Review: Ballet 5:8’s emotion-filled ‘Compass’ opens season of modern dance options

Ballet 5:8’s Antonio Rosario, front, was a focal point whenever he was on stage for the group’s “Compass” program. (Supplied/Lana Kozol)

By K.D. Norris

ken@wktv.org 

 

Ballet 5:8’s “Compass”, Oct. 28, at The Devos Center for Arts and Worship, Grand Rapids Christian High School, Grand Rapids, Mi. 

 

60-second Review

 

This weekend’s visit of the Chicago-based Ballet 5:8 dance company, and its original modern ballet/dance program “Compass”, choreographed by Julianna Rubio Slager, offered a welcome addition to what is a quality if not-so-plentiful spectrum of modern dance opportunities in the Grand Rapids area.

 

The program of four one-act ballets, inspired by the challenges of personal navigation in a world of cultural tension and personal quandary, was consistent in its imaginative choreography by Slager — the troupe’s artistic director — as well as being accompanied by mostly well matched music and well danced by Ballet 5:8’s dancers.

 

Special note should be given to the on-stage presence and prowess of solo dancers Stephanie Joe and especially Antonio Rosario — the pair were perfect together in the second movement/Culture 4 segment of “All God’s Children”, the opening of the four one-act ballets. But Rosario’s stage power and personality was a focal point whenever he was on stage.

 

The most memorable — and emotional — of the one-acts, however, was the sparse, incredibly emotional “The Mother”, and the dancing perfection of lead dancer Lorianne Barclay. Based on an interpretation of a poem by Pulitzer Prize author (and Chicagoian) Gwendolyn Brooks, the dance — where in Barclay’s channelling of Brooks’s lament of “the abortion of decades past” is both raw and sadly tender but also hints (to me) at the ultimate acceptance of one’s life decisions and the consequences of those decisions.

 

The dance company’s mission, according to the program, is to engage in a “conversation of life and faith” through dance. And “Compass” did that very well, and with out being too preachy.

 

For more information about Ballet 5:8 visit ballet58.org.

 

May I have more, please? 

 

As I said, the visit by Ballet 5:8 was a beginning and a welcome addition to the area’s fall/winter modern dance offerings.

 

Next up is Grand Valley State University’s modern dance offering, part of its Fall Arts Celebration, as Aerial Dance Chicago presents a free program, “Celebrating Originality: Defying Gravity with Aerial Dance Chicago”, on Monday, Nov. 6, at 7:30 p.m., in Louis Armstrong Theatre on the Allendale Campus.

 

The annual visit by a professional dance company is always worth the time and the short drive west.

 

And also worth the effort is the GVSU Fall Senior Dance Concert, scheduled for Dec. 9, at 7 p.m., and Dec. 10, at 2 p.m., at the Dance Studio Theatre, also on the Allendale Campus. The dance program, all choreographed and danced by students, is free.

 

For more information GVSU’s entertainment programs visit gvsu.edu/mtd.

 

The high-point of the modern dance season, of course, the annual presentation of the Grand Rapid’s Ballet’s Movemedia program, this season offering a series titled “Movemedia: Diversity” and presented on Feb. 9-11, 2018 (Movemedia I) and on March 23-25, 2018 (Movemedia II), both at the ballet’s Peter Martin Wege Theatre.

 

The program, according to the Grand Rapid Ballet’s website, includes “world-premiere works by some of today’s most important and influential choreographers.”

 

If past performance(s) is any indication of future expectations, I can’t wait to see what hits the stage early next year.

 

For more information on the Grand Rapids Ballet visit grballet.org.

 

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