a “tech-heavy” show, recalling the director mentioning the crew easily outnumbers the cast. Audiences will feel like they are under the sea with huge set designs, lighting and sound arrangements and special effects.

 

“I don’t know what it is, I think it’s that every single moving part is so prepared that the nerves have left, and at this point, it’s just buzzing excitement,” said Ferrante. “We are all really excited to just be in front of a crowd that’s going to give new moments and real time, laughing at the same lines we’ve been saying for weeks and sharing that magic with a live audience. I think every night is going to be so electric.”

 

Grand Rapids Civic Theatre’s production of Disney’s “The Little Mermaid” runs through Dec. 16 at Civic Theatre, 30 N. Division Ave. Show times are 7:30 p.m. Wednesdays through Saturdays and 2 p.m. Saturdays and Sundays. Tickets are $17 – $39. For more information, visit grct.org or call 616-222-6650.

Civic Theatre has a few tricks up its sleeve for the upcoming season including a not-yet-to-be-named musical

 

By Nancy Brozek

Grand Rapids Civic Theatre

 

From start to finish, this year’s lineup promises to surprise, delight, and challenge audiences in the way only live theatre can.  Civic Theatre’s 2018-2019 season is brimming with titles you will recognize from Broadway and your favorite books, along with one show so exciting that we are not able to reveal its name until later in the season.

 

Civic Theatre Executive and Artistic Director Bruce Tinker notes, “We were very fortunate to secure the rights to this show – but only if we agreed to withhold revealing the title until a later date this season. The chance to produce one of the most successful and entertaining musicals of recent history was too important to pass up.” Tinker continued, “As a community theatre, it isn’t unusual for rights to be released with strong guidelines.  If a show is touring, currently on Broadway, or in production at an (equity) theatre in a geographic location deemed ‘near,’ then our rights are often restricted. One of the examples mentioned is the reason why we are keeping the title under wraps for now.  We can share, this show will be produced on our stage February/March 2019 and . . .it’s a MUSICAL, it’s BIG, and it’s filled with FUN”.

 

There is a delicious sense of anticipation when you are waiting for the curtain to rise. For Civic Theatre, that moment is even more tantalizing with a season filled with love, mystery, sacrifice, dreams and an overall sense of WOW!!

 

Season Ticket Packages are on sale now, to purchase online visit www.grct.org, order by phone at 616-222-6650, or in person in Civic Theatre’s box office.  Ticket Packages are $135.  Single tickets will go on sale August 22.

 

 

Steel Magnolias

Playwright – Robert Harling

Sept. 7-23, 2018

 

From a small-town beauty parlor in Louisiana, the outspoken Truvy and her new assistant Annelle treat their clientele to shampoos, haircuts, and advice, not necessarily in the order.  When the local socialite’s daughter marries a good ol’boy and decides to start a family, complications from her diabetes force all to face life’s big questions with the strength of steel and the fleeting beauty of magnolias.

 

Number the Stars

Playwright – Dr. Douglas W. Larche

Based on – Sean Hartley’s adaptation of Lois Lowry’s book Number the Stars

Oct. 12-21, 2018

 

Written from a child’s perspective, the play begins when Ella surprises her best friend Annemaire by arriving unannounced to spend the night.  Not long after, Nazi soldiers appear at the door looking for Ella’s family, and Annemarie’s family claim that Ella is their own daughter.  Annemairie realizes that all Jewish Danes are in danger, and their only hope is for their Christian neighbors to escort them to safety in nearby Sweden.   Defying the law of the land, she steps up to help Ela’s family escape…but will they reach Sweden before it is too late.

 

Disney’s The Little Mermaid

Book – Doug Wright

Music – Alan Menken

Lyrics – Howard Ashman, Glenn Slater

Nov. 16 – Dec. 16, 2018

 

Always fascinated by the world above, Ariel’s longing becomes even greater when she rescues Prince Eric from drowning.  Though her father warns her to stay away from humans, she eventually trades her beautiful singing voice to the sea witch Ursula, in return for a pair of human legs.  When the bargain turns out to be more than it appears, Ariel needs the help of her animal friends Flounder, Scuttle, and Sebastian to overcome the witch’s evil plans and make a choice that will let her live happily ever after.

 

Agatha Christie’s And Then There Were None

Based on Agatha Christie’s book, And Then There Were None

Jan. 11-27, 2019

 

As the story begins, ten strangers arrive on an island where they will meet their fate.  Each one has a secret and shameful past – and each one is marked for murder.  Who’s next?  And whodunit?  It’s impossible to say.  Nevertheless, one by one, each guest meets his or her end in a way that mirrors the lines of the nursery rhyme, “until there were none”

 

Surprise Musical

Feb. 22- Mar. 17, 2019

 

Our licensing agreement prohibits us from revealing the name of this show until later this season.  We look forward to lifting the curtain to reveal the title of this surprise musical.  All we can say is; it’s a musical, it’s big and it’s filled with fun!

 

Roald Dahl’s James and the Giant Peach

Book – Timothy Allen McDonald

Music & Lyrics – Bej Paskek and Justin Paul

Based on Roald Dahl’s book James and the Giant Peach

April 26- May 5, 2019

 

James finds a door in the peach and discovers a crew of fantastic creatures living inside, all transformed, by a potion, to giant size.  When the peach rolls off the tree and into the ocean, the crew must work together to overcome hunger, battle sharks, and escape greedy aunts who are plotting to fumigate the peach and everyone inside.   From the branches of the tree, to the Atlantic Ocean, to the skies above New York city, their daring exploits teach James’ and his new friends to work together and redefine what it means to be a family.

 

Disney’s Newsies

Book – Harvey Fierstein

Music – Alan Menken

Lyrics – Jack Feldman

Based on – Disney film written by Bob Tzudiker and Noni White

Originally Produced = by Disney Theatrical Productions

Mary 31- June 23, 2019

 

The strike begins when Pulitzer and Hearst raise distribution prices on their papers, forcing the newspaper boys to sell more to earn a living.  Jack the paperboy steps up as leader of the Newsies, rallying underpaid newsboys across the city to stand up to the publishing titans.  A friendly reporter’s interest in the story leads to a budding romance with Jack and publicity for the cause, but will the pressure be enough to make Pulitzer and Hearst bow to what’s right?

 

All Shook Up

Book – Joe DiPietro

Inspired by and featuring the songs of Elvis Presley

Young@Part Edition Adapted by Marc Tumminelli

Young@Part Edition originally produced at Broadway Workshop in New York City

First workshopped at Hoboken Children’s Theatre, NJ, Chase Leyner, Director.

July 26 – August 4, 2019

 

Loosely based on Shakespeare’s Twelfth Night and Midsummer Night’s Dream, the story takes place in 1955, when a handsome stranger stops in town to get his motorcycle fixed and catches the eye of the gas station owner’s daughter, Natalie.  When he fails to take interest in her, she disguises herself as “Ed” to get close to him and earn his trust.  A case of mistaken identities and mixed-up couples create a web of comedy and confusion, and it becomes anyone’s guess if Natalie will find her happily-ever-after by the last song.

 

Alice’s Adventure in Wonderland

Playwright – Deborah Lynn Frockt

Based on – Lewis Carroll’s book Alice’s Adventure in Wonderland

July 27-August 3, 2019

 

The play begins on a lazy summer day, when young Alice follows the White Rabbit down its hole and comes upon a curious world with food and drinks that make her grow or shrink most inconveniently.  Alice encounters a disappearing Cheshire Cat who warns her that no one around her is sane.  She observes a series of puzzling adventures at the Mad Hatters tea party.  She plays a game of hedgehog croquet with the King and Queen of Hearts, and holds a philosophical conversation with a Mock Turtle.  When Alice finds herself on trial, she must draw on the new skills she has learned in this Wonderland, to save her from danger.