By Koy Flores
WKTV Contributor
Fall of 2025 marks the 16th annual ArtPrize – an international showcase of artistic talent with awards totaling $600,000 going to artists, curators and educators of the event.
ArtPrize prides itself on incorporating public voting in addition to the juried award process. Those votes help determine a grand prize winner and a winner in each category: 2D, 3D, Time-Based, Installation, New Media and Design.
One captivating sculpture on this year’s ballot was the chemically-fused conglomerate of 10,000 real rose petals, aptly named Red Rose by breakout artist Keven Bahoora. Bahoora’s Instagram page states that he chose one beautiful rose from a photo of many and made it the centerpiece for which he built thousands of other roses around it.
The “image is the medium”
When asked about the theme for Red Rose, Bahoora stated the sculpture was made through recursion, a technique in which the artwork contains smaller versions of itself.
“In nature, there’s this process of decay, and I want to be able to stop that process in moments where they’re the most beautiful and interesting,” Bahoora said. “Essentially, I’m making a rose, breaking it down and putting it together.
“The rose that’s depicted in the image you see was plucked and put in the center – making the rose both recursive and self-referential, and literally making the image the medium.”
Bahoora’s choice of a rose stemmed from the flower’s standing as the most iconic symbol of beauty across western culture.
Help along the way
For Bahoora, becoming an artist was “always the plan.” However, he entered the chiropractic field because he knew the art he wanted to create was not taught in art school – and would be expensive.
Bahoora’s wife became chronically ill two weeks after he sold his chiropractic clinic to focus on art full-time. Bahoora brought Red Rose into their bedroom so that he could simultaneously work on it while caring for his wife.
Red Rose is a project that took Bahoor 16 years from conception to completion. However, a large chunk of that time was spent learning how to preserve organic material for artistic use and the innate nature of trial-and-error.
“I did the first piece to completion – it was also about six-to-seven feet circular – and I didn’t know why some petals yellowed and some didn’t,” Bahoora said. “It [fully] yellowed about six months later. That was in 2010, and it took me about 1,000 hours.”
Bahoora went on to describe how he received scientific consultation from several companies that worked with preservation. These companies included epoxy manufacturers, automotive clear coat manufacturing companies and marine companies (boat preservation).
“Ultimately it was finding that right combination of chemicals that was going to preserve it in testing,” Bahoora said. “That took several years. We ended up consulting the epoxy manufacturers and chemists.”
Though Bahoora would not reveal this “secret sauce” of chemicals, he said it was imperative to find chemicals that protected the piece from UV light and moisture but did not break down the petals.
Epoxy resins are made from chemical reactions and can be specialized for use in coating, adhesives, structural and composite uses (Understanding the Manufacturing Process of Epoxy Resins).
Bahoora said he tested Red Rose in the Las Vegas sun, and that the sculpture we see today was finalized in November 2024.
The Man that started it all
Bahoora credits the start of his artistic endeavors with recursion to his illustration Man, which he first unveiled to the public in 1999.
“This is an Adam figure, made of sand and dirt,” Bahoora said. “That was the idea of mirroring image with the medium.
“It’s a man evolving from his environmental extremes, a junction between drought and storm, with light divine in the background.”
Love thy job
Bahoora expressed gratitude to his wife and numerous friends and family. He said there were “too many to name,” but that they “know who they are.”
This is the first time Bahoora has unveiled his art to a large audience. He is thankful for, and humbled by, the praise his work has received.
“Watching their faces change when [they go from] thinking it’s a painting to hearing that it’s all rose petals,” said Bahoora. “It’s the most gratifying thing to watch them mouth the word ‘wow.’ It humbles me and makes me love my job.”
To view more of Bahoora’s work or to contact him directly, visit his website at bahoorastudios.com.
Bahoora’s Red Rose is currently available for viewing in the Pantlind lobby of the Amway Hotel.
