Tag Archives: DeVos Performance Hall

Boldly Go Where No Orchestra Has Gone Before

Star Trek Live in ConcertIn 2009, acclaimed director J.J. Abrams re-envisioned and re-invigorated the Star Trek franchise with a brilliantly casted ensemble, stunning visual effects and action-packed plot. Michael Giacchino’s thrilling, Grammy-nominated musical score contributed in no small part to the film’s success

At “Star Trek: Live in Concert,” the Grand Rapids Symphony orchestra will perform Giacchino’s score as “Star Trek” (2009) is screened simultaneously in high definition. Audiences will experience the film in true surround sound as they are transported into the futuristic world of Captain Kirk, Spock and the rest of the U.S.S. Enterprise crew. This Nestlé Gerber SymphonicBoom series concert is a highly anticipated, one-night only performance on Saturday, October 17, 8:00 p.m. at DeVos Performance Hall.

Grand Rapids SymphonyThe orchestra will be led by Constantine Kitsopoulus, who has made a name for himself conducting in the worlds of opera, musical theater and symphony. Kitsopoulus is currently in his eighth year as Music Director of the Queens Symphony Orchestra and continues as General Director of Chatham Opera, which he founded in 2005.

“Star Trek: Live in Concert” is being presented in collaboration with Grand Rapids Comic-Con, a comics and popular arts convention to be held at DeVos Place October 16 – 18. Fun, family- friendly activities will surround “Star Trek: Live in Concert” in DeVos Performance Hall, including a space-themed photo booth and cocktails in the Keeler Lobby. Social media posts from audience members using the #grsymphony hashtag will be shared on hall screens.

Tickets start at $32 and are available at the Symphony office, weekdays 9 a.m. to 5 p.m. or by calling 616-454-9451. Other ways to purchase tickets as follows:

• By phone in the evenings and on Saturday by calling 616-885-1241
• At the DeVos Place Box Office, weekdays 10 a.m. to 6 p.m.
• Through Ticketmaster at 800-982-2787
• Ticketmaster outlets: select D&W Fresh Markets, Family Fare Stores and Walmart
• Online at GRSymphony.org
• On the day of the concert at the DeVos Place Box Office beginning two hours before showtime

Broadway Grand Rapids Presents ‘Once’–Winner of 8 Tony Awards– A Love Story You Have to See!

Carol and Paul Hillman
Citizen Journalists Carol and Paul Hillman review Broadway Grand Rapids’ Production of Once. They want to see it twice.

It’s not your typical Broadway musical.  It’s all about the story.  And what a story it is.

 

ONCE tells the enchanting tale of a Dublin street musician who’s about to give up on his dream when a beautiful young woman takes a sudden interest in his haunting love songs

 

“Once” is a singular play, but in a way, this is “Once” twice. The title, story, and Grammy nominated music was derived from the 2007 movie of the same name.

 

Tuesday night’s performance of “Once” at DeVos Performance Hall was  the second offering of the Broadway Grand Rapids season.  It played to a nearly sold-out crowd. Despite the name, the show is certainly good enough to see twice!  Some say this is a stage play integrated seamlessly with compelling songs. Others claim it is a musical telling a story of love played between two stellar performers. Either way, the audience is treated to a performance of NYC caliber actors, musicians, and singers.

 

The audience knows that something is immediately different when entering the auditorium. Seeing an Irish Public House as the set prior to the performance is not particularly unusual. However, allowing the audience to step up to the stage, buy pre-performance drinks from the working pub, and wandering about the set prior to the opening is quite exceptional. Soon the on stage audience members are joined by half a dozen Celtic fiddle, mandolin, accordion, and guitar musicians. Several traditional Irish tunes are offered to both the audience on stage and those just getting to their seats prior to the “official” start of Act 1.

 

The staging brings us all together in a common setting and experience. Slowly and unobtrusively audience members return to their seats all while more performers appear on stage. Gradually the house lights dim as the audience is warmly pulled into the pub to watch the story begin.

 

Most of the tale is told in Billy’s instrument store. But via lighting and minimalistic staging, scenes easily flow from store to home, to appliance repair shop, and then back again. All the time players moving between acting, playing, singing, or quietly functioning as stage crew.

 

Each of the dozen players demonstrated solid instrumental, vocal, and acting skills. Several players reveal proficiency on multiple instruments. The male and female leads, whose characters are only known as “Guy” and “Girl”, are played by Stuart Ward and Dani de Waal. These two must have been cast for their parts due to their obvious onstage chemistry. Both have extraordinary voices which are matched only by their amazing acting. Each are nearly flawless in their performance.

 

They play a conflicted couple who struggle with their growing feelings for each other while still trying to honor the relationships they have previously established with others. While never fully stated, the title of the play may possibly refer to the singular time these two will be together in the few days they share in this story.

 

Several numbers must be called out as special. The audience will surely recognize “Falling Slowly” from the movie. The piece won an Academy Award for Best Original Song. Both in the first act and again as a reprise, the song is poignant without being sugary sweet.

 

While generally a serious and lovely story, there are plenty of laughs and giggles available, not the least of which when “Guy” sings “Broken Hearted Hoover Fixer Sucker Guy”.

 

In my opinion, the pinnacle of all the musical numbers is the second act a Capella reprise of “Gold”. The instruments are silent, but the voices aren’t. Each character slowly joins the next in a rich wave of sound providing exceptionally tight harmonies and intricate moving vocals. At the climatic end of the song, the 2,000+ attendees are intimately captivated and absolutely silent.

 

“Once” is not to be missed. Not once; not at all!

 

Tickets are on sale now! Tickets are available at the DeVos Place® convention center and Van Andel Arena® box offices, Ticketmaster ticket centers, online at Ticketmaster.com, or charge by phone at 1-800-982-2787.

New Phantom of the Opera Production to Premiere at DeVos Hall in 2016

Renovations to DeVos Performance Hall make hosting big productions possible!

Cameron Mackintosh and Andrew Lloyd Webber’s Really Useful Group are delighted to announce that their spectacular new production of  PhantomAndrew Lloyd Webber’s THE PHANTOM OF THE OPERA will make its Grand Rapids premiere in at DeVos Performance Hall for 16 performances May 18-29, 2016. With newly reinvented staging and stunning scenic design, this new version of PHANTOM, the most successful musical of all-time, will be performed by a cast and orchestra of 52, making this one of the largest productions on tour in North America.

 

This exciting announcement follows the approval by the Kent County Convention/Arena Authority to upgrade DeVos Performance Hall to allow for this spectacular show. The commissioners voted unanimously to make structural improvements in order to allow shows of this caliber to play on the DeVos Hall stage. THE PHANTOM OF THE OPERA will mark the first time Broadway Grand Rapids will have a touring show on stage for 2 weeks. Commissioners applauded the opportunity to enhance the community’s reputation as a destination city. Current Broadway season ticket holders will have first opportunity to secure tickets for this landmark event in the 2015-16 season.

 

For more information on the production and a video sneak peek, please visit
www.ThePhantomOfTheOpera.com/USTour

 

Andrew Lloyd Webber said, “It’s wonderful to have a new production of PHANTOM touring America now that the show has celebrated over 25 years on Broadway. Director Laurence Connor has done an amazing job and this production has received huge critical acclaim in the UK.”

 

Cameron Mackintosh said, ”After a glorious celebration of 25 phenomenal years on Broadway with no end in sight, I’m delighted to be able to bring this dazzling new production of PHANTOM — which has been phenomenally well-received by both audiences and critics in the U.K this past year — to North America. With an exciting new design and staging, retaining Maria Björnson’s amazing costumes, I am confident North American audiences will fall in love with the PHANTOM in his new guise — for the first time or all over again.”

 

The new production of PHANTOM has been an enormous hit on its inaugural UK tour with audiences and critics alike…

 

“An intense and spectacular new production with a stunning new design, fresh drama and added momentum.”

 

“Cameron Mackintosh’s flawless new PHANTOM is the best production of this musical ever.”

 

“Take a deep breath and prepare to be dazzled; this kind of gorgeous escapism is exactly what audiences need.”

 

“A PHENOMENON.”

 

“Andrew Lloyd Webber’s luscious music – a great theatrical experience PHANTASTIC.”

 

This new production of THE PHANTOM OF THE OPERA is directed by Laurence Connor (the 25th Anniversary production of Les Misérables now on Broadway) with choreography by Scott Ambler, set design by Paul Brown, Tony Award®-winning original costume design by Maria Björnson, lighting design by Tony Award®-winner Paule Constable, sound design by Mick Potter and musical supervision by John Rigby. The production is overseen by Matthew Bourne and Cameron Mackintosh. THE PHANTOM OF THE OPERA has music by Andrew Lloyd Webber; lyrics are by Charles Hart (with additional lyrics by Richard Stilgoe) and the book is by Richard Stilgoe and Andrew Lloyd Webber. Orchestrations are by David Cullen and Andrew Lloyd Webber.

 

There are currently seven productions of THE PHANTOM OF THE OPERA around the world: the flagship London production (27 Years and counting), New York (26 Years and counting), Sapporo (Japan, 25 Years and counting, in repertory), Budapest (Hungary), Hamburg (Germany), the Asian Pacific Tour and Cameron Mackintosh’s spectacular all-new production now on North American Tour. The next international opening will be in Taipei, China in September 2014.

 

Since its debut, THE PHANTOM OF THE OPERA has grossed over $5.6 billion worldwide, with over 65,000 performances that have been seen by 130 million people in 29 countries and 150 cities in 13 languages. The show has won more than 70 major theater awards.

 

There have been three previous U.S. National Tours of THE PHANTOM OF THE OPERA that grossed over $1.5 billion in combined box office sales and played 216 engagements in 77 cities for an unprecedented total of 36 years and over 14,500 performances to 31 million people.

 

Based on the classic novel Le Fantôme de L’Opéra by Gaston Leroux, THE PHANTOM OF THE OPERA tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it. He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command.