By Jeffrey Kaczmarczyk, Grand Rapids Symphony
Karen Gomyo, who had taken up Suzuki violin only a few months earlier, was just 5 ½ years old when she decided she would make music her life’s work. That was after her mother took her to a performance by the famous violinist Midori Goto.
“After seeing Midori, I just wanted to do what she was doing,” Gomyo told the Winnipeg Free Press in November 2012.
Two-and-a-half years ago, Gomyo was scheduled to make her Grand Rapids Symphony debut but had to cancel at the last minute. In September, the Canadian violinist will be on stage to open the Grand Rapids Symphony’s 89th season with Samuel Barber’s Violin Concerto.
Music Director Marcelo Lehninger will be on the podium for Beethoven’s 7th at 8 p.m. on Friday and Saturday Sept. 14-15, 2018, in DeVos Performance Hall. Appointed Music Director in July 2016, Lehninger enters his third season at the helm of the Grand Rapids Symphony.
The opening concerts of the 2018-19 Richard and Helen DeVos Classical series opens with Leonard Bernstein’s Divertimento and conclude with Beethoven’s Symphony No. 7. The Concert Sponsor is Spectrum Health. Guest Artist Sponsor is the by Edith I. Blodgett Guest Artist Fund.
“It’s such a wonderful way to start a season,” said Lehninger. “Not only with Beethoven, but with that Beethoven Symphony.”
In the climactic scene of the 2010 film The King’s Speech, which won the Oscar for Best Picture, King George VI overcomes the stammer he’s had since childhood to announce on radio that The United Kingdom was at war with Nazi Germany.
As King George VI, portrayed by actor Colin Firth, addresses the nation on BBC radio, the gravitas of the moment in the film is supplied by the solemn and stirring allegretto from Beethoven’s Symphony No. 7.
Beethoven’s mature Symphony No. 7 in A Major is known today for the rhythmic vitality of all of its movements. All four are in a faster tempo than was normal for the time, giving the symphony a fiery energy seldom heard in the concert hall.
Leonard Bernstein’s Divertimento, a cheeky work full of nods to other composers, inside jokes and extraverted humor was commissioned by the Boston Symphony Orchestra to celebrate its 100th anniversary in 1980.
Samuel Barber, best known for his Adagio for Strings, composed his Concerto for Violin and Orchestra, Op. 14, just before his 30th birthday. The neo-romantic work looks nostalgically to the past in its first two movements while the finale, which is more irregular and aggressive, looks to the future.
Gomyo (pronounced “GAHM-yo) has performed with top American orchestras including the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, Philadelphia Orchestra and Cleveland Orchestra in the United States as well as with the Vienna Chamber Orchestra, Sydney Symphony Orchestra, Danish National Symphony, and Tokyo Symphony Orchestra.
Born in Tokyo to a French-Canadian father and a Japanese mother, Gomyo moved to Montreal at age 2 where she began studying Suzuki violin. At age 11, Gomyo moved to New York City to study at The Juilliard School with violinist Dorothy DeLay, the legendary pedagogue whose students include Itzhak Perlman and Sarah Chang as well as violinists such as Midori and Anne Akiko Meyers, all of whom previously have graced the Grand Rapids Symphony’s stage.
At 15, she became the youngest violinist ever accepted on the management roster of Young Concert Artists. In 2008 at age 26, she was awarded an Avery Fisher Career Grant.
Gomyo, who served as violinist, host and narrator for a documentary about Antonio Stradivarius titled The Mysteries of the Supreme Violin, performs on a 1703 Stradivarius violin that was bought for her exclusive use by a private sponsor. Unlike many Stradivari, the instrument dubbed “Aurora, ex-Foulis” never was owned previously by a renowned violinist. Through the entire 20th century, it only had three owners, including Gomyo, which also is rare for an instrument of this caliber.
Gomyo said it took her years to get acquainted with the instrument because an instrument such as a Stradivarius has its own character.
“It comes with a strong personality and you can’t impose yourself on it. You have to let it speak,” Gomyo told Utah based classical music writer Edward Reichel in October 2015. “I’ve had my Stradivarius for 10 years, but it’s only been in the last few years that I can say that I have bonded with it.”
- Inside the Music, a free, pre-concert, multi-media presentation sponsored by BDO USA, will be held before each performance at 7 p.m. in the DeVos Place Recital Hall.
- The complete Beethoven’s 7th program will be rebroadcast on Sunday, March 3, 2019, at 1 p.m. on Blue Lake Public Radio 88.9 FM or 90.3 FM.
Tickets
Tickets start at $18 and are available at the Grand Rapids Symphony box office, weekdays 9 am-5 pm, at 300 Ottawa Ave. NW, Suite 100, (located across from the Calder Plaza), or by calling 616.454.9451 x 4. (Phone orders will be charged a $2 per ticket service fee, with a $12 maximum.)
Tickets are available at the DeVos Place ticket office, weekdays 10 a.m. – 6 p.m. or on the day of the concert beginning two hours prior to the performance. Tickets also may be purchased online at GRSymphony.org.
Full-time students of any age are able to purchase tickets for only $5 on the night of the concert by enrolling in the GRS Student Tickets program, sponsored by Calvin College. This is a MySymphony360 eligible concert.
